Peter Schlächter Wall Decorations

Ernst Hase (1889 Münster-1968 Münster) “Flower Still Life with Vase” Watercolor and gouache on paper, signed lower left Framed with an antique molding, signed 1889 Ernst Hase w...

Emil Schumacher (1912 Hagen-1999 Ibiza) Untitled Aquatint and etching on vellum Created in 1967 Ed. 4/120 Numbered in pencil and signed lower right Sheet size: 52 x 72 cm Fra...

Carl Busch (1905-1973) Landscape near Capri Oil and gouache on hardboard Circa 1950 Signed lower left, framed with a so-called Impressionist strip Carl Busch was born on June ...

Frederik Larsen-Saerslov (1870 Holbaek -1942 Gentofte Denmark) “Birches by the Pond” Oil on canvas, mounted on cardboard, created in 1907, signed and dated lower right, framed 5...

Heinrich Deiters (1840-1916) Painting “Brushwood Collectors in an Autumn Landscape in Front of Haus Voerde” Oil on canvas, signed and dated lower right Created in 1889 Frame dim...

Viggo Johansen (1851 Copenhagen-1935 Copenhagen) “Three Seagulls” Oil on canvas, mounted on cardboard Signed/monogrammed lower left 42 x 55 cm Viggo Johansen was one of the fir...

Erich Heckel (1883-1970) “Still Life with Tulips” Original lithograph on handmade paper Created in 1953 Signed and dated by hand at the bottom right Edition of 250 copies Dub...

Christian Rohlfs (1849-1938) “Seascape in the fall” Creation: 1937 Pastel and water tempera on paper Estate stamp with work number and confirmation by Helene Rohlfs on verso Ti...

Hans Andersen Brendekilde (1857-1943) Painting “Girl in front of a farmstead in the snow”, oil on canvas, signed on the canvas lower right “HA Brendekilde”, dimensions with frame 61....

A landscape with nymphs and satyrs revelling by a stream , 1628 Daniël Cletcher, Den Haag 1599 Died: Den Haag buried on 1632-11-25 Father: Thomas Cletcher sr. (? - ca. 1655) Mother...

Frans Verhas 'Devant le miroir` Frans Verhas (1827 Dendermonde - 1897 Schaerbeck) "Devant le miroir" Oil on panel, original frame Dimensions: Frame: 68.5 x 108 cm Plate: 36,8 x...

Fritz Winter (1905 Altenbögge - 1976 Herrsching am Ammersee) “black, light English red” Color aquatint of 2 plates, created in 1967 Edition of 100 numbered and signed copies on Ri...

Fritz Winter (1905 Altenbögge - 1976 Herrsching am Ammersee) “Blue, brown, red, black” Color aquatint of 3 plates, created in 1967 Edition of 100 numbered and signed copies on Riv...

Georges Braque (1882 Argenteuil - 1963 Paris) “L'Etang” from Lettera amorosa Lithograph in 3 colors, created in 1963 Printer: Mourlot, Paris 1963 numbered and signed by hand cop...

A.R. Penck (1939 Dresden - 2017 Zurich) Color etching, “untitled”, created in the 1990s, signed and numbered by hand, ed. 35, copy 32/35 Sheet size: 65.5 x 89.5 cm Frame size: ...

Georg Karl Pfahler (1926 - 2002) “untitled” Color silkscreen on wove paper, versa signed, numbered and dated by hand Creation 1989 EX. 23/50 framed behind glass Dimensions: 70 x 70 cm Georg Karl Pfahler is considered the only important representative of the Hard Edge in Germany; he was a guest at the Biennales in Venice and São Paolo, taught in Nuremberg and Salzburg and was awarded numerous prizes. Georg Karl Pfahler was born on October 8, 1926 in Emetzheim, Bavaria. He spent his childhood and youth on his parents' farm, far away from any art. Nevertheless, he loved painting and drawing from an early age and cultivated it intensively as a childhood pastime. However, Georg Karl Pfahler only received the impetus to study art in 1948 when he met students from the Nuremberg Art Academy and accepted their invitation. His parents, good but simple country folk, had no interest in their son's newly awakened passion, and the young man was also met with incomprehension in his home village. However, Georg Karl Pfahler did not let this put him off, but attended the Academy of Fine Arts in Nuremberg for two years, where he came into contact with original art for the first time and became acquainted with the works of Marc Chagall and Paul Klee. After two semesters, he moved to Stuttgart to study under Willi Baumeister, Gerhard...

