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9
"Organic Form" Signed, Bronze Sculpture with Green Patina
By Patrick McElroy
Located in Clinton Township, MI
This sculpture by Patrick McElroy depicts a flower-like structure fixed to a Kilkenny marble base. The form is covered in a scale-like texture and coated in a green patina. The work ...
Category

Late 20th Century Abstract Figurative Sculptures

Materials

Bronze

“Woman” Stainless Steel Sculpture by Marian Owczarski
Located in Clinton Township, MI
“Woman” is a Stainless Steel Sculpture by the artist Marian Owczarski. It measures approximately 15 x 8.5 x 6 inches. The date of creation is unknown,...
Category

Late 20th Century Abstract Expressionist Nude Sculptures

Materials

Stainless Steel

"Victim of War (WWII)" Signed, Stainless Steel Sculpture
Located in Clinton Township, MI
This dramatic stainless steel sculpture titled "Victim of War" by Marian Owczarski depicts a falling figure reaching towards the sky. The figure is suspended by a single leg which Ow...
Category

Late 20th Century Abstract Expressionist Figurative Sculptures

Materials

Stainless Steel

"Moses and The Ten Commandments" Stainless Steel Sculpture
Located in Clinton Township, MI
"Moses and The Ten Commandments" is a Stainless Steel Sculpture by the artist MARIAN OWCZARSKI (Polish, 1932-2010). It measures 20 x 7 inches. The dat...
Category

Late 20th Century Abstract Expressionist Figurative Sculptures

Materials

Stainless Steel

Bird-Original Wooden Sculpture, Signed (carved into wood) by Artist
Located in Clinton Township, MI
Original Wooden Sculpture Approximately 20.5 × 6 × 5.5 inches Signed by Artist-signature carved into side of sculpture Good/Fair Condition-signs of wear consistent with age and ha...
Category

Late 20th Century Figurative Sculptures

Materials

Wood

Fisherman & his Catch
Located in Clinton Township, MI
Inuit carvings, created by the Inuit people living in or near the Arctic Circle, are a kind of sculpture (done with bone, ivory, wood or stone) depicting their traditional way of lif...
Category

Early 19th Century Other Art Style Figurative Sculptures

Materials

Stone

Inuit Soapstone Carvings-Owls (Set of Two)
Located in Clinton Township, MI
Individual owls measure approximately 5.75 x 2.75 x 3.25 inches. May be sold separately, please contact gallery for pricing. Fair Condition-signs of wear consistent with age and hand...
Category

20th Century More Art

Materials

Mixed Media

"Shooting Flower" Serpentine Statue
Located in Clinton Township, MI
"Shooting Flower" is a Serpentine statue by the artist Leonard Chitanda. It measures approximately 15.5 x 8.5 x 7.5 inches. The date of creation is un...
Category

Late 20th Century Abstract Sculptures

Materials

Stone

"Ceramic Plaque" Sculpture mounted on off-white plastic board, Signed by Artist
Located in Clinton Township, MI
"Ceramic Plaque" by Dorothy Dunitz is a highly textured, ceramic sculpture fastened to an off-white/cream plastic board. The sculpture measures approxim...
Category

Late 20th Century Abstract Sculptures

Materials

Ceramic

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Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone
By Wim van der Kant
Located in Utrecht, NL
Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at...
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Reaching (bronze hand)
Located in Wilton Manors, FL
Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...
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Mid-Century Nude Male Acephale Sang de Boeuf Ceramic Sculpture with Marble Base.
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French Mid 20th Century ceramic figure of a man in Sang de Boeuf, oxblood red, glaze presented on a metal 'tige' and marble base. The sculpture is not signed but was purchased from ...
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Balancing Elephant, Circa 1930s, Art Deco, Louis-Albert Carvin (1875-1951)
Located in SANTA FE, NM
Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...
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