Stazia Loren

Vintage Givenchy Gold Tone Feather-Like Front-Facing Hoop Earrings. Clip On. There is also a Necklace on site that matches. Clip on. Again, I say these are the sleeper earrings, bu...

Vintage Open-Back Crystal Long Necklace with Dangling Piece Circa 1920s. One of the most gorgeous pieces I have. The crystals are set on an ant...

Vintage Biche De Berre Rigid Gold Tone Choker. It can be worn alone or with something dangling. A great layering piece to have. The inside of the choker measures 11 inches. The cha...

Collectible Tim Szlyk Sapphire Blue and Clear Crystal Brooch and Pendant. In the shape of a Maltese cross. His work is remarkable. Prong set. It would look great on the back of a j...

Vintage Open-Back Crystal Necklace with Dangling Piece. The crystals are set in a silver tone base with double links holding them in place. Thes...

Vintage Givenchy Heavy Gold Tone Link Necklace. A heavy and substantial necklace. A bracelet is available on-site to match. This represents the 1980s at their best. A classic necklace that will always be in style. Layer this with the newer, thinner stackable necklaces...

Vintage Graziano Dangling Gold and Crystal Multicolor Earrings. These are front-facing, dangling gold hoops featuring crystals of pink, blue, green, l...

Vintage Gold and Crystal Dangling Hoop Earrings. These front-facing hoop earrings feature crystals in the hoop and one on the earpiece. They can also be worn without the hoops. They ...

Vintage Trifari Gold Tone Bracelet with Pink Beads. Oval fitting bracelet with lots of fuchsia beaded pieces gathered together at the top. Well made and substantial. Alone or mixed w...

Vintage Boucher Pave and Baguette Layered Necklace Circa 1960s. This is the most beautiful necklace I have ever had in the rhinestone/crystal family. I had the sister necklace, but...

Vintage Lisner Gold with Green and Pink Crystals Brooch Circa 1980s. This brooch features three layers, with pink stones at the bottom, followed by...

Vintage Ciner for Joan Rivers Faux Pearl with Diamante 4 Strand Necklace. Features two detailed diamante pieces on either side, in gold tone, that connect the three strands of faux p...

Vintage Prevost Gold Tone 4 Strand Choker Necklace with Dangling Maltese Cross. This necklace is composed of four heavy-link chains, featuring a ...

Vintage Blue and Pink Crystal with Grey Stones Brooch Circa 1940s. This is a very interesting and well-made brooch. The petals are stacked on top of two tiers of a rose-gold-colore...

Vintage Boucher Brooch Circa 1960s. The photos don't do this justice. The body is pave, and the wings appear to be green iridescent mother of...

Vintage Domed Faux Coral with Diamante Brooch. The Brooch is elevated in 3 layers. Such a chic brooch. The gold against the diamante and the faux cor...

Vintage Sterling Hatchet/Scepter Brooch with Amethyst, Circa 1940s, Emerald and Diamante. This beautiful brooch, set on a gold-tone metal, is in excell...

Vintage Givenchy Gold Tone Heavy Link Chain with Dangling Blue Drop Necklace. A classic look from Givenchy. A heavy, square, blue, clear faceted piece hangs from large oval links. A...

Vintage Alexis Kirk Articulated Gold Tone Choker Necklace. Slopes down in the front. It would look good on a t-shirt, a turtle neck, or a white blo...

Vintage KJL Gold Tone Dangling Earrings. Large dangling front-facing earrings with gold swirly patterns that appear to have some script writing. Tear drops that hang from a round sha...

Vintage Ledo Diamante and Gold Bracelet Circa 1960s. This is remarkably similar to the look of Buccellati. It is stunning on its own, and it can be paired with fine jewelry. Substant...

Vintage Gold Tone Square Dangling Earrings Circa 1980s. These are always classic earrings that look great and elevate an outfit to the next le...

Vintage Boucher Bracelet with Pave Stones Circa 1960s. The bracelet features three bars, each with prong-set pavé crystals, which form the nex...

Vintage Bogoff Diamante Drop Necklace Circa 1960s. Has a drop necklace and is on links of stones with designs. There are two 6-stone designs, separated...

Vintage Coro Lady Face Fur Clip. An iconic brooch from the 1940s. She is wearing a beautiful floral headband and red lipstick. Stunning and so unique. A very...

Vintage Trifari Leaf Brooch. Comprised of Pave and baguette. Looks real. It is set so beautifully and in such gorgeous condition. If this brooch ...

Collectible Tim Szlyk Montana Blue Crystal Brooch. Marked #2 of 25. This is a three-layer brooch that is just remarkable. Prong set. It would look great...

Vintage Gold Rhinestone with Faux Dangling Pearl Brooch Circa 1960s. Just the lovely brooch to jazz you up. Classic and Chic! A classic and smal...

Vintage Yves Saint Laurent YSL Couture Sun Burst Long Dangling Earrings Circa 1980s. These features include faux turquoise, amber, and gold beads, as well as quartz beads. These wer...