Heinz Mack (*1931 Lollar) “untitled” Created in 2013 Color silkscreen on wove paper, signed, numbered and dated by hand EX. 31/70 framed behind museum glass Dimensions: She...

Ida Kerkovius (1879 Riga - 1970 Stuttgart) “Point-Line-Surface” Serigraph in 12 colors, created in 1966 numbered and signed by hand copy 192/300, edition of 300 copies WV IKD 25 Framed behind glass Dimensions: Image size 30.5 cm x 40.5 cm Frame size 57 cm x 77 cm Ida Kerkovius Riga/Latvia 1879 - Stuttgart 1970 A Baltic German...

Vernon Tong (*1933 Jamaica) “Bathing Nude” Created in 1968 Oil on canvas, signed lower left, framed Dimensions: 76 x 101 cm

Painting "Three putti playing with a lion", Italy, late 17th century, oil on canvas, framed Picture size: height 63 cm, width 47.5 cm Frame size: height 78 cm, width 63 cm

Bernhard Pankok (1872 Münster - 1943 Baierbrunn) “Meadow with tree” Oil on cardboard, created around 1894 Signed and dated by hand lower right, framed Format: 34 x 31 cm Frame s...

Hans-Henrik Husemann (*1943 Celle), "Easthills", acrylic on canvas, signed and dated "HUS 24", framed 70 x 60 cm Born in 1943, grew up in Hamburg and Berlin, studied at the Hochsch...

Gerhard Uhlig (1926-2015) Watercolor “untitled”, created in 1984, signed and dated by hand, framed behind glass Dimensions: Frame size: 43 x 34 cm Sheet size: 15 x 10 cm Gerha...

Einar Parslev (1891-1977) Oil on canvas, painted around 1920, framed, dimensions 25 x 22 cm Einar Parslev painted naturalistic portraits, figure paintings, landscapes, interiors, c...

Joakim Frederik Skovgaard (1856 Copenhagen - 1933 ibid.) Study for the work on Viborg Cathedral, Oil on canvas, painted in 1895, signed, dated, framed, d...

Hans Sebald Beham (1500 Nuremberg - 1550 Frankfurt am Main) “Judicium des Paris”, The Judgement of Paris, original copperplate engraving, framed behind glass, 1546, dated in the cane...

Bernhard Pankok (1872-1943) Drawing “Scene from the English garden in Munich” Pencil drawing, framed, 1893, signed and dated Dimensions 34x 28 cm On May 16, 1872, one of the most i...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn) “Man in front of a mirror” Colored pencil on paper, created around 1900 signed by hand, framed Format: 26 x 29 cm Frame size On May ...

Sophie Wencke “Path to the Devil's Moor” Painting, oil on panel, created around 1900, signed lower left elaborately framed with an antique “Berlin molding” Size 75 x 96 cm Sophi...

Carl Ludvig Thilson Locher “Coast” Oil on canvas, signed lower right Format: 59 x 84 cm Locher, son of the marine painter Jens Thielsen Locher, father of the Danish sculptor Axel ...

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Eduard Bargheer (1901-1979) “Southern Landscape”, 1972 Watercolour on laid paper, signed and dated by hand Image size: 42.5 x 55.5 cm Frame size: 59.5 x 72 cm Eduard Bargheer ...

Gerhard Uhlig (1926-2015) Drawing with graphite pencil, unique “untitled”, signed and dated by hand, created 1990, framed behind glass Dimensions: Sheet size 15 x 21 cm Frame siz...

