Renata Fine Arts Mixed Media

The Beach Ball 2025 Mixed Media on linen canvas, collage, acrylic paint. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of w...

The High Priestess 2025 Mixed Media on linen canvas, collage, acrylic paint, Swarovski crystals. Keith Carrington’s experiences have led him to express his talents through the fluid ...

Che Bazaaro 2025 Mixed Media on linen canvas, collage, acrylic paint, crystals. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting medium...

Dovima AKA The Ice Princes - 2025 Mixed Media on linen canvas, collage, acrylic paint, crystals. Keith Carrington’s experiences have led him to express his talents through the fluid...

50 Cent - 2025 Mixed Media on linen canvas, collage, acrylic paint, crystals. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums ...

Happy Place 29.5"h x 41"50w Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his skills, ...

Come Out Swinging Diptych Each panel 29.5"h x 41"50w Ink on archival paper with: Swarovski crystals, sequins, rhinestones. Keith Carrington’s experiences have led him to express his...

Sleeping Nude Large cast handmade paper, artist signed AP 10/20, 1981 62x52x5.5 wood, linen and lucite box frame. Stunning art wall sculpture by Fran...

Winter Killed Five Paths, 1983 Mixed Media Abstract, signed and title on revers. No frame needed for this work at the top is attached to plank of wood and ready to be hang, it will be rolled up for shipping. Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student at Hochscule fur Bildende Kunste in 1964-65 he went on to receive a Master of Fine Arts degree from Cornell University. In addition to the Fulbright Foundation fellowship, La Noue has twice received grants from the National Endowment for the Arts and the Guggenheim Foundation. He has had extensive teaching experience at Trinity College 1967-72, the City University of New York 1972-85 and at New York University in 1987. He lives between Arizona, Paris, France and Vermont. Terence La Noue, who has created powerful, compelling paintings for the last four decades, is considered one of the outstanding talents of 20th century American abstract art. Layering canvas, fabric, gauze, acrylic paint and cast elements forming a lively melding of many different materials, symbols and colors to create tapestry-like paintings, he conjures up colorfully rich abstractions that reveal a sense of myth, magic and mystery. His extensive world travels serve as inspiration for works that are abstract mixtures of Western and non-Western traditions and histories. India, South America, Morocco, Mexico and Nepal have been favorite destinations. Terence La Noue’s unique approach to painting and printmaking has achieved worldwide recognition. Beginning in Berlin in 1965 he has had over a hundred and thirty acclaimed solo exhibitions in London, Paris, Tehran, Stockholm, Hamburg, Dusseldorf, Cologne, New York, Washington, DC, Los Angeles, Houston, Chicago, Palm Beach, Dallas, Atlanta, Tucson and Scottsdale. His work is represented in the permanent collections of major museums including: The Museum of Modern Art in New York, The Metropolitan Museum of Art, The Whitney Museum of Art, The Corcoran Gallery, The Guggenheim Museum, The Brooklyn Museum, Brooklyn, New York, The Tate Modern in London in Japan, Singapore, France and Australia including the Center for Contemporary Art, Kitakyushu, Japan, the Power Institute of Fine Arts, Sydney, Australia, The Musee d'Art et Archeologie, Paris, France. Walker Art Center, Minneapolis, Minnesota, United States Carnegie Institute, Pittsburgh, Pennsylvania, United States Corcoran Gallery of Art, Washington D.C., United States Albright-Knox Art Gallery, Buffalo, New York, United States National Gallery of Australia, Sidney, Australia Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts United States Embassy, Beijing, China His work is also included in numerous university and city art museums throughout the US as well as major corporate collections. Terence la Noue worked extensively at Tyler Graphics from 1987 to 1993 and is represented in the National Gallery’s Kenneth Tyler Collection by a large body of work made in 1987 and 1991. La Noue’s work is characterized by an intensive layering process, which was well accommodated by the Tyler workshop. The artist found that through collaboration with Ken Tyler...

