S16 Home Wall Decorations

ABOUT Tom Phillips, O Orpheus Singt, Etching, Limited Edition 49/125, Signed 1977, Unframed. CREATOR Tom Philips 1937-2022. DATE OF MANUFACTURE c.1977. MATERIALS AND T...

ABOUT An original large vintage poster from the former gay City Athletic Club gym located in the Castro, San Francisco. CREATOR Photo by Fisher Ross. DATE OF MANUFACTURE c...

ABOUT Tom Phillips, Ein Deutsches Requiem, Screenprint, Limited Edition 9/20, Signed, 1972, Unframed. CREATOR Tom Philips 1937-2022. DATE OF MANUFACTURE c.1972. MATERI...

ABOUT R.B. Kitaj, Civic Virtue All Over The Floor Screenprint, Serigraphy. Edition of 100. 53/100. Signed in pencil lower left. Unframed. CREATOR R.B. Kitaj, United Kingdom. ...

ABOUT R.B. Kitaj, The cultural value of fear, distrust and hypochondria. Screenprint Edition of 70 Signed in pencil lower right. Unframed. Color lithograph on different types of pa...

ABOUT R.B. Kitaj, Turk Sib: The Most Important Film Ever Made, Screenprint Edition of 70 Signed and numbered 63/70 in pencil lower right. Unframed. CREATOR R.B. Kitaj, United ...

ABOUT Two prints are available. Price per piece. Editions: 136/150 and 150/150. Tom Philips, Six Pieces Opus X, 1968, signed and numbered in pencil, screenprint. Unframed. C...

ABOUT An original offset lithograph car series framed in a painted, faux bamboo vintage frame. Each piece has been professionally framed several years ago. There are four different ...

ABOUT Julian Trevelyan (1910-1988) Gravesend, 1969. Edition of 75 Signed, Titled and numbered 51/75 in pencil. Unframed. CREATOR Julian Trevelyan (1910-1988), United Kingdom. ...

ABOUT R.B. Kitaj, Cutie 1974 Edition of 70 Signed and numbered 17/70 in pencil lower left. Unframed. CREATOR R.B. Kitaj, United Kingdom. DATE OF MANUFACTURE c.1974 MA...

ABOUT R.B. Kitaj, The Adding Machine, Edition of 70, Signed and numbered 63/70 in pencil lower right. Unframed. Printed by Kelpra Studios, London, with their ink stamp on the back. ...

ABOUT R.B. Kitaj, Portrait, Edition of 70, Color silkscreen. Signed and numbered 13/70 in pencil upper right. Unframed. CREATOR R.B. Kitaj, United Kingdom and USA. DATE O...

ABOUT Jacques Gabriel Oil on Canvas Untitled Signed JacGabriel. CREATOR Jacques Gabriel, Haiti. DATE OF MANUFACTURE c.1970. MATERIALS AND TECHNIQUES Oil on Canvas. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 26 in. x W 19.75 in. HISTORY Jacques Gabriel was born in Port-au-Prince in 1934 and died in 1988. He joined the Foyer des Arts Plastiques in 1954. Alex Jeanty successfully taught him in watercolors, Néhémy Jean in designing, and Dieudonné Cédor...

ABOUT PETER BLAKE United Kingdom, b. 1932 "And the two knights sat and looked at each other for sometime before speaking", 1970. Printed by Kelpra Studios, London, with their ink...

ABOUT Peruvian Cuzco School, Madonna & Child, Untitled. Oil on canvas, pre 1970. CREATOR Unsigned. DATE OF MANUFACTURE c. pre 1970. MATERIALS AND TECHNIQUES Oil on Canv...

