The Joseph James Company Serveware, Ceramics, Silver and Glass

A larger sized Arts and Crafts hearth art tile depicting a scenic view of a desert with travelers on camels . Hand colored and crafted by the California Art Tile...

Spode pottery neoclassical Greek pattern blue pair of dishes, Bacchus Mounted on a Panther, Early-19th century The Spode Greek pattern pottery sha...

A stunning Belgian hand painted art pottery vase decorated with Islamic style floral designs attributed to Charles Catteau and dating from around 1920. The vase of rounded bulbous shape stands on a narrow round foot with a narrow funnel shaped top and is hand painted with Islamic inspired floral designs repeated to both sides of the body with painted patterning around the top and lower rims. The vase is painted in tones of blue, red and green on a white ground with black printed makers...

Spode Pottery neo-Classical Greek Pattern blue set of dinner plates-33 plates Zeus in His Chariot, Early-19th Century The Spode pottery underglaz...

A stylish Dutch hand painted art pottery vase decorated with stylized floral designs by Gouda Schoonhoven and dating from around 1920. The well potted bottled shaped vase is of small...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

From an extensive collection of studio pottery we are pleased to offer this fine abstract form studio pottery mug by Cornish based potter Paul Northmore...

Beautiful and rare decorative pair of hand-painted Italian dessert footed cups by DeSimone, circa the 1970s in great vintage condition.

Vintage Studio Art Pottery Handmade Serving Tray signed by artist 2.25 h x 15 w x 9 d refer to images listed

A large Abstract Studio Art Pottery charger, unmarked, attributed to Poole Pottery U.K. Decorated in attractive an abstract spiral pattern i...

This beautiful set of handmade ceramics consists of 16 bowls, all of which differ in size and color. Since they come from the same artist but different painting techniques were used,...