Music Sonata In A Shadow Box 2023 Mixed Media, artist signed, front Plexiglas. This sculpture is perfect for the wall or a coffee table. This 3D music diorama found its home in a drawer from an antique Tansu Chest. Some of the 3D elements were made by Erikson. Antique materials achieve a vintage and interesting aesthetic. The depth of the case creates a stage like atmosphere as sort of a visual guide for the viewers eye. The overlapping and juxtaposition of the elements creates a intriguing and appealing composition. Very often Erikson art echoes and fuses antiquity and modernity. Erikson’s central imagery concerns itself with intrigue and a sense of surprise. His body of work is often dispersed with visual, tactile and intellectual delights that lead the viewer on their own form of discovery. Erikson’s awareness of the aesthetic in sending things back in time is a result of studying the Renaissance and other periods of art history. This infusion of historical art references has had a vital effect on his body of work. Heavily influenced by the well known New York art dealer Allan Stone (who represented, among other giants, Joseph Cornell, and Willem de Kooning, Erikson has never departed from Stone’s insistence that “surprise” should remain with a piece of art no matter how long it is viewed. The discipline of archeology decodes messages of the past to find meanings of objects and classify them. This observation takes the viewer on a deeper understanding of the interplay. As a curator of his own “museum cases” in other work, Erikson’s personal vocabulary evokes images of extreme preciousness combined in miniature settings. Despite its minute scale his work commands presence and a sense of vastness. In his body of work, Erikson attempts to introduce sculpture to painting as a way of integrating the second and third dimensions. Exhibited: Allan Stone Gallery - New York, New York Elaine Baker Gallery - Boca Raton, Florida Renata Fine Arts Gallery - West Palm Beach, Florida Winfield Gallery...

Inner Most Thoughts 3D Wall Sculpture 2023 Mixed Media Construction, artist signed. This piece of music art represents an abstract symphony composed of 3D wood, bone elements plus collage. It is ready to be hung on the wall for viewing. Made from various found objects plus...

Untitled Large Seascape Mixed Media Ink and gouache wash on paper laid on board about 1970s, Artist signed lower right corner. Lim Ha Shan, was born in Seoul, Korea in 1945. The na...

Blue Rain III Artist signed verso, natural pigment, mixed media with texture on canvas 60"x50" framed 64x54x2. This painting by Alexander and Natalia Gore hu...

Sacred Abstraction, Royal blue, red and gold leaf on carved wood pane, signed on the back. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: paintings, luminous objects, installations, and monumental painting. He is a creator of the concept of neosacral art. Since 2003 he lives and creates in Poland. He graduated from Gdansk University of Technology (Faculty of Power Engineering) and the Academy of Fine Arts in Warsaw (Faculty of Painting). Also, the artist took a course in clinical anatomy at the Medical University of Gdansk. Sokolovski has created neosacral chapels in Klebark Wielki (Poland) and in Salesian Sisters Convent in Jerusalem. Concept: Sokolowski wants to create modern sacral art founded on visual tradition and theologies of many cultures. “I think that abstract codification of faith is the prospective and only way to save serious attitude to contemporary human’s spirituality. It is fundamental for responsible usage of developing knowledge about the empirical world and for forming sensibility, which should be adequate to it. In my opinion, the progress of civilization cannot be holistic if it is mostly based on scientific and technological development – metaphysical sensitivity is necessary too. Empirical knowledge is confinement if we use it only for improving conveniences and gaining more knowledge. It is not enough for the evolution of mind, which should advance along with changes in our environment.” Individual Exhibition 2018 – “Neosacral Art”, Saris Museum, Bardejov, Slovakia 2018 – “Neosacral Art”, the John Paul II Catholic University of Lublin, Lublin, Poland 2018 – “Neosacral Art”, Gallery “Camaldolese Cellar”, Church in Bielany Forest, Warsaw, Poland 2018 – “Neosacral Art”, Museum of Mińsk Mazowiecki, Mińsk Mazowiecki, Poland 2017 – “Neosacral Art”, Zielona 13 Gallery, Łódź, Poland 2017 – “Neosacral Art”, the University of Warsaw Gallery, Warsaw, Poland 2017 – “Neosacral Art”, Bohema Gallery, Warsaw, Poland 2016 – “Neosacral Art”, Philosophy of Religion Department, University of Warsaw, Poland 2016 – “Neosacral Art”, Gallery of Association “Polish Community”, Warsaw, Poland 2016 – “Neosacral Art”, Exhibition-Conferential Centre, Białystok, Poland Selected group exhibition 2017 – “Deification of Body”, Sheptytsky National Museum in Lviv, Ukraine 2017 – “Sokolovski / Wąsowski / Jędrzejko / Mazuś”, Bohema Gallery, Warsaw, Poland 2016 – “1st Pomeranian Biennial of Young Art”, Sopot, Poland 2016 – “Shape of Spirit”, Gallery of Mathematics and Computer Science Department, Nicolaus Copernicus University in Toruń, Poland 2016 – “Diverted Reality”, Evelyn E. Jorgenson Gallery, Moberly, Missouri, USA 2016 – “Exhibition of Sacred Art”, Gallery of Saint Sophia...

