Nicholas Holloway Fine Art Interior Paintings

This highly atmospheric painting captures an elegant interior, replete with paintings, silverware, hand crafted furniture and an urn of fresh summer flowers; the very essence of an E...

A rare and most attractive still life by William Jones of Bath. The sumptuous textures of the peaches, grapes and strawberries contrasting with the dark background. A really handsome...

A really striking and stylish large still life by this Modernist master. René Genis (1922-2004) Pot Bland et poivrons Signed and further signed to reverse and inscribed with the tit...

A rare and most attractive still life by William Smith of Chichester. The sumptuous textures of the peaches and grapes contrasting with the dark ba...

A really beautiful study, the delicate colours of the summer flowers standing out against the dark background. Miles Fletcher de Montmorency (1893-1963) Cornflowers and Scabius in a glass vase With dedication plaque to the reverse. 12 x 10 inches without frame 14 x 12 inches with frame Miles Fletcher de Montmorency was a painter, baronet, son of Hervey Lodge de Montmorency and husband of the artist Rachel de Montmorency. He studied at Dover School...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

Sargy Mann (1937-2015) Studio with standard lamp Signed, upper right Inscribed with title to the reverse Oil on board 48 x 60 inches Provenance: Cadogan Contemporary Private Collection Exhibited: Sargy Mann and Graham Giles, Christchurch Mansion, Ipswich, 1991 A truly beautiful work but also highly significant within Sargy's oeuvre. The painting dates to the late 1980s when Sargy and his family were living at 58 Lyndhurst Grove, SE15. Sadly by this time, Sargy's eyesight had greatly deteriorated to ‘“a very little, blurry, peripheral vision” in his left eye, (he was registered blind)....(he) found it a struggle to paint from direct observation and began to rely on short term memory and tape recordings. Working on a large scale, he taped canvas to the living room wall of the family home on Lyndhurst Grove, “rather as Bonnard had pinned primed canvas to his studio wall”’. The space depicted had initially been a dark, depressing attic space but this was transformed by the addition of some French windows. The painting has an almost abstracted quality with the two light sources creating pools of cool, luminescent energy radiating throughout the picture space. Peter Mann describes the paintings from Lyndhurst Grove as, ‘in some sense a precursor to the very late work, The little sitting room paintings...

Alan Latter (born 1961) Le 14 juillet Signed and inscribed with title and dated ‘2020’ verso, oil on canvas, 20 x 16 inches Born in Islington in 1961, Alan Latter's work is influenc...