Peter Schlächter Wall Decorations

Fritz Winter (1905 Altenbögge - 1976 Herrsching am Ammersee) “black, light English red” Color aquatint of 2 plates, created in 1967 Edition of 100 numbered and signed copies on Ri...

Fritz Winter (1905 Altenbögge - 1976 Herrsching am Ammersee) “Blue, brown, red, black” Color aquatint of 3 plates, created in 1967 Edition of 100 numbered and signed copies on Riv...

Georges Braque (1882 Argenteuil - 1963 Paris) “L'Etang” from Lettera amorosa Lithograph in 3 colors, created in 1963 Printer: Mourlot, Paris 1963 numbered and signed by hand cop...

A.R. Penck (1939 Dresden - 2017 Zurich) Color etching, “untitled”, created in the 1990s, signed and numbered by hand, ed. 35, copy 32/35 Sheet size: 65.5 x 89.5 cm Frame size: ...

Georg Karl Pfahler (1926 - 2002) “untitled” Color silkscreen on wove paper, versa signed, numbered and dated by hand Creation 1989 EX. 23/50 framed behind glass Dimensions: 70 x 70 cm Georg Karl Pfahler is considered the only important representative of the Hard Edge in Germany; he was a guest at the Biennales in Venice and São Paolo, taught in Nuremberg and Salzburg and was awarded numerous prizes. Georg Karl Pfahler was born on October 8, 1926 in Emetzheim, Bavaria. He spent his childhood and youth on his parents' farm, far away from any art. Nevertheless, he loved painting and drawing from an early age and cultivated it intensively as a childhood pastime. However, Georg Karl Pfahler only received the impetus to study art in 1948 when he met students from the Nuremberg Art Academy and accepted their invitation. His parents, good but simple country folk, had no interest in their son's newly awakened passion, and the young man was also met with incomprehension in his home village. However, Georg Karl Pfahler did not let this put him off, but attended the Academy of Fine Arts in Nuremberg for two years, where he came into contact with original art for the first time and became acquainted with the works of Marc Chagall and Paul Klee. After two semesters, he moved to Stuttgart to study under Willi Baumeister, Gerhard...

Heinz Mack (*1931 Lollar) “untitled” Created in 2013 Color silkscreen on wove paper, signed, numbered and dated by hand EX. 31/70 framed behind museum glass Dimensions: She...

Ida Kerkovius (1879 Riga - 1970 Stuttgart) “Point-Line-Surface” Serigraph in 12 colors, created in 1966 numbered and signed by hand copy 192/300, edition of 300 copies WV IKD 25 Framed behind glass Dimensions: Image size 30.5 cm x 40.5 cm Frame size 57 cm x 77 cm Ida Kerkovius Riga/Latvia 1879 - Stuttgart 1970 A Baltic German...

Vernon Tong (*1933 Jamaica) “Bathing Nude” Created in 1968 Oil on canvas, signed lower left, framed Dimensions: 76 x 101 cm

Painting "Three putti playing with a lion", Italy, late 17th century, oil on canvas, framed Picture size: height 63 cm, width 47.5 cm Frame size: height 78 cm, width 63 cm

Bernhard Pankok (1872 Münster - 1943 Baierbrunn) “Meadow with tree” Oil on cardboard, created around 1894 Signed and dated by hand lower right, framed Format: 34 x 31 cm Frame s...

Hans-Henrik Husemann (*1943 Celle), "Easthills", acrylic on canvas, signed and dated "HUS 24", framed 70 x 60 cm Born in 1943, grew up in Hamburg and Berlin, studied at the Hochsch...

Gerhard Uhlig (1926-2015) Watercolor “untitled”, created in 1984, signed and dated by hand, framed behind glass Dimensions: Frame size: 43 x 34 cm Sheet size: 15 x 10 cm Gerha...

Einar Parslev (1891-1977) Oil on canvas, painted around 1920, framed, dimensions 25 x 22 cm Einar Parslev painted naturalistic portraits, figure paintings, landscapes, interiors, c...

Joakim Frederik Skovgaard (1856 Copenhagen - 1933 ibid.) Study for the work on Viborg Cathedral, Oil on canvas, painted in 1895, signed, dated, framed, d...

Hans Sebald Beham (1500 Nuremberg - 1550 Frankfurt am Main) “Judicium des Paris”, The Judgement of Paris, original copperplate engraving, framed behind glass, 1546, dated in the cane...

Bernhard Pankok (1872-1943) Drawing “Scene from the English garden in Munich” Pencil drawing, framed, 1893, signed and dated Dimensions 34x 28 cm On May 16, 1872, one of the most i...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn) “Man in front of a mirror” Colored pencil on paper, created around 1900 signed by hand, framed Format: 26 x 29 cm Frame size On May ...

