Stazia Loren

Vintage Ledo Diamante and Gold Bracelet Circa 1960s. This is remarkably similar to the look of Buccellati. It is stunning on its own, and it can be mixed and matched with fine jewelr...

Vintage Gold Tone Square Dangling Earrings Circa 1980s. These are always classic earrings that look great and elevate an outfit to the next le...

Vintage Boucher Bracelet with Pave Stones Circa 1960s. The bracelet features three bars, each with prong-set pavé crystals, which form the nex...

Vintage Bogoff Diamante Drop Necklace Circa 1960s. Has a drop necklace and is on links of stones with designs. There are two 6-stone designs, separated...

Vintage Coro Lady Face Fur Clip. Iconic brooch from the 1940s. She is wearing a beautiful floral headband and red lipstick. Stunning and so unique. A very cl...

Vintage Trifari Leaf Brooch. Comprised of Pave and baguette. Looks real. It is set so beautifully and in such gorgeous condition. If this brooch ...

Collectible Tim Szlyk Montana Blue Crystal Brooch. Marked #2 of 25. This is a three-layer brooch that is just remarkable. Prong set. It would look great...

Vintage Gold Rhinestone with Faux Dangling Pearl Brooch Circa 1960s. Just the lovely brooch to jazz you up. Classic and Chic! A classic and smal...

Vintage Yves Saint Laurent YSL Couture Sun Burst Long Dangling Earrings Circa 1980s. These feature faux turquoise, amber, and gold beads, as well as quartz beads. These were created...

Vintage Christian Dior Gold Disc Necklace with Crystals Circa 1980s. Classic Dior necklace featuring a round disc with texture and inlaid crystals. ...

Vintage Dark Silver Metal Mesh Wrap Tie Necklace Lariat. This can be worn in so many ways. I have shown several in the photos. If you're looking for an Elsa Peretti piece that migh...

Vintage Napier Gold Tone with Faux Turquoise Dangling Beads. Four rows of dangling beads are attached to an Asian motif. Clip on. This was a very sought-after collection and still i...

Vintage Bow Brooch with Baguette and Square Pink Stones with Large Pink Center. This would look great as a bow tie, on the side, or on a hat. Darl...

Vintage deLillo Faux Turquoise and Gold Tone Dangling Earrings Circa 1970s. These are the perfect length. Clip on. William deLillo was only in business from 1968 to 1977, so when y...

Vintage YSL Flower and Butterfly Gold Tone with Crystal Cuff. Such a Pretty Work of Art. Not signed, but I had the earrings that matched that were signed. This is so special with ...

Vintage Yves Saint Laurent YSL Gold Sun Earrings. These are iconic and classic earrings. When you wear them you make a style statement that is chic...

Vintage Yves Saint Laurent YSL 3 Strand Pearl and Faux Turquoise. It is not signed as its couture, which was never signed but attributed to Yves Saint Laurent. The couture pieces w...

Vintage Martha Montero Gold and Faux Pearl Dangling Hoop Earrings Circa 1980s. There are three gold leaves gathered together with scattered faux pearls...

Vintage Ungaro Gold Dangling Butterfly Earrings Circa 1980s. These are double earrings of a smaller and then larger butterfly. They are so chic and will make any outfit look polishe...

Vintage D'Orlan Gold Tone Byzantine Drop Earrings. Large oval, highly detailed drop pieces hang down from a rope-like top piece. Clip on. You can wear the pl...

Vintage Rhinestone Large Dangling Hoops Circa 1980s. These front-facing hoops look great with anything and are incredibly chic for a party in the ...

Vintage French Red Beaded With Rondelles Gold and Black Necklace Circa 1960s. Red Cone beads and Rondelles with Gold and Black Spacers Necklace. This 1960s double strand is a true be...

Vintage Yves Saint Laurent YSL Gold Hoop Earrings. The hoops are wide and clip-on. Spectacular and very YSL. Again, the photos don't do thes...

Vintage Maison Goossens for YSL Gold Tone Bracelet with Pink Crystals. Somewhat oval-shaped and has a push-in Lever Piece to close it. Spectacular a...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Rounded Heavy Bracelet Cuff. Rounded and Wider in the Front. Has Pink and Blue Crystals. Spectacular! Will fit 7"-8"

Vintage Christian Dior Light Green Ridged Bangle Bracelet. Ridges Outward. Resin Material. The way this bracelet is curved is spectacular. You can wear this alone or mix it with any...

Vintage Maison Gripoix White, Crystal and Faux Turquoise on Gold Chain Necklace. 3 Different Emblems On a Gold Chain with a Dangling White Piece in the Middle. 22"-24" L. Dangling Middle is 3" L. Each Piece is 2" by 2" Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage YSL Dangling Gold Sun on Choker. Opening is 2" Sun is 2" x 2". This is a truly special piece, and it perfectly captures the essence of ...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent woman struggling with the limitations of living with a husband who lacks any exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colours and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Turquoise and White Small Dangling Earrings Set in Gold Tone. There are small pieces of faux turquoise wrapped in Gold, surrounding a white center. Clip On. These are so stunning and so classic in the style of Chanel. These can be worn in both winter and summer. I love these. Truly my taste. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colours and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Anne Klein Stacked Gold Tone Fan-Like Toggle Necklace. These are like secrets from the 1980s. They are well-made necklaces crafted during the period, which are genuinely ch...

