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Robin Rice Gallery Fine Photography Figurative

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Q XV
By Patricia Heal
Located in Hudson, NY
Edition # 1/4 This is the framed, varnished giclee print on Museo wax priced. Print is also available unframed in three paper sizes. Quiescence - 2009 A mixture of portraits and ...
Category

2010s Modern Figurative Photography

Materials

Giclée, Varnish

Q Xll
By Patricia Heal
Located in Hudson, NY
Edition # 1/4 This is the framed, varnished giclee print on Museo wax priced. Print is also available unframed in three paper sizes. Quiescence - 2009 A mixture of portraits and ...
Category

2010s Modern Portrait Photography

Materials

Varnish, Giclée

Madelaine
By Patricia Heal
Located in Hudson, NY
This is the framed price. Print is available unframed in three paper sizes. Edition # 1/10 In her first solo show, 1997 “Madeline”, Heal creates her images where her figures rese...
Category

2010s Modern Color Photography

Materials

Archival Pigment

Lee
By Patricia Heal
Located in Hudson, NY
Edition number #3/10 Heal brings us through a world of stillness and sensual nature, which subverts your perception with her unique photography style. They are reminiscent of class...
Category

2010s Modern Portrait Photography

Materials

Archival Pigment

"Detour Magazine, Teresa Feathers", New York, NY, 1991
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper. The price is for an unframed photograph. Framing is available . 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to annou...
Category

1990s Contemporary Black and White Photography

Materials

Photographic Paper

Boneco De Pau, Brazil, 1997
By Barnaby Hall
Located in Hudson, NY
ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and three visual artists new to the space: Erica Hauser, and Matt Kinney. The selected works of these well-established Beacon, NY artists blend with the gallery’s fine art photography. Upon entering the gallery, viewers will encounter figurative sculptures, abstract paintings, and ink wash drawings alongside fine art photography. Since Robin Rice’s move to Beacon, NY, this concept developed organically; the group exhibition is a fusion of artistic mediums inspired by chance encounters between Rice and friends at art events in Beacon. After spending time with creatives who've spent lockdown in studios, Rice carefully chose works most apropos with her edited inventory of framed photography. Through these chance encounters Rice found inspiration to create this exhibition unlike anything seen before at the gallery and curated an immersive experience. Maintaining her expert aesthetic, Rice has brought together a mosaic of mediums that seamlessly fit together like pieces of a puzzle. Kinney's collection of ink wash paintings in Japanese Sumi ink and watercolor paintings on hand-torn paper render fleeting glimpses of figures and animals as well as primal symbols. Tasmania Spiral is a hypnotic work that resembles a gyre. Also in focus is Hauser’s collection of abstract paintings featuring an alluring vintage color palette...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Silver Shoes, 1993
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Archival Pigment

Circus School Student , Havana, Cuba
By David Saxe
Located in Hudson, NY
David’s singular photographic vision merges with Rice’s evocative yet alluring multi-room space to envelop your senses, providing a moment to reconsider what a gallery can look and f...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

Gymnast: Miami Beach
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category

Early 2000s Modern Black and White Photography

Materials

Archival Pigment

Fort Pierce, FL
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category

Early 2000s Modern Black and White Photography

Materials

Archival Pigment

New Orleans, LA
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

Hollywood Beach, FL
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category

Early 2000s Modern Color Photography

Materials

Archival Pigment

Restaurant Hostess. Palm Beach, FL
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

Two Stars. St. Albans, VT
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

Taxi Driver. Havana, Cuba
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

A Norman Rockwell Moment. Diner Albuquerque, NM
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

Venice Beach, CA.
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
Category

2010s Modern Black and White Photography

Materials

Archival Pigment

Boy and Dog, Rome Italy
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
Category

Early 2000s Modern Black and White Photography

Materials

Archival Pigment

Havana, Cuba. (Woman on Train)
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
Category

2010s Modern Figurative Photography

Materials

Archival Pigment

Funeral. Cuetzelan, Mexico
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...
Category

2010s Modern Black and White Photography

Materials

Archival Pigment

Florence One, Italy, 2023
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category

21st Century and Contemporary Modern Portrait Photography

Materials

Archival Pigment

Florence Three, Italy, 2023
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category

21st Century and Contemporary Modern Portrait Photography

Materials

Archival Pigment

Brooklyn Two, NY, 2010
By Bill Phelps
Located in Hudson, NY
Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his great...
Category