Vintage Christian Dior Gold Disc Necklace with Crystals Circa 1980s. Classic Dior necklace featuring a round disc with texture and inlaid crystals. ...

Vintage Mesh Wrap Tie Silver Tone Necklace Lariat Circa 1980s. This can be worn in so many ways. I have shown several in the photos. If you're looking for an Elsa Peretti piece th...

Vintage Napier Gold Tone with Faux Turquoise Dangling Beads. Four rows of dangling beads are attached to an Asian motif. Clip on. This was a highly sought-after collection and remai...

Vintage Bow Brooch with Baguette and Square Pink Stones with Large Pink Center. This would look great as a bow tie, on the side, or on a hat. Darl...

Vintage deLillo Faux Turquoise and Gold Tone Dangling Earrings Circa 1970s. These are the perfect length. Clip on. William deLillo was only in business from 1968 to 1977, so when y...

Vintage YSL Flower and Butterfly Gold Tone with Crystal Cuff. Such a Pretty Work of Art. Not signed, but I had the earrings that matched that were signed. This is so special with ...

Vintage Yves Saint Laurent YSL Gold Sun Earrings. These are iconic and classic earrings. When you wear them, you make a style statement that is chi...

Vintage Yves Saint Laurent YSL 3 Strand Pearl and Faux Turquoise. It is not signed as its couture, which was never signed but attributed to Yves Saint Laurent. The couture pieces w...

Vintage Martha Montero Gold and Faux Pearl Dangling Hoop Earrings Circa 1980s. There are three gold leaves gathered together with scattered faux pearls...

Vintage Ungaro Gold Dangling Butterfly Earrings Circa 1980s. These are double earrings of a smaller and then larger butterfly. They are so chic and will make any outfit look polishe...

Vintage D'Orlan Gold Tone Byzantine Drop Earrings. Large oval, highly detailed drop pieces hang down from a rope-like top piece. Clip on. You can wear the pl...

Vintage Rhinestone Large Dangling Hoops Circa 1980s. These front-facing hoops look great with anything and are incredibly chic for a party in the ...

Vintage French Red Beaded With Rondelles Gold and Black Necklace Circa 1960s. Red Cone beads and Rondelles with Gold and Black Spacers Necklace. This 1960s double strand is a true be...

Vintage Yves Saint Laurent YSL Gold Hoop Earrings. The hoops are wide and clip-on—spectacular and very YSL. Again, the photos don't do these j...

Vintage Maison Goossens for YSL Gold Tone Bracelet with Pink Crystals. Somewhat oval-shaped and has a push-in Lever Piece to close it. Spectacular a...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Rounded Heavy Bracelet Cuff. Rounded and Wider in the Front. Has Pink and Blue Crystals. Spectacular! Will fit 7"-8"

Vintage Christian Dior Light Green Ridged Bangle Bracelet. Ridges Outward. Resin Material. The way this bracelet is curved is spectacular. You can wear this alone or mix it with any...

Vintage Maison Gripoix White, Crystal and Faux Turquoise on Gold Chain Necklace. 3 Different Emblems On a Gold Chain with a Dangling White Piece in the Middle. 22"-24" L. Dangling Middle is 3" L. Each Piece is 2" by 2" Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage YSL Dangling Gold Sun on Choker. Opening is 2" Sun is 2" x 2". This is a truly special piece, perfectly capturing the essence of YSL. ...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story revolves around a young, attractive, and intelligent woman who struggles with the limitations of living with a husband who lacks exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began making replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses, and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Anne Klein Stacked Gold Tone Fan-Like Toggle Necklace. These are like secrets from the 1980s. They are well-made necklaces crafted during the period, which are genuinely ch...

Vintage St John Gold Tone Textured Hoop Earrings. Front Facing Earrings. The texture is broken with a cream enamel. Clip on. Now, these are earrings th...

Vintage Chanel Gold Disc Chanel and Coco on Long Necklace. A grand necklace from the 1980s, featuring dangling discs with an imprint of "CoCo" on one side and "Chanel" on the other, ...

Vintage French Gold Tone Faux Pearl Grey and Ivory Dangling Earrings. Very much in the style of Chanel. Just have a good look at these. The color gold is in the style of Chanel. T...

Vintage Gripoix Red MDV Paris Flower Necklace. This necklace is so spectacular. The flower is like the Chanel Camelia. This just oozes class. Something about this is just so specia...

Collectible Augustine Gold Tone Red Pate De Verre Dangling Earrings. There is a faux pearl in the center. Pierced. Not signed, But Augustine. These are so fresh and updated. August...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Yves Saint Laurent Rive Gauche YSL Earrings. Butterfly Earrings with Pink and Blue Crystal and Faux Pearl on Hammered and Swirled Metal. Clip On...

Vintage Trifari Diamante and Sapphire Stone Color Large Brooch. The baguettes are set with various sizes of oval-shaped sapphire stones, surrounded by a border of round, clear cryst...