Vintage St John Gold Tone Textured Hoop Earrings. Front Facing Earrings. The texture is broken with a cream enamel. Clip on. Now, these are earrings th...

Vintage Chanel Gold Disc Chanel and Coco on Long Necklace. A grand necklace from the 1980s, featuring dangling discs with an imprint of "CoCo" on one side and "Chanel" on the other, ...

Vintage French Gold Tone Faux Pearl Grey and Ivory Dangling Earrings. Very much in the style of Chanel. Just have a good look at these. The color gold is in the style of Chanel. T...

Vintage Gripoix Red MDV Paris Flower Necklace. This necklace is so spectacular. The flower is like the Chanel Camelia. This just oozes class. Something about this is just so specia...

Collectible Augustine Gold Tone Red Pate De Verre Dangling Earrings. There is a faux pearl in the center. Pierced. Non Signed But Augustine. These are so fresh and updated. Augusti...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their own jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Yves Saint Laurent Rive Gauche YSL Earrings. Butterfly Earrings with Pink and Blue Crystal and Faux Pearl on Hammered and Swirled Metal. Clip On...

Vintage Trifari Diamante and Sapphire Stone Color Large Brooch. The baguettes are set with various sizes of oval-shaped sapphire stones, surrounded by a border of round, clear cryst...

Vintage deLillo Gold Tone Crystal with Faux Turquoise Bracelet 1970s. The photos do all the talking here. This is like a double-decker bracelet with round pieces of crystals accented...

Vintage Round and Baguettes with Sapphire Blue Earrings Circa 1960s.Vintage Round Cut Crystals with Sapphire Crystal Baguettes Earrings. These have the l...

Vintage Valentino Gold Tone Crystal and Sapphire Blue Crystal Butterfly Earrings. These gorgeous classic earrings feature Clear Blue sapphire Color Crystals set in Gold tone. Clip o...

Vintage Lorenz Baumer Gold Tone Crystal Earrings. Amazing Shape. 2" L x 1.75" W. Lorenz Baumer is a renowned jeweler in Paris, located on Place Vendôme, and has designed fine jewe...

Vintage Yves Saint Laurent YSL Gold Tone Red Discs Dangling Choker. Created for the defile. 12-16.5" around the Neck. The Drop Pieces are approximat...

Vintage Ciner Gold Link Choker Necklace. Long Links with a Pattern Swirled through the Middle of the Link. This is a classic necklace that everyone...

Vintage Diamante and Pink Flower Brooch Circa 1940s. Large and magnificent on anything from a blazer to a coat to a white blouse. Pink Cabochons in ...

Vintage Isabel Canovos Face Chain Choker Necklace Circa 1980s. Iconic Isabel Canovos collectors piece. This is such a magnificent necklace. The face at its widest is 2 inches.

Vintage Robert Lee Morris Dangling Quartz Gold Tone Bracelet. If you like bracelets that move and jiggle, then this is for you. Robert Lee Morris shows his stuff in this creation f...

Vintage Resin Wide Diamante Faux Coral Cuff Circa 1990s. Features a design resembling a large flower, sun, or similar motif with a raised faux coral piece ...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Dangling Resin Earrings. Misshapen Pieces Form these Very Classy and Chic Earrings That are ...

Vintage Jean Patou Studded Matte Gold Tone Tribal Cuff. Four different rows of button-like items protrude from each row. It closes with a pin-like s...

Vintage Karl Lagerfeld Large Gold Tone Cuff Bracelet. Unsigned and Gorgeous but very Lagerfeld. Substantial and detailed, with a heavy feel. If you are smaller, I have a way to ma...

Vintage Christian Dior Boutique Ivory Colored Bakelite Bangel Bracelet. Heavy and Substantial. This is curved at the top on the outside of the Bracel...

Vintage YSL Gold Tone with Blue Sapphire Crystals Fan Brooch. Spectacular. For those who enjoy wearing brooches, this is a showstopper. There are numerous ways to wear a brooch that...

Vintage Billy Boy Gold Tone Evil Eye Long Necklace Sautoir. Double Strands of Gold Chain and Double Pieces of Evil Eye that are Enameled with Red, Green, and White. They are then ...

Vintage Claude Montana Gold Green Paper Mache Bracelet. These were created exclusively for the runway. There are two available, should you desire. They are so unusual. The front...

Vintage Claude Montana Gold Green Paper Mache Bracelet. These were created exclusively for the runway. There are two available, should you desire. They are so unusual. The front...

Vintage Hattie Carnegie Diamante and Sapphire Blue Cabochon Wide Collar Necklace Circa 1960s. Gorgeous Piece from the 1960s. This is truly such...