Items Similar to Early Spode Red Greek Pattern Tile
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Early Spode Red Greek Pattern Tile
About the Item
A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern.
Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog.
This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares.
Dimensions: 5 in. x 5 in. x 1/4 in.
Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length.
Provenance:
The Collection of Nancy and Andrew Ramage
Jonathan Horne, Chelsea Galleries, London
References:
Wilhelm Tischbein, Collection of Engravings from Ancient Vases of Greek Workmanship Discovered in Sepulchres in the Kingdom of the Two Sicilies now in the Possession of Sir William Hamilton (1791), vol. III, p. 42.
- Creator:Spode (Maker),Josiah Spode (Maker)
- Dimensions:Height: 5 in (12.7 cm)Width: 5 in (12.7 cm)Depth: 0.25 in (6.35 mm)
- Style:Neoclassical (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1806-1810
- Condition:Wear consistent with age and use. Slight chip to the upper left corner measuring approximately 0.9 cm. in length.
- Seller Location:Fort Lauderdale, FL
- Reference Number:
Spode
Spode is one of the oldest and most distinguished of the great pottery companies of Staffordshire, the time-honored home of English ceramics. The firm’s blue and white bone china transferware is a timeless classic. Spode dishes compose the sort of elegant dinner service that most of us envision on a traditional holiday table.
The company was established in 1770 in Stoke-on-Trent by Josiah Spode, a friend and neighbor of another estimable English ceramist, Josiah Wedgwood. Spode was particularly known for two technical achievements in the firm’s early decades. The first was to develop a standard formula for the making of bone china — a type of porcelain (made with a mixture of bone ash, minerals and clay) that is dazzlingly white and so strong it can be used to create very thin translucent plates and vessels. The other was to perfect the making of transferware. That process involves the transfer of pictorial images inked on tissue paper — such as the garden scenery in the famous Willow dish patterns — onto ceramics that are then sealed with a glaze. In 1833, following the sudden death of Josiah Spode III, business partner W.T. Copeland took over the company and changed its name. Collectors regard Copeland-marked pieces as Spode china. The Spode brand was revived in 1970.
From the 1820s onward, Spode enjoyed tremendous success both in Britain and elsewhere owing to the beauty and vitality of its decorative imagery. By some counts, Spode created more than 40,000 patterns in the 19th century. Many favorite Spode patterns — among them Blue Italian, India Tree, Greek and Woodland — date to the company’s early years. Spode’s most popular pattern, Christmas Tree, was introduced in 1938. Prices for Spode china vary widely, based on the size of the service, its condition and the pattern. An antique dinner service for 12 people or more, in good repair and complete with cups and serving dishes, will generally cost between $10,000 and $20,000. Such Spode services become heirlooms — a proud and timeless addition to a family’s table. And as you will see on these pages, Spode’s rich and varied wares offer a visual feast in and of themselves.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2020
1stDibs seller since 2021
31 sales on 1stDibs
Typical response time: 8 hours
- ShippingRetrieving quote...Ships From: Fort Lauderdale, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Early 19th Century Spode Red Greek Pattern TileBy Spode, Josiah SpodeLocated in Fort Lauderdale, FLA Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsEarthenware, Creamware
- Early Spode Regency Dollar Pattern Punch BowlBy SpodeLocated in Fort Lauderdale, FLA large Spode Regency porcelain punch bowl in the Dollar pattern, made in England circa 1810. This punch bowl, designed by English potters after Asian motifs and named for an American currency, presents a fascinating instance of globalization in the ceramic medium. The Spode Dollar pattern...Category
Antique 1810s English Regency Serving Bowls
