Nenad Samuilo Amodaj

Hoop and Ball, San Francisco

2010

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Woman, Women, Fashion, Beach, Black and White, Sand, Swimmer, Pose, Hips, Body, Bathing suit, figurative, female, feminine

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Vintage photograph of an unknown abstract sculptor. In metal frame.

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand carved wooden hand finished frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand finished wooden frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...