21st Century and Contemporary Modern Portrait Photography

Materials

Archival Pigment

New Orleans, LA, 1995
By Bill Phelps
Located in Hudson, NY
Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his great...
Category

21st Century and Contemporary Modern Figurative Photography

Materials

Archival Pigment

Brooklyn One, NY, 2009
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category

21st Century and Contemporary Modern Portrait Photography

Materials

Archival Pigment

Florence Two, Italy, 2023
By Bill Phelps
Located in Hudson, NY
Moody, Figurative, Woman Portrait The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps ...
Category

21st Century and Contemporary Modern Portrait Photography

Materials

Archival Pigment

Minneapolis Two, MN, 1997
By Bill Phelps
Located in Hudson, NY
Figurative , Portrait, Timeless The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fo...
Category

21st Century and Contemporary Modern Figurative Photography

Materials

Archival Pigment

Dubrovnik, Croatia, 2006
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category

21st Century and Contemporary Modern Landscape Photography

Materials

Archival Pigment

Minneapolis One, MN, 2016
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category

21st Century and Contemporary American Modern Figurative Photography

Materials

Archival Pigment

Minneapolis Three, MN, 2016
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category

21st Century and Contemporary American Modern Portrait Photography

Materials

Archival Pigment

Tara, Adirondacks, 2015
By Lynda Churilla
Located in Hudson, NY
This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

Sign 77, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Backhand. San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Archival Pigment

Bird Girl, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Archival Pigment

Cone 4, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Form, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Archival Pigment

Cone 8, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
This item is available unframed or framed, They are in edition of 20 in he 16" x 20" paper size. Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Archival Pigment

Bow, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Backbend, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

2010s Black and White Photography

Materials

Silver Gelatin

Stage 2C, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Archival Pigment

Sign 82, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Modern Black and White Photography

Materials

Silver Gelatin

Pawn 2, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Black and White Photography

Materials

Silver Gelatin

Sign 81, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

2010s Black and White Photography

Materials

Silver Gelatin

Cone 7, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Black and White Photography

Materials

Silver Gelatin

Hoop and Ball, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Black and White Photography

Materials

Silver Gelatin

Swim, Bear Lake, Utah, 1998
By Lance Clayton
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. Figurative, black and white, water, swim, swimming, lake, Bear lake...
Category

1990s Modern Black and White Photography

Materials

Archival Pigment

Wheel of Fortune, Santa Fe, NM, 2014
By Victoria Goldman
Located in Hudson, NY
Figurative, woman, dancing, tarot card, tarot, fortune
Category

21st Century and Contemporary Figurative Photography

Materials

Giclée

Bed/Dream, Santa Fe, NM, 2018
By Robert Stivers
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. Pink, bed, neon, hot pink, bedroom, pattern...
Category

2010s Modern Color Photography

Materials

Archival Pigment

Redundant Fundamentalist, Kansas City, MO, 2009
By Tina West
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category

Early 2000s Modern Figurative Photography

Materials

Archival Pigment

Blast Off, Maine, 2010
Located in Hudson, NY
This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, Archival Pigment

Paris 9:33AM, France
By Leonardo Pucci
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category

2010s Modern Color Photography

Materials

Archival Pigment

Stack of Books, New York, NY, 1995
By Tina West
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category

1990s Modern Figurative Photography

Materials

Archival Ink, Archival Paper

Hoop and Ball, 2010
By Nenad Samuilo Amodaj
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

2010s Modern Black and White Photography

Materials

Silver Gelatin

High Blue Flyer, New York, NY 2007
By Kevin Ryan
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category

Early 2000s Modern Figurative Photography

Materials

Archival Pigment

Jane, East Village, NY, 2008
By Amy Postle
Located in Hudson, NY
We are excited to announce the grand opening of “Indian Summer” at La Plage in Sag Harbor. This exhibition will include Fine Art + Photography from the Robin Rice Gallery including R...
Category

Early 2000s Modern Black and White Photography

Materials

Archival Pigment

Balloon Legs, Northport, NY, 2015
By Patricia McDonough
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

2010s Modern Color Photography

Materials

Archival Pigment

Graffiti, Chicago, IL, 2002
By Robin Rice
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

Early 2000s Modern Black and White Photography

Materials

Archival Pigment

Marina in Napoli, Italy
By Robin Rice
Located in Hudson, NY
Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper

Ivy Pants, Media, PA, 2005
By Keith Sharp
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

Early 2000s Modern Black and White Photography

Materials

Silver Gelatin

Walk on By, Southampton, NY
By Luciana Pampalone
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits...
Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

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