Peter Schlächter Contemporary Art
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Fritz Winter "black, light English red " color aquatint of 2 plates, 1967
Located in Münster, DE
Fritz Winter (1905 Altenbögge - 1976 Herrsching am Ammersee)
“black, light English red”
Color aquatint of 2 plates, created in 1967
Edition of 100 numbered and signed copies on Ri...
Category
Vintage 1960s German Modern Contemporary Art
Materials
Paint, Paper
Fritz Winter "blue, brown, red, black" color aquatint of 3 plates, 1967
Located in Münster, DE
Fritz Winter (1905 Altenbögge - 1976 Herrsching am Ammersee)
“Blue, brown, red, black”
Color aquatint of 3 plates, created in 1967
Edition of 100 numbered and signed copies on Riv...
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Materials
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Georges Braque “L'Etang” from Lettera amorosa 1963
By Georges Braque
Located in Münster, DE
Georges Braque (1882 Argenteuil - 1963 Paris)
“L'Etang” from Lettera amorosa
Lithograph in 3 colors, created in 1963
Printer: Mourlot, Paris 1963
numbered and signed by hand
cop...
Category
Vintage 1960s French Modern Contemporary Art
Materials
Paint, Paper
A.R. Penck Color etching, “untitled”, 1990s
By A.R. Penck (Ralf Winkler)
Located in Münster, DE
A.R. Penck (1939 Dresden - 2017 Zurich)
Color etching, “untitled”, created in the 1990s, signed and numbered by hand, ed. 35, copy 32/35
Sheet size: 65.5 x 89.5 cm
Frame size: ...
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1990s German Modern Contemporary Art
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Georg Karl Pfahler “untitled” Color silkscreen on wove paper 1989
Located in Münster, DE
Georg Karl Pfahler (1926 - 2002)
“untitled”
Color silkscreen on wove paper, versa signed, numbered and dated by hand
Creation 1989
EX. 23/50
framed behind glass
Dimensions:
70 x 70 cm
Georg Karl Pfahler is considered the only important representative of the Hard Edge in Germany; he was a guest at the Biennales in Venice and São Paolo, taught in Nuremberg and Salzburg and was awarded numerous prizes.
Georg Karl Pfahler was born on October 8, 1926 in Emetzheim, Bavaria. He spent his childhood and youth on his parents' farm, far away from any art. Nevertheless, he loved painting and drawing from an early age and cultivated it intensively as a childhood pastime. However, Georg Karl Pfahler only received the impetus to study art in 1948 when he met students from the Nuremberg Art Academy and accepted their invitation. His parents, good but simple country folk, had no interest in their son's newly awakened passion, and the young man was also met with incomprehension in his home village. However, Georg Karl Pfahler did not let this put him off, but attended the Academy of Fine Arts in Nuremberg for two years, where he came into contact with original art for the first time and became acquainted with the works of Marc Chagall and Paul Klee. After two semesters, he moved to Stuttgart to study under Willi Baumeister, Gerhard...
Category
Vintage 1980s German Modern Contemporary Art
Materials
Paint, Paper
Heinz Mack (*1931 Lollar) “untitled” Color silkscreen, 2013
Located in Münster, DE
Heinz Mack (*1931 Lollar)
“untitled”
Created in 2013
Color silkscreen on wove paper, signed, numbered and dated by hand
EX. 31/70
framed behind museum glass
Dimensions:
She...
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2010s German Modern Contemporary Art
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Ida Kerkovius “Point-Line-Surface” Serigraph in 12 colors, 1966
Located in Münster, DE
Ida Kerkovius (1879 Riga - 1970 Stuttgart)
“Point-Line-Surface”
Serigraph in 12 colors, created in 1966
numbered and signed by hand
copy 192/300, edition of 300 copies
WV IKD 25
Framed behind glass
Dimensions:
Image size 30.5 cm x 40.5 cm
Frame size 57 cm x 77 cm
Ida Kerkovius
Riga/Latvia 1879 - Stuttgart 1970
A Baltic German...
Category
Vintage 1960s German Modern Contemporary Art
Materials
Paint, Paper
Gerhard Uhlig Watercolor “untitled”, created in 1984
Located in Münster, DE
Gerhard Uhlig (1926-2015)
Watercolor “untitled”, created in 1984, signed and dated by hand, framed behind glass
Dimensions:
Frame size: 43 x 34 cm
Sheet size: 15 x 10 cm
Gerha...
