Treasure Fine Jewelry Brooches

Pendant Brooch designed by David Webb. Gorgeous and bold versatile piece, created in New York city at the atelier of the Iconic David Webb, back in the 1960. This massive pendant ha...

An exceptional Art Deco brooch with diamonds. Beautiful piece from the American art deco period, circa 1930. I was carefully crafted with impeccable attention to details in solid .9...

An art deco brooch designed by Hayden W. Wheeler & Co. Very rare piece, created in New York city during the glorious art deco period, circa 1930's. This elegant rounded pin brooch is one of the earliest examples made by the famous jewelry house of Hayden W. Wheeler & Co. It was carefully crafted with impeccable attention to details in solid .900/.999 platinum and is suited with an horizontal hinged bar with a security mechanical lock. Is embellished with a great selection of diamonds and sapphires and the gemstones settings are finished with the popular millegrain patterns. The main gemstone is one very fine European round rose cut diamond of 0.75 carats, white colorless E color and VS-1 clarity. Surrounded by a calibrated French pave setting composed by 60 graduated European rose cut diamonds with a total weight of 2.71 carats, E/F color, VS-2 clarity. Accented with three channel settings stations, that are mount with 29 caliber French cut of natural vivid royal blue sapphires, with a combined weight of 0.87 carats. Most probably these sapphires are from the Kashmir or the Pailin regions. Has a total weight of 9.3 Grams and a diameter of 37 mm (1.46 Inches). Stamped with the maker's mark inside two circled cartouche, the hallmark for the assay of the platinum and signed, "H W PLAT". Image 10 - Antique Hayden W. Wheeler & Co. HWW USA Gargoyle 14K Gold Pearl Ruby Stick Pin Hayden W. Wheeler & Co, was one of the oldest and jewelry houses in America, The jewelry firm founded by Hayden Wheeler...

Convertible Maltese Cross pendant brooch. A flamboyant and colorful iconic piece, created with modernist patterns, back in the 1970. This convertible oversized Maltese pendant-brooch has been carefully assembled with elements crafted in solid yellow gold of 18 karats, with brushed, satined, textured and polished finish, creating a great surfaces contrast. It is suited at the reverse, with a hinged double pins with a trombone security lock to wear as a brooch and a removable retractable piece to wear as a pendant. Although this design had already been used for more than 2000 years since ancient times, fashion and jewelry houses such as Verdura, Channel and Bvlgari integrated this very popular model into their designs. Being since then an icon of high fashion. One of the most iconic pieces of jewelry depicting a Maltese cross, was designed by Fulco Di Verdura (1899-1978) in 1920, when he created the iconic Maltese cross cuff bracelet for his friend Coco Chanel. It is embellished, with 17 colorful gemstones having a total combined weight of 106.86 carats, they are individually described as follow; In the center, in a bezel setting with one Sugarloaf cabochon cut (20 x 20 x 8 mm) of Afghani green Chrysoprase of 22.90 carat. Screwed setting, with 4 Japanese cultured white mabe pearls of 16 mm. Four-prong set, with 4 round cabochon cut (5 mm) of natural Italian red coral, with a total of 3 carats. Bezel set, with 4 round cabochon cut (10 x 10 x 8 mm) of Afghani green chrysoprase, with a total weight of 22.88 carats. Bezel set, with 4 oval cabochon cut (12 x 20 x 8 mm) of Hungarian greenish malachite, with a total weight of 58.08 carats. It is pretty heavy and large, with a total weight of 104.2 Grams and a measurements of 95 mm by 89 mm (3.75 by 3.5 Inches). Stamped, with the maker's mark, the hallmark for the assay of the 18kt gold and signed, "INDUSTRIA ARGENTINA 18KT". Note: The Maltese cross, is a cross symbol, consisting of four "V" or arrowhead shaped concave quadrilaterals converging at a central vertex at right angles, two tips pointing outward symmetrically. It is a heraldic cross variant which developed from earlier forms of eight-pointed crosses in the 16th century. Although chiefly associated with the Knights Hospitaller (Order of St. John, now the Sovereign Military Order of Malta...

Very important necklace-brooch designed by Arnaldo Pomodoro (1926-). A three-dimensional wearable sculptural piece, created in 1963-65 by the famous Italian architect and sculptor Arnaldo Pomodoro. It was crafted, with architectural patterns and geometrics elements in solid 18 karats of textured yellow gold, with white gold accents. This piece is composed by two parts; the articulated collar necklace and the intricate pendant-brooch. The collar has 6 free forms elements, attached together with several pins connectors and is suited with a curved boxed push lock. The pendant can be used alone in a chain and can be also wear as a brooch, since is suited with a vertical hinged bar and a trombone lock for extra security. The main element is embellished with 16 natural and not treated gemstones, described as follow; thirteen French squared cuts of red Burma rubies, with a weight of 1.95 carats and three straight baguettes cuts of vivid green Colombian emeralds, with a combined weight of 1 carat. The total weight of this piece is 70.45 grams and the necklace have an inside diameter of 17.25 inches. The main element has a measures of 97 mm (3.82 inches) height, by 55 mm (2.17 inches) width, by 8 mm (0.31 inch) thickness. It is sign at the verso in full by the artist and dated, "Arnaldo Pomodoro 1963-65". Arnaldo Pomodoro, born in Morciano, Italy in 1926, is a sculptor, stage designer and architect. Between the 1950 and 1954 he worked primarily as a jeweler and stage designer with his brother Gio Pomodoro in Pesaro, Italy and began his first work in relief, which are characterized by a rough surface quality with detailed vegetal organic forms. the fine detailing of his jewelry later appeared in his bronze monumental sculptures. He have 94 years and live in Milan, Italy. In 1953 Arnaldo and Giò, together with their fellow artist and close friend, Giorgio Perfetti (1932- 1961), formed the “3p” group and produced original jewels and small reliefs, which were first exhibited that year in Pesaro. The following year they moved to Milan and opened a small studio in a basement in Via Visconti Di Modrone. Here they met artists such as Enrico Baj, Sergio Dangelo, Lucio Fontana, as well as influential collectors and critics including Peggy Guggenheim and Guido Ballo who greatly appreciated their art. (take from Didier ltd...