ROYAL ANTIQUE Decorative Objects

This magnificent pair of decorative vases is a masterpiece of the Napoleon III period (mid-19th century), showcasing elegance and refinement through the harmonious combination of gil...

This finely detailed bust of Rembrandt van Rijn (1606-1669) is after a model by Albert Ernest Carrier-Belleuse. For a long period, Albert Carrier-Belleuse carved beautiful busts of h...

A French patinated bronze bust of Ariadne by F. Barbedienne, exemplifying the masterful craftsmanship and artistry of the 19th century. The piece, known for its exquisite "parcel red...

This striking mantel clock is a testament to the exquisite craftsmanship and artistic flair of the Louis Philippe era in 19th-century France. The clock showcases a harmonious blend o...

This exquisite mantel clock is a testament to the refined aesthetic and masterful craftsmanship of the Louis XVI style in 19th-century France. The clock showcases a harmonious blend ...

This stunning antique bracket clock is a fine example of luxurious 18th-century European design, combining meticulous craftsmanship with timeless...

This magnificent mantel clock is a testament to the exquisite craftsmanship and refined aesthetic of 18th-century French horology. Attributed to Josué Panier, a renowned clockmaker o...

An exceptional example of 19th-century French craftsmanship, this mantel clock by the renowned sculptor Moreau Mathu embodies the opulence and refinement ...

"Mantel clock 18th century Louis XVI study And Philosophy Ormolu Mantel Clock by Piezze Rive A Colmaer. Ormolu mantel clock entitled "L’Etude et La Philosophie", This clock was an en...

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...

"Beauteous antique candelabras are a wonderful combination of three contrasting tones. The golden color of gilt bronze evokes immense luxury, nobility, and wealth. The black color of the ebony gives the angel figure a highlight that is not boring and bounded by the majestic yellow color. Dark green by malachite brings clarity, creativity, and high aesthetics placed at the end. The pedestals of pair candelabras have a square shape that provides solidity, regularity, and symmetry. The ormolu motifs inlaid on the rectangular podium are reminiscent of art nouveau. Art Nouveau is famous for its flowery and asymmetrical waves. Art nouveau has inspiration from nature such as flowers, plants, with soft curves such as semicircles, parabolas, or arcs. But the truth is this chandelier is in the style of Louis Philippe (1830-1848). Louis Philippe style is one of the special styles that often take advantage of the luxurious aesthetics of malachite. Louis Philippe style is named after Louis Philippe - the French king after the revolution of 1830. Louis Philippe style inherits many styles but is characterized by increased electric development of neoclassicism. In addition, the Neo-Gothic and French Restoration syle elements are clearly expressed by less cumbersome motifs, expressing comfort, elegance and emphasizing the wonderful beauty of natural malachite on the candle holder. Gilt bronze floral garland printed on malachite rectangular base is acanthus leaf pattern. Acanthus leaves are usually very coherent in card form, large in shape, and serrated. Acanthus leaves pattern is the inspiration of many manufacturers because it has a classic but no less special breath of the Renaissance. The multi-petaled flowers are meticulously interlaced in acanthus motifs, bringing the breath of nature. In the end, a floral and acanthus leaves pattern with lots of curves l2 straight lines vector artichoke print...

“A Louis XVI style lion mask wall clock” This fire gilt bronze Louis XVI style lion mask wall clock was one of the most outstanding masterpieces, which was originally made by Edme-J...

This is a unique, authentic antique French table or mantel clock. It is in finely chiseled and gilded bronze. The dial with outer Arabic numerals and inner Roman numerals and a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen in her left hand. On the other side, the child draped in the Antique is standing on books and holding a paper. The white marble base rests on four small spinning feet. This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. Baillon achieved almost unprecedented success to become “the richest watchmaker in Europe” - F.J. Britten. He was also one of the most important clockmakers of the eighteenth century and undoubtedly the most famous member of a long line of clockmakers. His success was largely due to his ability to organise a vast and thriving private factory in Saint-Germain-en-Laye which was unique in the history of eighteenth century clockmaking. The renowned horologist, Ferdinand Berthoud was among many to be impressed by its scale and quality and in 1753 noted that Baillon’s “house is the finest and richest Clock Shop. Diamonds are used not only to decorate his Watches but even Clocks. He has made some whose cases were small gold boxes...

This striking mantel clock is a true testament to the exquisite craftsmanship and refined aesthetic of the Empire period in 19th-century France. The clock showcases a harmonious blen...