The Illustrated Gallery Figurative Paintings

Medium: Watercolor on Canvas Signature: Signed Lower Right Sight Size 10.75" x 14.00," Framed 26.00" x 27.00"

Medium: Watercolor on Canvas Signature: Signed Lower Left Sight Size 11.75" x 14.00," Framed 25.50" x 27.00" Framed under glass.

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 25.75" x 23.50," Framed 33.00" x 30.50"

Medium: Gouache on Board Signature: Signed Lower Right Dimensions: Sight Size 22.00" x 29.00," Framed 26.50" x 33.50" New York Welcomes the President Elect, Great Moments in American History...

Medium: Oil on Board Signature: Signed Lower Left

Medium: Acrylic on Illustration Board Signature: Unsigned

Medium: Acrylic on Canvas Cover Illustration: Cupid's Challenge (Zebra Valentine's Day Regency Romance) Mass Market Paperback – February 1, 1996

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for Top-Notch Magazine, August 15, 1921 Forsythe was a major influence on many great artists and had many important friends. He was Rockwell's studiomate and mentor and actually helped Rockwell to get his first cover at The Saturday Evening Post. Forsythe was also friends with Teddy Roosevelt, who was the first President to drive a car. "The Race is On" 1921 depicts Teddy Roosevelt racing a cowpoke on horseback. This is a phenomenal painting in many respects - historical, western, presidential, car. Roosevelt is a major collector's market. The car is a Red Model T Roadster as well. It also contains great action and drama - and beautifully rendered, as good if not better than any WR Leigh...

Medium: Oil on Canvas Signature: Unsigned Advertisement, Cream of Wheat, 1928;

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 24.00;" Framed 36.00" x 31.00" Collier's Magazine Cover,Christmas Edition, December 24th 1921

Medium: Oil on Canvas Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 18, 1953. The Post described, “Gently, gently now, for both side...

Medium: Oil on Canvas Signature: Inscribed: "My best wishes to/my friend Judy Bedell/sincerely/Norman Rockwell Included with the painting, the dress that the model wore for this pai...

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Mixed Media on Board Signature: Signed on Verso Contact for dimensions. Maxfield Parrish created the present work as a playbill to commemorate a performance of Ivanhoe, whi...

Medium: Oil on Board Signature: Signed Lower Left Many Rivers to Cross (Steve Frazee / Fawcett Gold Medal #935, October 1959) - (#S1371, December 1963)

Medium: Oil on Canvas Laid on Board Signature: Unsigned The Saturday Evening Post, November 16, 1912 cover Study (Thanksgiving Edition)

Medium: Oil on Canvas Signature: n/a Soldier's Pride was created as a component of Kuppenheimer's six-piece easel-backed World War I advertisement placards for in-store display. These pieces were expertly printed on a coated cardboard substrate so the black background would dramatically display the clothing item. Kuppenheimer & Hart Schaffner Marx...

Medium: Oil on Canvas Signature: Signed Lower Left Probable proposed fuel advertisement or calendar illustration for Koppers Coke.

Medium: Oil on Canvas Mounted to Board Signature: Signed Lower Left "H. Hintermeister"

Medium: Oil on Canvas Signature: Signed Lower Left This work was featured on the cover of The Saturday Evening Post, June 11, 1949 The Post described the cover as follows: "Having found the setting he wanted for his circus-theme cover painting - on the Brotherton farm near Westport, Connecticut- Stevan Dohanos began rigging up a beam for the farm boy...

Medium: Mixed Media Signature: Signed Lower Center Published May 1973 by Pyramid Books

Medium: Gouache on Board Signature: Signed Lower Left The Saturday Evening Post cover, September 12, 1953

Medium: Oil Painting Signature: Signed Lower Right Sight Size 24.00" x 20.00", Framed 31.00" x 27.00" The Saturday Evening Post cover illustration, December 1907

Medium: Oil, Ink and Gold Leaf on Paper Dimensions: 15.00" x 12.00" Signature: Signed Lower Center The present work was published as the cover of the December 2nd, 1899 issue of Lif...

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

Medium: Oil on Canvas Signature: Signed and Dated illustration World War I scene, titled Will You Tell Her He's All Right, signed upper right and dated '17

Medium: Painting Signature: Signed Lower Left Contact for dimensions.

Medium: Painting Signature: Signed Lower Right Contact for dimensions.

Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Board Signature: Signed Lower Center This illustration was published as the paperback cover of The Devil of Bucks County by Edmund Schiddel (Bantam Books, 1967).

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Unsigned

Medium: Oil on Board Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for ''Motor'' Magazine, February 1931 Depicting a Duryea Automobile Driving by a Blacksmith Shop

Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Medium: Oil on Paper Signature: Signed Lower Right On August 2, 1990, Iraqi President Saddam Hussein -- the Iraqi tyrant greedy for domination of the M...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 15.00" x 13.00;" Framed 18.00" x 15.00" This painting was originally published on the Fleetwood First Day Cover for the U.S. 37c Flag Folding Fan...

Medium: Oil Painting Signature: Signed Lower Right Lady

Medium: Oil on Canvas Signature: Unsigned This is a study for the cover illustration of the 1 January 1927 issue of The Saturday Evening Post.

Medium: Oil on Canvas Signature: Signed Upper Left

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right Liberty Magazine Cover, August 26th 1939

Medium: Oil on Canvas Signature: Signed Middle Right TV Guide cover for May 13, 1978: "Little House on the Prairie"

Medium: Oil on Canvas Signature: Signed Lower Left Reproduced for the 1976 Summer Olympics, held in Montreal, Canada. It depicts a young boy dreaming of running on the U.S. Olympic ...

Medium: Oil Painting Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...

Medium: Oil on Board Signature: Signed on Back

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 23.00", Framed 34.00" x 29.00" Cover of The Saturday Evening Post, February 2, 1935

Medium: Oil on Canvas Signature: Unsigned Sight Size 24.00" x 16.50;" Framed 31.75" x 24.75" "Universal Peace" by Hamilton Holt, August 1911. Cosmopolitan Magazine...

Medium: Oil on Canvas Signature: Signed Lower Right "A Successful Man," by Ella Wheeler Wilcox, from book Poems of Optimism (1919).

Medium: Oil on Canvas Signature: Unsigned A Gunfight Forthcoming

Medium: Oil Painting Signature: Unsigned Cover of 'April Gold' written by Grace Livingston Hill