Abstraction About Subtle Royal blue with gold leaf on carved wood panel. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: pa...

Structure #11 acrylic on wool. Hand signed and titled on verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Cerami...

Diamond Carpet Green Abstract On Paper Mixed Media on Paper Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scho...

Diving In The Blue Abstract On Paper 2023 Mixed Media on Paper Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a ...

Good For Nothing Abstract On Paper 2023 Mixed Media on Paper Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a sch...

Green Fog 2023 Mixed Media on Paper Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Ministe...

Prayer 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a painter and i...

Sacrifice Of The Rose 2015 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and in...

Crescendo Gray Abstract Mixed media on canvas acrylic, silver paste, marker, collage. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for the University of Fine Arts in Wroclaw. She studied glass design under Prof Witkowski and painting under Prof Wanda Golkowska. She received her master’s degree along with an award. In 1986 she moved to Germany and studied screen design at the Multimedia Academy in Mainz, and worked as guest speaker at the Academy of Fine Arts in Wiesbaden. In 1989 she participated in an art exhibition for the best Diploma works in Munich, Germany, and was invited to present her pieces at an exhibition in Osaka, Japan, due to her outstanding work. In 1990 she was a laureate at OB ART...

To Leak The Sea Salt Abstract With Sunflower 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Acade...

Is This The One? 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a pa...

Free From All 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a painte...

I Am EWxited 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a painter...

Up There She Turned 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a ...

