Parino Mercato Antiquario Interior Paintings
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20th Century Oil on Canvas Signed Mattia Traverso Interior Scene Painting, 1930
Located in Vicoforte, IT
Italian painting from the first half of the 20th century. Oil on canvas, first canvas, depicting a party in a tavern of excellent pictorial quality. Large and impactful painting ador...
Category
1930s Figurative Paintings
Materials
Canvas, Oil
18th Century Oil on Canvas Italian Painting Joseph and and Potiphar's Wife
Located in Vicoforte, IT
Antique Italian painting from 18th century. Oil artwork on canvas depicting biblical subject Joseph and and Potiphar's Wife of good pictorial hand. Beautiful measure and pleasant fur...
Category
1750s Figurative Paintings
Materials
Canvas, Oil
20th Century Oil on Canvas Spanish Signed Painting Maternity, 1950s
Located in Vicoforte, IT
Spanish painting from the mid-20th century. Oil on canvas, glued on masonite, painting depicting Maternity, Woman with child in her arms of excellent pictorial quality. Painting of great pleasantness and good brightness, characterized by bright colors, for antique dealers, interior designers and collectors. Painting signed lower right (see photo) attributable to the Spanish painter Rosendo Gonzalez Carbonell...
Category
1950s Figurative Paintings
Materials
Canvas, Oil
17th Century Oil on Canvas Italian Antique Mythological Painting Rape Of Europa
Located in Vicoforte, IT
Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting the mythological subject Rape of Europa of excellent pictorial quality. Painting of...
Category
1650s Figurative Paintings
Materials
Canvas, Oil
18th Century Oil on Canvas English Genre Scene Painting, 1750
Located in Vicoforte, IT
Antique English painting from the second half of the 18th century. Framework oil on canvas depicting genre scene with characters of good pictorial quality. Large size and impact pain...
Category
1750s Figurative Paintings
Materials
Canvas, Oil
20th Century Mixed Media On Canvas Italian Signed Still Life Painting, 1980
Located in Vicoforte, IT
Italian painting from the late 20th century. Framework mixed media on canvas depicting still life, table adorned with a musical instrument, globe, candle, book and notes of good pict...
Category
1980s Still-life Paintings
Materials
Canvas, Mixed Media
20th Century Oil on Masonite Italian Signed A. Merello Still Life Painting, 1950
Located in Vicoforte, IT
Italian painting from the mid-20th century. Work oil on masonite depicting still life Sweet fruits of good pictorial quality. Nice sized and pleasantly furnished framework signed low...
Category
1950s Still-life Paintings
Materials
Masonite, Oil
19th Century Oil on Canvas Italian Antique Religious Painting Saint Anthony 1860
Located in Vicoforte, IT
Fascinating 19th century Italian painting depicting Saint Anthony the Abbot burying Saint Paul the hermit. Two lions miraculously help the saint by digging a grave in the foreground....
Category
1860s Figurative Paintings
Materials
Canvas, Oil
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Fine 1950's English Oil Grand Interior Room Scene Ancestral Portraits signed
Located in Cirencester, Gloucestershire
The Guildhall, Worcester
English School, mid 20th century
indistinctly signed verso
oil on canvas
canvas: 20 x 24 inches
provenance: private collection, UK
condition: very good and sound condition
The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared.
The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753.
The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall.
HISTORY
In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on.
The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building.
Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost.
In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription.
The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars.
Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement.
North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop.
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