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The Bath #1 - In Celebration of Pride Month
By David Levy
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. David Levy created this vintage silver gelatin photograph in 1995. The image was t...
Category

1990s Contemporary Figurative Photography

Materials

Silver Gelatin

Moon ( from the artist's Lunar Series)
By Ted Kincaid
Located in New Orleans, LA
An image from Kincaid lunar series. An edition of 10 Over the course of three decades, Ted Kincaid has systematically subverted the notion of an objective photographic record and examined the play between painting and photography. Kincaid has created multiple series...
Category

2010s Landscape Photography

Materials

Film, Digital

Making Leaves - In Celebration of Pride Month
By Arthur Tress
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Tress uses a bed, the juxtaposition of two rakes and a scattering of fallen leaves ...
Category

1970s Contemporary Still-life Photography

Materials

Silver Gelatin

New York Speed
By Laurence Winram
Located in New Orleans, LA
This is # 1 of an edition of 30 Laurence Winram is a Scottish photographer based in Edinburgh. His projects are diverse but the work most personally re...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Photographic Paper

Bedside View - In Celebration of Pride Month
By Brinley Ribando
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. a sexy young girl lies in bed bathed in sunlight
Category

2010s American Modern Black and White Photography

Materials

Digital Pigment

Young Lad ( haunting portrait of young boy on a crowded London street)
By Richard Sadler
Located in New Orleans, LA
Richard Sadler's "Young Boy" is a haunting portrait of a very serious young British lad amidst a crowd of other people. He is dressed very formally in hat, coat and tie. He clutche...
Category

1950s Contemporary Black and White Photography

Materials

Photographic Film, Photographic Paper

The Harvest Season (Louisiana Sugar Mill Series - New Iberia, Louisiana)
By David Armentor
Located in New Orleans, LA
David Armentor says, "The Sugar Mill Sessions focuses on sugar production in Southwest Louisiana. It attempts to give a localized, romantic view of the industry by documenting harvest seasons of the sugar mills, Cajun Co-op, Louisiana Sugar Cane Co-op and Enterprise. With the sugar industry as a passive backdrop to my upbringing, it was natural for me use its distinctive characteristics as indicators of "home" even after relocating as an adult. Originally, this work began in 2004 with the intention of capturing these traits in a purely formal documentary fashion, following the discipline of "photograph what you know." I worked mostly at night during the harvesting season months of September through January, which gave way to a more expressive capture of the industry. This direction allowed me to give a unique perspective to an industry where sense of place is often viewed as burdensome or vexatious. Unique lighting conditions along with modernistic compositions allow the images more gentle, hushed qualities while remaining grounded in the innate industrial masculinity -- something easily overlooked by those familiar with the landscape. 'The Sugar Mill Sessions' is an ongoing body of work which has evolved going forward. Historically great artists have explored this complex industry that is ingrained in the Southern culture as it has a continual ability to serve as an umbrella for flavorful artistic expression, critique and research." Gulf coast native David Armentor is an artist who has been working in the photographic medium since 2002. He received a BA from Louisiana State University where he learned the craft of traditional photographic print making. After graduation he taught photography classes for the Baton Rouge Arts Council and worked as a freelance photographer until moving to Seattle, WA, where he continued his photographic endeavors with the Benham Gallery as the gallery manager and guest artist. He now resides in New Orleans, LA, and is the founder of St Veronica...
Category

Early 2000s Contemporary Landscape Photography

Materials

Photographic Film, Photographic Paper

Scattered (Young Woman and Flowers) - In Celebration of Pride Month
By Brinley Ribando
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A black and white photograph of a young woman with flowers
Category

2010s American Modern Black and White Photography

Materials

Digital Pigment

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Mercer Street, 1992
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...
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Fleur Du Mal - Black & White Original Polaroid Photograph by Pia Clodi Framed
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Umbrella- Signed limited edition still life print, Black white, Woman running
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Beyond
By Ted Adams
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Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
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