MaterialsCeramic, Porcelain
- Early Wedgwood Egyptian Revival Neoclassical Rosso Antico Coffee PotBy Josiah WedgwoodLocated in Fort Lauderdale, FLA Wedgwood rosso antico coffee pot made ca. 1810. The pot's red body is accentuated by black basalt details in the Egyptian Revival style. Developed by Josiah Wedgwood in the 1760s, rosso antico famously exhibits the Egyptian Revival style that became popular in the early 19th century during Napoleon...Category
Antique Early 19th Century British Neoclassical Pitchers
MaterialsEarthenware
- Six Wedgwood Majolica Argenta 'Lincoln' Pattern Dessert DishesBy WedgwoodLocated in Fort Lauderdale, FLSix Wedgwood majolica Argenta palette ‘Lincoln' pattern dessert plates with finely molded maroon prunus blossoms and dark taupe pine branches surrounded by a yellow Greek key border. The dishes are decorated in the japonisme style and feature the “Three Friends of Winter” motif, an Asian artistic convention showing the pine, plum, and bamboo together to represent steadfastness, perseverance, and resilience. The Wedgwood factory introduced muted Argenta glazes to its majolicas in the 1880s to keep up with ever-changing fashions. The Argenta glaze color palette was more subdued than that of traditionally vibrant majolica, and was thus more appealing to the Aesthetic Movement japonisme style that pervaded the market. These Argenta majolica dessert dishes...Category
Antique Late 19th Century English Japonisme Pottery
MaterialsEarthenware, Majolica
- Early 17th Century Ottoman Empire Iznik Pottery DishLocated in Fort Lauderdale, FLAn Iznik pottery dish made in the first half of the 17th century and decorated with chrysanthemums and tulips. The rim features the rock and wave pattern. Under the direction of O...Category
Antique Early 17th Century Turkish Islamic Ceramics
MaterialsCeramic
- Early 19th Century Wedgwood Egyptian Revival Rosso Antico TeapotBy Josiah WedgwoodLocated in Fort Lauderdale, FLA rosso antico teapot made by Wedgwood ca. 1810. The pot's red body is accentuated by black basalt details in the Egyptian Revival style. This ros...Category
Antique Early 19th Century British Egyptian Revival Tea Sets
MaterialsEarthenware
You May Also Like
- Regency Spode Pottery Neo-Classical Greek Pattern Blue DishBy SpodeLocated in Downingtown, PARegency Spode Pottery Neo-Classical Greek Pattern Blue Dish, Bellerophon's Victory Over Chimera, Early-19th century The Spode Greek pattern pottery, sh...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Neo-classical Greek Pattern Blue Rectangular Dessert DishesBy SpodeLocated in Downingtown, PASpode neo-Classical Greek pattern blue rectangular dessert dishes, Four figures in battle, Early 19th century The Spode Greek pattern pottery ...Category
Antique Early 18th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Neo-Classical Greek Pattern Blue Oval Dessert DishesBy SpodeLocated in Downingtown, PASpode neo-classical Greek pattern blue oval dessert dishes, "A Domestic Ceremony", Early 19th century The Spode Greek pattern pottery dishes a...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Pottery Neo-Classical Greek Pattern Blue Deep DishBy SpodeLocated in Downingtown, PASpode pottery neo-classical Greek pattern blue deep dish, Bacchus Mounted on a Panther, Early-19th Century The Spode Greek pattern pottery shaped rectangular dish with cantered...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Neo-Classical Greek Pattern Blue Openwork Dessert PlatesBy SpodeLocated in Downingtown, PASpode neo-classical Greek pattern blue openwork dessert plates, Ceres with a Priestess, Four plates (4) Early 19th century From a large collection of Greek pattern Spode- more pi...Category
Antique Early 19th Century English Neoclassical Pottery
MaterialsPearlware, Pottery
- Spode Pottery Large Neoclassical Greek Pattern Blue Pair of DishesBy SpodeLocated in Downingtown, PASpode pottery neoclassical Greek pattern blue pair of dishes, Bacchus Mounted on a Panther, Early-19th century The Spode Greek pattern pottery sha...Category
Antique Early 19th Century English Neoclassical Platters and Serveware
MaterialsPearlware, Pottery