Hans Andersen Brendekilde (1857-1943) Painting “Girl in front of a farmstead in the snow”, oil on canvas, signed on the canvas lower right “HA Brendekilde”, dimensions with frame 61.5 cm in height and 74 cm in width. An exchange of letters from 1941 between a former owner of the painting and the artist has been preserved, in which she inquires with Brendekilde about the depicted farmstead and its location. In his reply, Brendekilde invites the writer to visit him in his studio on occasion and tells her about the farm depicted. The letters are written in Danish and also in a German translation. Hans Andersen Brendekilde * 07.04.1857 (in Odense) - † 30.03.1943 (in Jyllinge) 1871 - 1874 Apprenticeship as a carpenter and stonemason with Wilhelm Hansen in Odense 1877 trained as a flower painter with O. A. Hermannsen 1877 - 1881 Studied sculpture and painting at the Royal Danish Academy of Fine Arts 1882 Debut at the Charlottenborg Autumn Exhibition 1883 - 1885 Regular stay at the Raagelund art colony 1884 Name change to the place name of his native village of Brendekilde 1885 - 1907 Workshop work in the pottery of Hermann A. Kähler From 1888 Production of his own frames 1889 Participates in the World Exhibition in Paris and illustrates the book Nissen by Vilhelm Bergsøes 1889 - 1890 Study trip to Germany, France, Italy and the Netherlands 1893 Participates in the World's Fair in Chicago 1894 Illustration of the book The Night Watch by Henrik Pontoppidan 1894 - 1895 Study trip to Germany and Italy 1901 - 1904 Employed by Fyens Glasværk 1908 - 1909 Study trip to Italy since 1918 Retreat to Jyllinge 1922 - 1923 Study trip to Italy Brendekilde grew up in poor circumstances and began training as a carpenter and stonemason at the age of 14. After a preparatory course of several months in 1877 for the Royal Danish Academy of Fine Arts under Oluf August Hermannsen to become a flower painter, he began studying sculpture and later painting at the academy. In 1882 - one year after graduating - he made his debut at the Charlottenborg Autumn Exhibition. Born Hans Andersen, the painter changed his surname to the place name of his native village in 1884 to avoid any confusion with the distantly related Danish poet Hans Christian Andersen. From 1885 to 1907, Brendekilde worked in the pottery of Hermann A. Kähler, producing ceramic and glass sculptures. Although he had been carving picture frames since childhood, it was not until 1888 that he used his own frames for his paintings. Between 1889 and 1890, he embarked on an academy-sponsored study trip to Germany, France, Italy, Egypt, Syria and the Netherlands. A little later, in 1894 - 1895, he traveled to Germany and Italy again. From 1901 to 1904 he worked for the Fyens Glasværk. His last study trips took him to Italy between 1908 - 1909 and 1922 - 1923. From 1883, he regularly visited the Raagelund art colony, where he met H. P. Carlsen, Søren Lund and Julius Paulsen. From 1903, Brendekilde worked at Holckenhus - a studio association - where he worked together with Peter Severin as well as Marie Krøyer...

Sophie Wencke “Path to the Devil's Moor” Painting, oil on panel, created around 1900, signed lower left elaborately framed with an antique “Berlin molding” Size 75 x 96 cm Sophi...

Carl Ludvig Thilson Locher “Coast” Oil on canvas, signed lower right Format: 59 x 84 cm Locher, son of the marine painter Jens Thielsen Locher, father of the Danish sculptor Axel ...

A landscape with nymphs and satyrs revelling by a stream , 1628 Daniël Cletcher, Den Haag 1599 Died: Den Haag buried on 1632-11-25 Father: Thomas Cletcher sr. (? - ca. 1655) Mother...

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Eduard Bargheer (1901-1979) “Southern Landscape”, 1972 Watercolour on laid paper, signed and dated by hand Image size: 42.5 x 55.5 cm Frame size: 59.5 x 72 cm Eduard Bargheer ...

Gerhard Uhlig (1926-2015) Drawing with graphite pencil, unique “untitled”, signed and dated by hand, created 1990, framed behind glass Dimensions: Sheet size 15 x 21 cm Frame siz...

