Roman Erlikh Jars

Sculptural Organic Modern oversized mug was hand blown with thin layer of white glass underlying the deep, jewel-like dark purple fused glass in abstract pattern that is swirling around the gentle curves of the piece; the whole structure is enclosed in thin layer of clear glass in sommerso technique, adding depth and definition to the piece. The central part of the pattern is brough up close to the surface, creating a light texture and adding rare tactile quality to the piece; the upper and lower parts of the pattern are receding into the white background, accentuating the curving sides of the mug. Minimal shape of the piece allows the bold flow of the pattern to take the center stage, and clear glass handle offers minimal distraction from the design while adding functionality. The piece can be used either as a mug or a vase due to large, generous size. The piece is signed and dated in etching on the bottom; rare, hard to find example of vintage Vitrix glasswork would make a great gift to any studio glass or art collector. Founded in 1979 by brothers Matthew and Thomas Buechner III in Corning's Market Street District, Vitrix Hot Glass...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

Vintage ceramic ginger jar with lid is decorated with abstract graphic motifs in sgraffito technique; the gar is glazed in brown to grey salt glaze with striking splashes of differe...

Fladen series was designed by Stig Lindberg for Gustavsberg Sweden in 1958. The dish is formed in shape of a fish with beautifully detailed scales done in relief. Glossy warm brown...

Studio pottery bowl with lid is decorated with extremely detailed hand formed bird, leaves, and berries. The bird is done in red glaze with brow...

Vintage promotional advertising jar with lid is made of glazed ceramics and is decorated with two-tone blue drawing of a ship on a sea. It is marked in blue script on the inner side...