Uwe Dobler Interiors

Unusual bench, upholstered, with relief decoration on three sides, partly gilded and white. The body rests on low legs with accented rosette. Volutes and...

The mortar is of exceptional quality. The sculptural execution of the carved decoration is appealing. Large leaf volutes end in stylized eagle heads. The sides are decorated with car...

Pair of Egyptian style Torchères with hermes and female busts on the stems, on flared griffon feet, attributed to Agostino Fantastici. The plates are supported by finely worked palmettes. Mahogany, partly black lacquered and gilded. Attr. Agostino Fantastici, Siena circa 1820 Born in 1782 to Bernardino and Margherita Boddi. He learned his first notions of architecture from his father, a professor of mathematics at the University of Siena and a hydraulic engineer. He trained first in Siena, then in Rome, and was active both during the French occupation and, above all, during the Restoration period. His work was very wide-ranging and included numerous projects, mainly in Senegal. The first years of activity included the prison in the former convent of Santa Marta (1811), the conversion of the convent of Sant'Agostino to the Liceo (1811), the church of San Salvatore (1812-1832), work on Palazzo Griffoli in Lucignano (1815-1818), the new tribune for the church of the Madonna (1812-1832) ; the new tribune for the church of the bishopric of Santa Maria della Scala (1815-1818); the Duomo of Montalcino (1817-1832), his masterpiece as a sacred building, and the façade of the Duomo of Colle di Val d'Elsa; the portico and scaffolding of the Council of Tolome in Sant'Agostino (1818, with Francesco Paccagnini). In Siena he also worked at the Teatro dei Rinnovati (1832), the Teatro dei Rozzi and the Duomo, as well as creating ponti, dighe, steccati and pescaie ; in the fifth century of the Ottocento, he worked on the church of San Giuseppe, where a new chapel was created, on the church of San Leonardo, on the altar of the church of Saints Peter and Paul, on the chapel of the Holy Sepulchre and on the slates of the church of Santa Maria in Provenzano, and on the church of San Pietro alla Magione. Among his works of residential architecture, he designed the façade of Palazzo Pozzesi (1823), the refurbishment of Palazzo Puccioni, Palazzo Staderini, Palazzo Brancadori (1828) and the Borghesi Casino (1825), the gardens of Villa di Scorgiano and Casa Malavolti, the extension and interior stage of Villa Spannocchi, Villa Il Pavone...

From the first phase of mirror production in Murano, very few examples of three-dimensionally decorated mirrors remain. In the late 17th century, Murano began to produce precisely cu...

Unusual Chinese cassette with brass fittings and a red painted parchment cover. Stylized floral decoration on all sides, partly with gold hatched frame borders. Characteristic brass ...

The streamlined frame adorned with an acanthus frieze is covered with mirrors and decorated with decorative engravings all around. The beautifully openwork pediment is surmounted by ...

Pair of highly decorative Greek style scagliola trays on an iron console stand. The consoles were probably created in the 80s using 19th century cast iron lion's feet. We assume that...

Set of three tower models. Probably from a Nazarene architectural project. Partially golden. France about 1870. 77,5/76/72 cm. HD photos will be available.

The vases have a baluster shape and are richly decorated with foliage and acanthus. The foot is multiple and decorated, the shoulder has a band of peripheral foliage with mounted and...

The mortar is of exceptional quality. The sculptural execution of the carved decoration is appealing. Large scrolls of leaves terminate in stylized eagle heads. The sides are adorned...

Bar cabinet, Aldo Tura, Milan (1909 - 1963), 1960s. Low cabinet with a drawer on a cross base. One-door body with the front representation of a bookcase. This model was made by him ...

Very finely worked, patinated and gilded wrought iron and gilded chandelier, with six lights and others integrated. Magnificent hanging in rock crystal and amethyst very good quality. Very rich and fine hanging in rock crystal with accents of amethyst. The chandelier is surmounted by a canopy-shaped crown, typical of Piedmont chandeliers...