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Vintage 1980s German Modern Contemporary Art
Materials
Paint, Paper
Eduard Bargheer (1901-1979) “Southern Landscape”, 1972 Watercolor on Paper
By Eduard Bargheer
Located in Münster, DE
Eduard Bargheer (1901-1979)
“Southern Landscape”, 1972
Watercolour on laid paper, signed and dated by hand
Image size: 42.5 x 55.5 cm
Frame size: 59.5 x 72 cm
Eduard Bargheer ...
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Vintage 1970s German Modern Contemporary Art
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Paper
Gerhard Uhlig (1926-2015) Drawing with graphite pencil, unique “untitled” 1990
Located in Münster, DE
Gerhard Uhlig (1926-2015)
Drawing with graphite pencil, unique “untitled”, signed and dated by hand, created 1990, framed behind glass
Dimensions:
Sheet size 15 x 21 cm
Frame siz...
Category
1990s German Modern Contemporary Art
Materials
Paper
Sam Francis "Jubilee" color lithograph, created 1964
By Sam Francis
Located in Münster, DE
Sam Francis (1923 San Mateo - 1994 Santa Monica)
"Jubilee" color lithograph, created 1964, edition of 50 copies, signed, numbered and dated, Ex.: e.a.
Dimensions: 50.5 x 65.5 cm
Sam Francis was an American painter and graphic artist. His work is classified as Abstract Expressionism or Color Field Painting
Sam Francis is one of the most important American artists, born in San Mateo (California) in 1923, died in Santa Monica in 1994. After a plane crash during his service in the US Air Force, he began painting in 1944 during his convalescence and then studied under David Park at the California School of Fine Arts in San Francisco. His early abstractions, which are still reminiscent of Clyfford Still and Jackson Pollock, show spontaneous painterly gestures that led to the typically American "all over" structure: the canvas is completely covered with dots, spots, marks and other traces of the painter's brush. When Francis was in Paris from 1950 to 1957, he abandoned color and broke new ground with works such as "White Painting" (1950). But as early as the summer of 1951 in the south of France, he used pink and red again, only to return to the full palette later on. Sometimes he used all the colors and their variations in tone, sometimes he let one color dominate, as in "Blue Balls" (1960). Although Francis has been associated with Color Field painting, this must be seen as an aid to classification, to help one come to terms with a highly original visual language.
When "fields" appear in Francis' work, they are almost never (if ever) color fields. Instead, they have an interplay of foreground and background. They often create depth, which makes the canvas more of a "color space".
It is typical of Sam Francis' pictorial strategies that he often leaves the center of the picture free...
Category
Vintage 1960s American Modern Contemporary Art
Materials
Paint, Paper
Heinrich Siepmann 1986 Collage and Gouache on paper
Located in Münster, DE
Heinrich Siepmann (1904-2002 Mülheim)
Collage, paper and gouache on cardboard, signed and dated by hand, created 1986
Dimensions: 45 x 48.5 cm
Heinrich Siepmann belonged to the se...
Category
Vintage 1980s German Modern Contemporary Art
Materials
Paint, Paper
Gerhard Uhlig 1960s op-art screen print "untitled" 1966
Located in Münster, DE
Gerhard Uhlig (1926-2015)
Screenprint "untitled", signed and numbered by hand, Ex. 47/65, created in 1966, framed behind glass
Dimensions:
Sheet size 63.5 x 58.5 cm
Frame size 90...
Category
Vintage 1960s German Modern Contemporary Art
Materials
Paint, Paper
Karl Otto Götz color lithograph untitled 1967
Located in Münster, DE
Karl Otto Götz color lithograph
1.450,00 € incl. VAT
Karl Otto Götz (1914 Aachen - 2017 Wolfenacker)
Color lithograph "untitled", signed and dated, created 1967, framed behind glass
...
Category
Vintage 1960s German Modern Contemporary Art
Materials
Paper
Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen
By Ernst Fuchs
Located in Münster, DE
Ernst Fuchs (1930 - 2015)
"Head of a cherub", created in 1982
Color silkscreen, ed. 200 pieces, signed and numbered
Dimensions 67.7 cm x 45 cm
Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich.
After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism.
Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...
Category
Vintage 1980s Austrian Modern Contemporary Art
Materials
Paper
Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen
By Ernst Fuchs
Located in Münster, DE
Ernst Fuchs (1930 - 2015)
"Head of a cherub", created in 1982
Color silkscreen, ed. 200 pieces, signed and numbered
Dimensions 67.7 cm x 45 cm
Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich.
After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism.
Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...
Category
Vintage 1980s Austrian Modern Contemporary Art
Materials
Paper
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