ABOUT An original mixed media photo collage on wood panel. David Seiler: "I operate in the space between painting and photograph -- object and print. Collage functions both to break the image down into component parts and to create a cohesive whole. At the heart of my process is the desire to see things differently; to build an image literally in order to come to an understanding of the visceral nature of form." CREATOR David Seiler, Hudson, New York. DATE OF MANUFACTURE c.1993. MATERIALS AND TECHNIQUES Mixed media photo collage. Toned silver print collage with acrylic charcoal and polyurethane glued on wood. CONDITION Good. Wear consistent with age and use. Minor wear on bottom corner. DIMENSIONS H 40 in. W 32 in. D 1 in. RESUME 1998 M. L. S., University at Albany, S.U.N.Y. 1993 M.F.A., University of California, Davis. 1990 B.A., University of Northern Iowa.     SELECTED EXHIBITIONS   2017 Summer Exhibit, Carrie Haddad Gallery, Hudson, NY. 2016 Photography, Carrie Haddad Gallery, Hudson, NY. 2014 SHIFT—Five Decades of Contemporary California Painting, Monterey Museum of Art, Monterey, CA. 2013 Upstate Artists, Laffer Gallery, Schuylerville, NY. 2012 Photography: New Work, Carrie Haddad Gallery, Hudson, NY. 2011 Peter Liepke, Ida Weygandt & David Seiler, Carrie Haddad Photographs, Hudson, NY. 2010 Portraits, Carrie Haddad Photographs, Hudson, NY. Group Show, Hammertown, Rhinebeck, NY. 2009 SaratogaArtsFest, Saratoga Springs, NY. 31st Annual Photography Regional, Opalka Gallery, The Sage Colleges, Albany, NY. (exhibition catalog) Equus, Carrie Haddad Photographs, Hudson, NY. 2008 Horses, Amrose Sable Gallery, Albany, NY. 2007 Lumber, Upstate Artists Guild, Albany, NY. 2002 Traveling Light: Satisfying Our Wanderlust, Museum of Photographic Arts, San Diego, CA. 1999 Alternate Forms of Photography, Olga Dollar Gallery, San Francisco, CA. 1998 Allegories, Olga Dollar Gallery, San Francisco, CA. 1997 Faculty Exhibition, College of St. Rose, Albany, NY. New Acquisitions, Kamerick Art Gallery, University of Northern Iowa, Cedar Falls, IA. 1996 Solo Show, Olga Dollar Gallery, San Francisco, CA. Painted and Constructed: Holly Roberts, Todd Murphy, David Seiler, Atrium Gallery, University of Connecticut, Storrs, CT. Photonominal ‘96, The Forum Gallery, Jamestown Community College, Jamestown, NY. (exhibition catalog) 1995 Faculty Exhibition, Kamerick Art Gallery, University of Northern Iowa, Cedar Falls, IA. Group Show, The Ballard Institute, Brooklyn, NY. Lifelines, Mendocino Art Center, Mendocino, CA. Photropolis ‘95, B Street Pier Gallery, San Diego, CA. Photowork ‘95, Barrett House Galleries, Poughkeepsie, NY. (Juried by Susan Kismaric, Curator of Photography, Museum of Modern Art, NY.) Nelson Artfriends Benefit Exhibition, Basement Gallery, University of California, Davis, CA. 1994 Iowa Artists 1994, Des Moines Art Center, Des Moines, IA. (Juried by Richard Armstrong, Curator of Contemporary Art, Carnegie Museum, Pittsburgh, PA.) Faculty Show, Kamerick Art Gallery, University of Northern Iowa, Cedar Falls, IA. Introductions ‘94, Olga Dollar Gallery, San Francisco, CA. Art Show VI, Hearst Center for the Arts, Cedar Falls, IA. Group Show, Dirk Meyer Gallery, Santa Fe, NM. Group Show, Augustana College, Rock Island, IL. 1993 Group Show, Lowe Gallery, Atlanta, GA. An American Renaissance, Lowe Gallery, Atlanta, GA. Group Show, Olga Dollar Gallery, San Francisco, CA. Group Show, Lowe Gallery, Santa Monica, CA. MFA Thesis Exhibition, Nelson Gallery, University of California, Davis, CA. The Surface of the Sign, California State University, Chico, CA. (exhibition catalog) Solo Show, Judith Weintraub Gallery, Sacramento, CA. 1992 The Class of 1993: Graduate Students in Art Studio, Memorial Union Art Gallery, University of California, Davis, CA. Alumni Show, Maucker Union, University of Northern Iowa, Cedar Falls, IA. 1991 2 Person Show, New Works Gallery, University of Illinois at Chicago, Chicago, IL. 2 Person Show, Studio 27...

ABOUT Black and white photographs. Signed WEB #1 San Francisco, CA 2/40 and WEB #2 San Francisco, CA 2/40, 1996. Sold as a pair only. CREATOR Rick Chapman (American, b. 1966....

ABOUT Price per piece. Large metal on wood typeset print blocks. One was used to create a "Note" form and the other a "ATT" form. Work great as trivets. Shown with life size hand...

ABOUT Original custom large steel and glass shelf designed to float against the wall. Modern and minimal design. Outer rectangular steel frame supporting four large shelves. The pie...

ABOUT Large bright vivid color-printed Perrier Motor Map, featuring the motoring roads of Ireland. Mounted to original linen back, folded into a cloth waterproof slipcase. Manufactu...

ABOUT Large bright vivid color-printed Perrier Motor Map, featuring the motoring roads of England and Wales. Segmented in two sections and mounted to original linen back, folded int...

ABOUT An early 20th c. wooden foosball table top with distressed, painted metal Mexican soccer players, rubber handles and metal "Gebar" branded ashtrays on each end. Original paint...

ABOUT Vintage reddish brown leather boxing gloves filled with horse hair and an extra padding strip on the palms. Vintage repair to one palm padding. The leather is very soft and in...

ABOUT Vintage reddish brown leather boxing gloves filled with horse hair and an extra padding strip on the palms. The leather is very soft and in good condition. CREATOR Unknow...

