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Viezzi Arte - Old Masters Sculptures

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Claude Clodion workshop (French) - 19th century Terracotta sculpture - Bacchanal
Located in Varmo, IT
Terracotta sculpture - Bacchanal. Follower of Claude Michel, known as Clodion (1738-1814), 19th century. 35 x 35 x 65 cm. Made entirely of patinated terracotta. Depicting two danci...
Category

Early 19th Century Rococo Figurative Sculptures

Materials

Terracotta

Pair of 18th century Renaissance style bronze sculptures - Lions
Located in Varmo, IT
Pair of small bronze sculptures - Grotesque lions. Italy, 18th-19th century. 10 x 5 x h 17 cm. Made entirely of patinated bronze in Renaissance style. Depicting two seated grotesqu...
Category

Late 18th Century Baroque Figurative Sculptures

Materials

Bronze

Early 19th century Empire figure bronze sculpture - woman's bust
Located in Varmo, IT
Small bronze ornament - Bust of a woman. Italy, early 19th century. 8 x 8 x h 29 cm, without base h 23 cm. Made entirely of patinated and gilded bronze. Depicting a female figure i...
Category

Early 19th Century Old Masters Figurative Sculptures

Materials

Marble, Bronze

Fabergè follower - 19th/20th century Russian marble precious stone sculpture
Located in Varmo, IT
Small sculpture in different marbles and semiprecious stones - Young man with samovar. Probably Russia, 19th-20th century. 6 x 6 x h 15 cm the sculptu...
Category

Late 19th Century Old Masters Figurative Sculptures

Materials

Precious Stone

Fabergè follower - 19th/20th century Russian marble precious stone sculpture
Located in Varmo, IT
Small sculpture in different marbles and semiprecious stones - Seated old man. Probably Russia, 19th-20th century. 7.5 x 8 x h 13.5 cm the sculpture, ...
Category

Late 19th Century Old Masters Figurative Sculptures

Materials

Precious Stone

Baroque Venetian sculptor - Pair of 17th century lions wood sculptures
Located in Varmo, IT
Pair of bookend sculptures. Venice, 17th century. 15 x 15 x h 29 cm. Entirely in finely carved wood. - This item is sold with a certificate of authenticity with legal validity. -...
Category

Early 17th Century Baroque Figurative Sculptures

Materials

Wood

Early 19th century Romantic marble sculpture - Kiss figures
Located in Varmo, IT
White marble sculpture - The Kiss. ​​19th century. 15 x 20 x h 20 cm including base, 12 x 17 x h 18 cm excluding base. Entirely in white marble, some small breaks and repairs. - ...
Category

Early 19th Century Romantic Figurative Sculptures

Materials

Marble

Antique Italian sculptor - 18/19th century terracotta sculpture - Memento Mori
Located in Varmo, IT
Terracotta sculpture - Memento mori. Italy, 18th-19th century. 16 x 25 x h 18 cm. Entirely in terracotta. - This item is sold with a certificate of authenticity with legal validi...
Category

Late 18th Century Old Masters Figurative Sculptures

Materials

Terracotta

Baroque Roman sculptor - 17th century bronze sculpture - Mars Warrior
Located in Varmo, IT
Gilded bronze sculpture - Mars, god of War. Rome, 17th century. 9 x 9 x h 31 cm. Entirely in cast, chiseled and gilded bronze, resting on an ebonized wooden pedestal decorated with...
Category

Mid-17th Century Baroque Figurative Sculptures

Materials

Bronze

Baroque Roman sculptor - 17th century alabaster sculpture - Hercules and Cretan
Located in Varmo, IT
Carved alabaster sculpture - Hercules and the Cretan Bull. Rome, 17th century. 20 x 12 x h 33 cm. Entirely in carved alabaster, small marks and defects. Separate alabaster base. ...
Category

Mid-17th Century Baroque Figurative Sculptures

Materials

Alabaster

Group of four 18th century Venetian wooden sculptures - Singer and musicians
Located in Varmo, IT
Four table sculptures - Concertino with musicians and singer. Venice, late 18th century. 9 x 7 x h 20 cm each. Entirely in wood, finely carved and painted in polychrome. Condition...
Category

Late 18th Century Rococo Figurative Sculptures

Materials

Wood, Paint

Baroque Italian master - 17/18th century figure sculpture - The Virgin
Located in Varmo, IT
Carved and painted wooden sculpture - Madonna praying - Italy, 17th-18th century. 35 x 20 x h 65 cm. Entirely in carved, lacquered and painted wood. Some missing parts and color lo...
Category

Late 17th Century Baroque Figurative Sculptures

Materials

Wood, Paint

Italian master - 18th century figure sculpture - Virgin Pity - Carved Wood Paint
Located in Varmo, IT
Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...
Category

Mid-18th Century Old Masters Figurative Sculptures

Materials

Wood, Paint

Pair of 19th century scagliola sculptures (Italian Neoclassicism) - Roman figure
Located in Varmo, IT
Pair of scagliola sculptures - Roman figures. Italian manufacture, 19th century. 51 x 26 x h 118 cm (left) - 41 x 28 x h 118 cm (right). Made entirely of scagliola. Depicting two f...
Category

Early 19th Century Old Masters Figurative Sculptures

Materials

Plaster

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Alan Cottrill (American, Ohio, b. 1952) Nude Female Torso, 1994 Bronze mounted to green marble base Signed, dated and numbered 14/20 verso of leg, with foundry stamp 17. in. h. x 6 i...
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A late 17th Italian carved limewood figure of Mermaid, circle of Filippo Parodi
Located in PARIS, FR
A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...
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Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...
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Purple Heart
By Esperanza Cortes
Located in New Orleans, LA
The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...
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Flemish Hercules and the Lernaean Hydra Bronze
Located in New Orleans, LA
This remarkable early 17th-century Flemish bronze of Hercules and the Lernaean Hydra exudes classic Baroque grandeur and beauty. Flanders was one of the richest artistic and cultural...
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