Sam Francis (1923 San Mateo - 1994 Santa Monica) "Jubilee" color lithograph, created 1964, edition of 50 copies, signed, numbered and dated, Ex.: e.a. Dimensions: 50.5 x 65.5 cm Sam Francis was an American painter and graphic artist. His work is classified as Abstract Expressionism or Color Field Painting Sam Francis is one of the most important American artists, born in San Mateo (California) in 1923, died in Santa Monica in 1994. After a plane crash during his service in the US Air Force, he began painting in 1944 during his convalescence and then studied under David Park at the California School of Fine Arts in San Francisco. His early abstractions, which are still reminiscent of Clyfford Still and Jackson Pollock, show spontaneous painterly gestures that led to the typically American "all over" structure: the canvas is completely covered with dots, spots, marks and other traces of the painter's brush. When Francis was in Paris from 1950 to 1957, he abandoned color and broke new ground with works such as "White Painting" (1950). But as early as the summer of 1951 in the south of France, he used pink and red again, only to return to the full palette later on. Sometimes he used all the colors and their variations in tone, sometimes he let one color dominate, as in "Blue Balls" (1960). Although Francis has been associated with Color Field painting, this must be seen as an aid to classification, to help one come to terms with a highly original visual language. When "fields" appear in Francis' work, they are almost never (if ever) color fields. Instead, they have an interplay of foreground and background. They often create depth, which makes the canvas more of a "color space". It is typical of Sam Francis' pictorial strategies that he often leaves the center of the picture free...

Heinrich Siepmann (1904-2002 Mülheim) Collage, paper and gouache on cardboard, signed and dated by hand, created 1986 Dimensions: 45 x 48.5 cm Heinrich Siepmann belonged to the se...

Gerhard Uhlig (1926-2015) Screenprint "untitled", signed and numbered by hand, Ex. 47/65, created in 1966, framed behind glass Dimensions: Sheet size 63.5 x 58.5 cm Frame size 90...

Karl Otto Götz color lithograph 1.450,00 € incl. VAT Karl Otto Götz (1914 Aachen - 2017 Wolfenacker) Color lithograph "untitled", signed and dated, created 1967, framed behind glass ...

Hartmut Ritzerfeld (*1950), "Blumenstilleben", acrylic on canvas, monogrammed, inscribed on the reverse, framed 44.5 x 54.5 cm born 1950 in Stolberg 1969 - 1975 Studied at the Düss...

Hans-Henrik Husemann (*1943 Celle), "face to face", sepia on paper, created in 2021, signed and dated, framed behind glass 30 x 40 cm Born in 1943, grew up in Hamburg and Berlin,...

Hans-Henrik Husemann (*1943 Celle), "face to face", sepia on paper, created in 2021, signed and dated, framed behind glass 30 x 40 cm Born in 1943, grew up in Hamburg and Berlin,...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Eduard Bargheer (1901-1979) "Village in the desert", 1973 Color lithograph on laid paper, signed and dated by hand Ex.: 54/75 Dimensions: 42 x 59 cm Eduard Bargheer (1901 - 1979...

Hans-Henrik Husemann (*1943 Celle), "TERRA ARBORETUM", acrylic on canvas, signed and dated "HUS 19", framed 80 x 80 cm Born in 1943, grew up in Hamburg and Berlin, studied at the H...

Hans-Henrik Husemann (*1943 Celle), „TERRA MAGENTA III“, Öl auf Leinwand, Entstehung 2019, signiert und datiert „HUS 19“, 100 x 140 cm Born in 1943, grew up in Hamburg and Berlin,...

Hans-Henrik Husemann (*1943 Celle), "Dante Zyklus II", acrylic on canvas, titled and signed on verso 150 cm x 160 cm Born in 1943, grew up in Hamburg and Berlin, studied at the ...

"from afar" from the series Terra Created in 2023, acrylic on canvas, signed and dated bottom right Format: 100×120 Born in 1943, grew up in Hamburg and Berlin, studied at the Hoc...

"over there" from the series "Terra", acrylic on canvas, created in 2023 signed and dated bottom right 120 cm x 100 cm Born in 1943, grew up in Hamburg and Berlin, studied at the...

Günther Uecker (*1930), lithograph, created 1993, Ed. 45/100, numbered and signed, framed 90 x 63 cm

Johann Georg Müller (1913 - 1986) "Still Life" Created in 1981 Felt-tip pen on paper Framed with museum glass, dimensions: Sheet: 51 x 64 cm Frame 60 x 76.5 cm

Klaus Fußmann (*1938 Velbert), "Dahlias" Pastel chalk on laid paper, created in 1997 signed and dated lower right framed Dimensions: Sheet size: 75 cm x 75 cm

Frans Verhas 'Devant le miroir` Frans Verhas (1827 Dendermonde - 1897 Schaerbeck) "Devant le miroir" Oil on panel, original frame Dimensions: Frame: 68.5 x 108 cm Plate: 36,8 x...