Sam Francis (1923 San Mateo - 1994 Santa Monica) "Jubilee" color lithograph, created 1964, edition of 50 copies, signed, numbered and dated, Ex.: e.a. Dimensions: 50.5 x 65.5 cm Sam Francis was an American painter and graphic artist. His work is classified as Abstract Expressionism or Color Field Painting Sam Francis is one of the most important American artists, born in San Mateo (California) in 1923, died in Santa Monica in 1994. After a plane crash during his service in the US Air Force, he began painting in 1944 during his convalescence and then studied under David Park at the California School of Fine Arts in San Francisco. His early abstractions, which are still reminiscent of Clyfford Still and Jackson Pollock, show spontaneous painterly gestures that led to the typically American "all over" structure: the canvas is completely covered with dots, spots, marks and other traces of the painter's brush. When Francis was in Paris from 1950 to 1957, he abandoned color and broke new ground with works such as "White Painting" (1950). But as early as the summer of 1951 in the south of France, he used pink and red again, only to return to the full palette later on. Sometimes he used all the colors and their variations in tone, sometimes he let one color dominate, as in "Blue Balls" (1960). Although Francis has been associated with Color Field painting, this must be seen as an aid to classification, to help one come to terms with a highly original visual language. When "fields" appear in Francis' work, they are almost never (if ever) color fields. Instead, they have an interplay of foreground and background. They often create depth, which makes the canvas more of a "color space". It is typical of Sam Francis' pictorial strategies that he often leaves the center of the picture free...

Gerhard Uhlig (1926-2015) Screenprint "untitled", signed and numbered by hand, Ex. 47/65, created in 1966, framed behind glass Dimensions: Sheet size 63.5 x 58.5 cm Frame size 90...

Karl Otto Götz color lithograph 1.450,00 € incl. VAT Karl Otto Götz (1914 Aachen - 2017 Wolfenacker) Color lithograph "untitled", signed and dated, created 1967, framed behind glass ...

Hans-Henrik Husemann (*1943 Celle), "face to face", sepia on paper, created in 2021, signed and dated, framed behind glass 30 x 40 cm Born in 1943, grew up in Hamburg and Berlin,...

Hans-Henrik Husemann (*1943 Celle), "face to face", sepia on paper, created in 2021, signed and dated, framed behind glass 30 x 40 cm Born in 1943, grew up in Hamburg and Berlin,...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Eduard Bargheer (1901-1979) "Village in the desert", 1973 Color lithograph on laid paper, signed and dated by hand Ex.: 54/75 Dimensions: 42 x 59 cm Eduard Bargheer (1901 - 1979...

Hans-Henrik Husemann (*1943 Celle), "TERRA ARBORETUM", acrylic on canvas, signed and dated "HUS 19", framed 80 x 80 cm Born in 1943, grew up in Hamburg and Berlin, studied at the H...

Hans-Henrik Husemann (*1943 Celle), „TERRA MAGENTA III“, Öl auf Leinwand, Entstehung 2019, signiert und datiert „HUS 19“, 100 x 140 cm Born in 1943, grew up in Hamburg and Berlin,...

Hans-Henrik Husemann (*1943 Celle), "Dante Zyklus II", acrylic on canvas, titled and signed on verso 150 cm x 160 cm Born in 1943, grew up in Hamburg and Berlin, studied at the ...

"from afar" from the series Terra Created in 2023, acrylic on canvas, signed and dated bottom right Format: 100×120 Born in 1943, grew up in Hamburg and Berlin, studied at the Hoc...

"over there" from the series "Terra", acrylic on canvas, created in 2023 signed and dated bottom right 120 cm x 100 cm Born in 1943, grew up in Hamburg and Berlin, studied at the...

Günther Uecker (*1930), lithograph, created 1993, Ed. 45/100, numbered and signed, framed 90 x 63 cm

Johann Georg Müller (1913 - 1986) "Still Life" Created in 1981 Felt-tip pen on paper Framed with museum glass, dimensions: Sheet: 51 x 64 cm Frame 60 x 76.5 cm