Stone and Press Gallery Still-life Photography

This stunning black and white photograph by renowned photographer Myron Wood captures the iconic mobile by Alexander Calder at Georgia O'Keeffe's Abiquiu home in April 1980. The imag...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Cactus - Limited edition pigment print - Limited Editions of 5 Close-up of a cactus plant in backlighting. Signed + numbered by artist with certificate of authenticity. Archiva...

"Аtomage" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31"...

This finely framed black and white photograph captures a moment of intrigue and sophistication, set in the heart of downtown Dallas. A man, his back turned, walks up the sleek stairs...

This vintage black and white Southwestern still life photograph, captured by Myron Wood (1921-1999) in 1980, showcases a Pueblo Native American black-ware pottery jar, dried maize (c...

16.5x20.5, 7.5x9.5 actual image Born in 1957 at Kalamazoo and raised in Detroit, MI, Tom Ferguson has photographed still lifes, flowers, botanicals, collage, city-scapes and landscapes. He works in platinum, palladium, cyanotype, gum, silver gelatin and other alternative processes. He is also a fine commercial photographer. This is similar in feel to Karl Blossfeldt and Irving Penn. He moved to Los Angeles in 1976, and currently lives in Simi Valley.

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Flower 1- Limited edition pigment print - Limited Editions of 15 Close-up on a round flower on an round background, unframed. Signed + numbered by artist with certificate of auth...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph of a former car dealer's shop window of the brand Pierce Arrow cerca 1925 entitled ' Pierce A...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...