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The rebel artists of Vienna overwhelmed the artistic establishment of Europe at the end of the 19th century, having seceded from the traditional Viennese institutions of fine art and named themselves the Vienna Secession. Their works shocked a conservative public, but their daring sensibilities and dedication to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage. The boldly modernist paintings of Gustav Klimt, Egon Schiele, Oskar Kokoschka and others were matched by the buildings and applied designs of architects such as Joseph Maria Olbrich, who created the Secession Building as an architectural manifesto for the group. This classic book, now updated and with additional colour illustrations and a completely new introductory chapter, brilliantly traces the course of this influential artistic movement.

Contents and sections:

Introduction

Vienna 1900

Secession The Beginnings The First Exhibition The Dedication of the House: Second Exhibition Ver Sacrum III–VI Exhibitions The ‘Klimt Affair’ – The University Paintings Exhibitions 1900–1902 Beethoven 1902 XVI–XVIII Exhibitions, 1903 The Split within the Secession Architecture and the Applied Arts The Ringstrasse and the Architecture of Historicisim Otto Wagner, 1841–1918 Joseph Maria Olbrich, 1867–1908 Josef Hoffmann, 1870–1956 The Wiener Werkstätte Palais Stoclet – The Stoclet Frieze Kabarett Fledermaus Alfred Roller, 1864–1935 Hoffmann’s Later Work Adolf Loos, 1870–1933 Kunstschau 1908 – 1909: The Early Work of Kokoschka and Schiele Kunstschau 1908 Oskar Kokoschka, 1886–1980 Richard Gerstl, 1883–1908 Kunstschau 1909 – Vienna before the War...

The rebel artists of Vienna overwhelmed the artistic establishment of Europe at the end of the 19th century, having seceded from the traditional Viennese institutions of Fine art and named themselves the Vienna Secession. Their works shocked a conservative public, but their daring sensibilities and dedication to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage. The boldly modernist paintings of Gustav Klimt, Egon Schiele, Oskar Kokoschka and others were matched by the buildings and applied designs of architects such as Joseph Maria Olbrich, who created the Secession Building as an architectural manifesto for the group. This Classic book, now updated and with additional colour illustrations and a completely new introductory chapter, brilliantly traces the course of this influential artistic movement. Contents and sections: Introduction Vienna 1900 Secession The Beginnings The First Exhibition The Dedication of the House: Second Exhibition Ver Sacrum III–VI Exhibitions The ‘Klimt Affair’ – The University Paintings Exhibitions 1900–1902 Beethoven 1902 XVI–XVIII Exhibitions, 1903 The Split within the Secession Architecture and the Applied Arts The Ringstrasse and the Architecture of Historicisim Otto Wagner, 1841–1918 Joseph Maria Olbrich, 1867–1908 Josef Hoffmann, 1870–1956 The Wiener Werkstätte Palais Stoclet – The Stoclet Frieze Kabarett Fledermaus Alfred Roller, 1864–1935 Hoffmann’s Later Work Adolf Loos, 1870–1933 Kunstschau 1908–1909: The Early Work of Kokoschka and Schiele Kunstschau 1908 Oskar Kokoschka, 1886–1980 Richard Gerstl...

Pair of baseball and basketball paintings found in a Midwestern American Legion hall. These were proudly displayed behind the legion hall bar. Grea...

A symbolic Christian patience bottle with a cross flanked by miniature bells, the front with a ladder, tools, plants and rooster. The bottle contains a signed paper label, dated Octo...

American Country (19/20th Cent) Folk Art toy of a painted and decorated metal cowboy on a horse with moving parts mounted on an balance beam.

World War Two era Folk Art carved walking stick with figural head, twigspur shaft and The Kent Regiment ferrule bearing the Latin motto "Usque Ad ...

Extraordinary example of WWl Trench Art. Historical significance as this vase is signed by the soldier that crafted it, "Lieutenant Thorburn" including regiment "62nd Reg" and date "1918-19". Also inscribed A. E. F. The AEF helped the French Army on the Western Front during the Aisne Offensive (at the Battle of Château-Thierry and Battle of Belleau Wood...

Latin American 1700s wooden crucifix. Carved face and body features. Beautiful patina. Jesus on the Cross Folk Art. We have specialized in the sale of Art Deco and Art Nouveau and V...

American Folk art wooden "CIGARS" sign from the 1920's. Great old Store Trade sign. Wood cut to cigar shape. Lettered in Gold Paint. In good conditions, it was a in doors sign. Perfect for any cigar smoker. Cigars History: A cigar is basically dried tobacco leaves that are rolled and wrapped by other tobacco leaves in order to give you a full tobacco smoking experience. Cigars are becoming more popular all around the world recently because they are exposed to a pop culture where a lot of famous people like Michael Jordan and Arnold Schwarzenegger smoke them. In order to understand why cigars have become very well-known, we need to take a good look at their history and where they came from. That way, we can truly understand this pop phenomenon. Here is a brief history of cigars. Origin of Cigars The exact origin of cigars is not entirely known but historians believe that cigars were first invented by the ancient Mayans. The ancient Mayans would collect tobacco leaves and wrap them up in a plantain leave in order to smoke it. An ancient Mayan pot...

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This map from the "Spruner-Menke Atlas Antiquus" is titled "ORBIS TERRARVM regni Assyrii tempore," which translates to "The World at the Time of the Assyrian Kingdom." It depicts the...