Once I Was Ordinary 2018 Pencil signed, title and dated. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a painter and interdisciplinary artist. Passionate about political and social issues, she often touches these subjects in her art. Salska's paintings remarkable achievement is the creation of a sustained emotional effect despite multiple narrative tensions. There is a sense of quiet power, of emergence and beginnings, of wisdom against an anticipated struggle. Sometimes she uses pseudonym “Uba Owl” in her practice. Joanna Salska as Uba Owl has created a foundation of a new artistic direction which she calls "Alterrealism.” It is an interdisciplinary movement connecting arts and sciences. The main purpose of Alterrealism is to describe a hidden reality in a world dominated and determined by new mass media Her work has been shown at Foster Goldstrom Fine Arts, Allrich Gallery, PII, Roszkowska Galleries and others. She was invited twice to Beijing Biennale, and her paintings are in many collections, including Beijing Museum, Pamela Bonino, Yaddo Foundation, Washington Museum of Women in the Arts, and many other private collections. EDUCATION 2017 Enrolled in PHD program in Studio Art at Warsaw Academy of Fine Art, Warsaw, Poland M.F.A. in Painting and Graphic Arts, Warsaw Academy of Fine Art, Warsaw, Poland. Studied with Ludwik Maciag and Tadeusz Dominik. SOLO EXHIBITIONS 2018 Galeria Wizytujaca, Warszawa, Poland 2017 Galeria Apteka Sztuki, Warsaw, Poland Roszkowska Galleries, Hudson, NY 2016 PII Gallery, Philadelphia, PA Mercury 20 Gallery, Oakland, CA 2015 Mercury20, Oakland, CA Roszkowska Galleries, Hudson, NY 2014 Mercury20, Oakland, CA 2013 Studio Quercus, Oakland, CA 2012 PII Gallery, Philadelphia, PA 2011 PII Gallery, Philadelphia, PA Hrefna Jonsdottir Gallery, Lambertville, NJ 2009 PII Gallery, Philadelphia, PA 2007 Vintage Berkeley, Berkeley, CA Atelier Studio Gallery, Seattle, WA 2004 Event Gallery, Berkeley, CA 1999 Berkeley Art Center, Berkeley, CA 1992 Corvallis Arts Center, OR South Dakota State University, Brookings, SD Grants Pass Museum of Art, Grants Pass, OR 1990 Foster Goldstrom Gallery, New York, NY Rosicrucian Egyptian Museum, San Jose, CA Cerro Coso College Art Gallery, Ridgecrest, CA Sun Gallery, Hayward, CA John Ash...

Dovelike 2018 Pencil signed and title. Joanna Salska was born in Poland and received her MFA from Warsaw Academy of Fine Art. She is a painter and interd...

Dancing On The Floor Mixed Media on paper. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

Heart Chakra #4 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has hon...

Throat Chakra #5 Blue Heart Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting m...

Sacral Chakra #2 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has ho...

Crown Chakra #7 Mixed Media Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink...

Third Eye Chakra #6 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He ...

Night Composition 3D Wall Art under museum-quality plexiglass. Thematically this construction titled ‘Night Composition” centers on Erikson's romance in working with black, brass an...

Lili Ocean Part 1 Mixed media: acrylic, ink marker, pastel on paper, white frame under plexiglass. Malgosia Kiernozycka was born in Wroclaw, Po...

The Forgotten America. Mixed Media oil paint, tar, gravel. metal, resin on wood panel artist unique style and technic, the frame is part of the artwork. Randi Grantham...

Sweet Night Mixed Media on paper. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister ...

Party Time Mixed Media acrylic nitro-acrylic, acrylic, silver-leaf on canvas gallery wrap. Keith Carrington’s experiences have led him to express his talent...

Hot Kisses, Mixed media, acrylic, ink marker, pastel on archival paper. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and r...

Vibe Higher, Ink and crystals on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He ha...

EKG, Mixed media: acrylic, ink marker, pastel on archival paper. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received ...

The Rule And The Ruler, 3D Wall Art Mixed Media under museum-quality plexiglass photos are with and with out plexiglass. Artist statment: "I have long been fascinated by England’s e...

Some Colde Night Mixed media: acrylic, ink marker, pastel on archival paper. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts a...

Lili Ocean Part 2 Pink Abstract. Mixed media: acrylic, ink marker, pastel on paper, white frame under Plexiglas. Malgosia Kiernozycka was born i...

Pop Art- Comics watercolor. Fame and fun humoristic artist vision mixed media, crystal beads, watercolor, ink on paper. New Series Keith Carrington’s experiences have led him to expr...

Nice Butt Doc, Mixed media on paper, black sequins, watercolor, ink Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of waterco...

Basketball in Central Park NYC, Mixed media: acrylic, ink marker, pastel on archival paper, white frame under plexiglass. Malgosia Kiernozycka was bor...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Girl with green eyes. Portrait mixed media, watercolor, collage, pencil on paper, signed ZaZa New York about 1980s