P.G. Ruskin & Company LLC Wall Decorations

Philip Tarlow, an American Postwar and Contemporary painter who was born in 1940. New York City lithograph of Grand Central Terminal (1984), p...

From Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes two after Pridea...

Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a later restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes: "Eider Duck, M...

Bettcher (20th c.), Portrait of a Native American Chief, oil on canvas and paper relief, signed "Bettcher" at lower right. An unusual portrait format of a Native American Chief deep ...

After Gustav Laeverenz (German, 1851-1909), oil on canvas. A brass plaque reads C. Laverent "The Bath", signed C. Laverent (possibly French) and dated "1873". The painting depicts a...

James Billings (British) A large and striking fine art photograph of an abandoned amusement park in Berlin, Germany. A chromogenic print mounted under plexiglass sheet, floated in wo...

Jim Rodgers (American/New Jersey, b. 1958), a framed still life with summer fruit, signed "Rodgers" at lower right. Succulent ripe peaches, figs and raspberries are beautifully rende...

After Samuel A. Kilbourne (American, 1836-1881), "Game Fishes of the United States", uniformly matted and framed under glass. Clockwise from upper left, The Mackerel, The Spanish Mackerel. The Weakfish, The Sea Bass...

After Samuel A. Kilbourne (American, 1836-1881), "Game Fishes of the United States", uniformly matted and framed under glass. Clockwise from upper left, The Kingfish and The Whitin...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "Horn Abeam", Sir Francis Chichester's yacht Gypsy Moth IV published in 1967 b...

American 1945, a striking offset lithograph of "Dauntlesses" flying on their way to the Battle of Midway during the second World War." Below the illustration is an inscription reading "A few against many, Dauntlesses from far-off carriers race to the Battle of Midway, June 1942", signed in ink "Frank Lemon...

Tom Nussbaum (American, b. 1953), "95 Birds", graphite drawing on Bristol plate, pencil signed and dated verso of sheet, initialed, titled and dated vers...

Sanna Kannisto (Finnish, b. 1974), "Act of Flying Portfolio", (3) c-prints on Fujifilm paper, each signed and numbered 4/25 verso. This is a lovely triptych showing a gloriously colo...

Paul Garland (American, b. 1943), an abstract composition, pencil signed and dated 1983. The work is very colorful with wonderful movement and expression. It has been expertly framed...

Paul Garland (American, b. 1943), an abstract composition, pencil signed and dated 1984. The work is very colorful with wonderful movement and expression. It has been expertly framed...

James Bama (American Artist, 1926-2022) "The Drift on Skull Creek Pass", offset print lithograph from the original photorealistic painting, pencil signed lower right and numbered 54/...

John Haanstra (Dutch, b. 1940), signed and dated 1985 on lower right. A charming oil painting, showing a winter landscape. Skaters are enjoying seasonal fun on a frozen canal while others go about their daily activities. A typical Dutch windmill can be seen in the background. Typical Dutch style housing can be seen in the foreground. The sky seems to be laden with more snow, creating the sense of more winter fun...

Manner of George Chinnery (English, 1774-1852), a softly rendered portrait of a young woman, unsigned, in carved and gilded wood frame A remnant "...R. Davy, Colourman to Artists, 83, Newman Street, London" label on verso. Christie's inventory tags also on verso. A little gem of a portrait, this painting also contains lovely details such as a flower adorning the young woman's hair, a pink shawl draped on the chair, and an ornate gilt mirror with candelabra visible in the background. Robert Davy (c.1771-1843) established his business in the 1790s. He began his career as a carver and gilder...

19th c., Americana, a large scale gilt and forest green painted cast plaster eagle, depicted spread-wing, with crisply detailed overlapping feathers. With mounting bracket on reverse. This is a very handsome example of an iconic form. The combination of the gilt and forest green paint is striking. Depictions of eagles can be seen across American art. The national bird of the United States, the eagle has been used as a symbol of American freedom for centuries. This is a fine example in the style of John Haley Bellamy...

Early 21st century, a pair of framed giclee prints from the "Mustang Series" by Dominique Samyn (born 1952), Belgium and USA. The work with the horse looking to the right is titled "...

A small and engaging contemporary painting of a chestnut horse in a pastoral setting. The colors in this unsigned painting are fresh and vibrant. The...

1995, Danish wool rug depicting "olive grove" by Vincent Van Gogh (1899). This rug was made by Ege Axminster A/S for their 20th century masters collection. The image of "olive grove" was licensed by Van Gogh International B.V. This rug is wonderfully executed and respects the genius of Van Gogh. The colors of this rug are strong and beautiful; browns, various shades of green, pinks, yellows, blues and lilacs are all utilized to wonderful effect. In addition to the work of Vincent Van Gogh, the Ege Art collection has included rugs depicting the art of such greats as Paul Klee, Pablo Picasso, Robert Jacobsen, Andy Warhol and Rene Magritte. iEde rugs are an iconic piece of art that is made for your floor. They can be used to define a space and create a vignette that is unique and emphasizes your artistic side. Owning this rug would be a fun and lasting way to enjoy one of the most brilliant artists of all time. About Ege Axminster: Weaving together timeless Danish design, long-lasting quality, natural comfort and progressive sustainable thinking, Ege Carpets craft wall-to-wall carpets, rugs, carpet tiles...

