Rod Dresser

Church Window, Bridge Haven, California

1989

Signed, titled, dated and copyrighted 1983 on back of print. Stamped, 'Signed silver print of this negative not exceeding' and 78 written in pencil on back of print. Annotated, 'Copy...

Signed and dated in pencil on the mount. Approximate print size is 11 x 14 inches. Pristine condition. 1970s. From the Weston family and has only been in the one collection.

Studio stamp “Negative by Edward Weston printed under his supervision in 1955 by Brett Weston (original signature) Project print #4”.

Unsigned - fine print used for reproduction. From the Estate of Cole Weston.

Initialed and dated front of mount. Negative number annotated on back of mount. Printed in 1938.

Titled with artist's reference number on mount verso. Stamped, 'Edward Weston printed by' and signed by Cole Weston on mount verso. Printed later by Cole Weston. Artist Reference Num...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Photographie format 30*40cm de la série "Petits paysages américains" de Jean-Christophe Béchet, tirée par l'auteur lui-même par impression jet d'encre Fine art, avec de superbes nuan...

"Certains lieux laissés à l’abandon suscitent parfois un certain intérêt dans notre imaginaire. Notamment pour ce qu’ils peuvent charrier de mystères. Ils nous intriguent, excitent notre curiosité. Comme s’ils avaient encore quelque chose à nous dire d’eux. À nous dire de nous. Chargés d’un passé aujourd’hui devenu leur présent, de singulières atmosphères règnent en de tels endroits et nous enjoignent parfois à y pénétrer avec prudence, s’offrant ainsi à quelque visiteur opportun." Basile Ducournau Tirage numérique sur papier Etching Hahnemühle 350g, format 40x60cm, édition sur /10. Possibilité de venir récupérer le tirage directement à la galerie. Le prix...

Photographie format 30*40cm de la série "Clocks and clouds" de Jean-Christophe Béchet, tirée par l'auteur lui-même par impression jet d'encre Fine art, avec de superbes nuances de no...

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...