ABOUT An original oil on canvas painting of a bearded gentleman. Signed on back on upper frame. The artwork is unframed and has maintained its color with the appropriate wear consis...

ABOUT A 19th century oil portrait on canvas of a gentleman. Unsigned. CREATOR Unknown. DATE OF MANUFACTURE c.1800s. MATERIALS AND TECHNIQUES Oil on Canvas. Unframed. ...

ABOUT An antique 19th century oil portrait on canvas of a gentleman. Signed "Oscar Hallwig 1895" on the upper left corner. An original framers label on back. CREATOR Oscar Hall...

ABOUT A set of four blue prints for a residence in San Mateo Park, San Mateo, California. Sold as a set only. CREATOR Herbert O. Alden, San Francisco, CA. DATE OF MANUFACT...

ABOUT A set of four blue prints for a residence in San Mateo Park, San Mateo, California. Sold as a set only. CREATOR Herbert O. Alden, San Francisco, CA. DATE OF MANUFACT...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate...

ABOUT An original large Eastman Kodak No. 2C folding pocket camera with red bellows. The body is wrapped in leather with chrome and brass accents. The camera folds to 2.25 inches. O...

ABOUT An original Eastman Kodak No. 2 folding camera. The body of camera is all leather with that folds smoothly closed to 1.5 inches. This camera has retained its original finish...

ABOUT A "No. 1 Pocket Kodak" folding camera. The body of camera is all leather with a leather handle and it folds smoothly closed to 1.25 inches. This camera has retained its orig...

ABOUT An antique scroll of a foot used in a medical teaching classroom mounted a thick dowels. Original writing on the back. CREATOR Rys. J. Fuschowis. DATE OF MANUFACTURE...

ABOUT This piece can be rolled and shipped parcel. Please contact us for a shipping quote: S16 Home San Francisco. An antique scroll of a foot used in a medical teaching classroo...

ABOUT Original leather boxing gloves filled with horse hair. The leather is very soft and in good condition. . CREATOR Wilson Sporting Goods. DATE OF MANUFACTURE c.1950-1...

ABOUT An original oil portrait on canvas by George Beline. The artwork is unframed. Subject unknown. CREATOR George Beline (New York, Belarussian, 1887 - 1971). DATE OF MANUFACTURE circa 1930. MATERIALS AND TECHNIQUES Oil on Canvas. CONDITION Good. Wear consistent with age. Some craquelure. No visible inpaint under UV light. DIMENSIONS 28 in. x 24 in. x 1.25 in. HISTORY Born in Minsk, Belarus, George Beline settled in New York City. He studied in Paris at the Academie Julian with Jean Paul...

ABOUT An early 20th c. wooden foosball table top with distressed, painted metal Mexican soccer players, rubber handles and metal "Gebar" branded ashtrays on each end. Original paint...

ABOUT A pair of original lithographs of surgical instruments for lithotomy. The artwork has been framed with grey matte. CREATOR Engraved ...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator: Denise Tarantino for Dah Len Studios. Date of manufacture: circa 1990-1995 Materials and techniques: Photography paper, polaroid, wood, glass. Condition: Excellent. Dimensions: H 6.5 in., W 6.5 in., D 1 in. History: Dah Len, a Taiwanese fashion photographer, was in high demand, and the images created at the studio were used for high-end fashion editorials, fashion magazine ads, clothing catalogs, album covers, and pop culture publicity. The client list included publications and high end brands: Vanity Fair, W, New York Times, Interview, Details, Giorgio Armani, Kenneth Cole, Sean John...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator: Denise Tarantino for Dah Len Studios. Date of manufacture: circa 1990-1995 Materials and techniques: Photography paper, polaroid, wood, glass. Condition: Excellent. Dimensions: H 6.5 in., W 6.5 in., D 1 in. History: Dah Len, a Taiwanese fashion photographer, was in high demand, and the images created at the studio were used for high-end fashion editorials, fashion magazine ads, clothing catalogs, album covers, and pop culture publicity. The client list included publications and high end brands: Vanity Fair, W, New York Times, Interview, Details, Giorgio Armani, Kenneth Cole, Sean John...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator: Denise Tarantino for Dah Len Studios. Date of manufacture: circa 1990-1995 Materials and techniques: Photography paper, polaroid, wood, glass. Condition: Excellent. Dimensions: H 6.5 in., W 6.5 in., D 1 in. History: Dah Len, a Taiwanese fashion photographer, was in high demand, and the images created at the studio were used for high-end fashion editorials, fashion magazine ads, clothing catalogs, album covers, and pop culture publicity. The client list included publications and high end brands: Vanity Fair, W, New York Times, Interview, Details, Giorgio Armani, Kenneth Cole, Sean John...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator Denise Tarantino for Dah Len...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator Denise Tarantino for Dah Len...