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

An unusual aubusson-style tapestry wall hanging comprising 8 panels with recurring lion, urn and floral motifs on a pale blue field with a passementeire border and cotton backing. Wh...

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...

19th/20th c. Tabriz-style rug, finely woven, low pile wool-silk blend in nature inspired tones, central lozenge-shaped medallion, dark blue border. The color palette is a very attra...

Maxwell Mays (1918-2009) American painter and illustrator. Signed and dated 1983. This painting titled "Cascade Springs" is an intricate and lively depiction of a bustling Colorado town during its historical boom period. The painting illustrates the vibrant energy of the town with details of trains, trolleys, horse-drawn carriages, and pedestrians in a winter landscape. The scene captures the essence of Victorian and Edwardian architecture alongside the Rockies, representing a mix of rural charm and the burgeoning industrial presence with trains labeled "Atchison, Topeka & Santa Fe" and freight cars marked "Rock Island" and "DRG." The composition is filled with movement: people strolling on the sidewalks, horses pulling carts loaded with goods, and trains arriving and departing, indicating a hub of economic and social activity. The detailed rendering of buildings, including "William M. Baxter Hay & Grain" and market scenes, emphasizes the town's industry and commerce. The snowy mountains and rooftops in the background further ground the painting in the Colorado Springs region, showcasing the rugged, wintry landscape that frames the town. The palette of subdued winter tones, combined with bright pops of color in the trains and clothing of the figures, enhances the painting’s nostalgic and whimsical quality typical of Mays' work. The title plaque on the back provides historical context, describing how people came to Colorado Springs for both riches and health, symbolizing a new society born from the merging of the West with industrial advancement. This picturesque narrative combined with Mays’ folk art style makes it a remarkable piece evoking both history and community. Overall, "Cascade Springs" is a celebration of early American life in a rapidly modernizing town, capturing both its charm and progressiveness through Mays' detailed and stylized artistic lens. Dimensions: 45.5"w x 35"h x 1.5"d (sight) Condition: Good. No issues observed. Ready to hang. About the Artist" Maxwell Mays was born in Rhode Island in 1918, and focused his art on celebrating the landscapes of his home state. Known for their birds-eye perspectives and nostalgic style, Mays' prints have appeared multiple times on the cover of Yankee Magazine. His paintings hang in many establishments, including the University of Rhode Island, and are particular favorites of Rhode Island residents. Mays' artwork often depicts scenes from throughout Rhode Island and the surrounding areas of New England but he did produce works depicting communities from across America . Featuring town squares, farm lands, and harbors, Maxwell Mays' prints celebrate the Americana found in small towns. A graduate of RISD, he began painting seriously while serving in the US Air Force in Brazil during WWII. His first one-man commercial show was at the Ferargil Gallery in New York in 1948. In the ensuing years he became notable for a number of highly successful art shows and magazine covers, and was a highly sought-after speaker and storyteller. As a successful businessman, he was Treasurer of Mays Manufacturing Company, a family business until its sale in the mid-1980s. He was Past President and Director Emeritus of the Providence Art...

Howard Baer (American, 1907-1986), oil and collage on canvas, "Memory of Venice" 1965, signed and dated lower right, titled canvas verso, slat frame. Born in a mining town near Pi...

American School (20th c.), Interior scene, watercolor on paper, signed and dated "Wisner, '81" lower right. A charming, colorful and detailed representation of a beautiful room-scape. It makes me want to grab a good book and snuggle up by the fire. The framing is by The House of Heydenryk...

Francois Heaulme (French, 1927-2005), Large framed still life with oranges, pottery and bottles, signed lower left. Dimensions: 57"h x 37.5"w (sig...

20th c., black and white photographic prints, matted and framed under glass. A pair of polo action shots that capture the intensity of play and the agility of player and polo pony al...

Manuel Monton Bunuel (Spanish, b. 1940), a moody Winter street scene, oil on canvas, signed Bunuel lower right, An expressive contemporary oil pai...

Eugene J. Quinn Jr. (American, 20th/21st c.). A plein air oil on Masonite titled, "Snow at Pigeon Cove". Signed and dated "Eugene J. Quinn, Jr., '03" at lower right. Painted at Pigeon Cove in Rockport...

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

A hand-colored aquatint engraving dated January 1, 1825 and engraved by T. Sutherland, London. Titled "South Sea Whale Fishery", after a painting by Will...

Tim Folzenlogen (American, b. 1952), "New Beginning", pastel drawing of New York streetscape, signed Tim Folzenlogen and dated '99 at lower right. A g...

Tim Folzenlogen (American, b. 1952), "New Hope...", oil on Masonite, signed "Tim Folzenlogen" and dated at lower right, titled (partially illegible) at...

Gabriel Cohen (1933-2017) French/Israeli, "L'Egypte ancienne..." Naive-style oil painted on sheet metal with a crimped and painted edge forming the frame. The work is a fantastic dep...