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From the bottom of my heart-line drawing heart with hyacinth flowers
By Mila Akopova
Located in Fort Lee, NJ
A gallery quality archival pigment print (of the original watercolor and ink painting) on Sommerset Velvet paper is 24x18 inches in size. From an edition of 20, numbered 3/20 and signed by the artist. Framed (white) with a styrene face on a double mat board in beige and red colors with size 30x24 inches.
Mila Akopova is New York artist.
She graduated from Moscow State University with a degree in History and Theory of Art.
Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best...
Category
2010s Minimalist Abstract Prints
Materials
Paper, Archival Pigment
Canon (facsimile print in black and white)
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
His pencil drawing is a technique so exquis...
Category
2010s Conceptual Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
Counting the energy of the shoe
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...
Category
2010s Conceptual Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
Last Call - the facsimile print
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
Describing the work of Timofey Smirnov we can say that you will find here a post-war telephone set and an ancient Egyptian relief...
Category
2010s Photorealist Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
$360 Sale Price
34% Off
Canon (facsimile print in black and white)
By Timofey Smirnov
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma.
His pencil drawing is a technique so exquis...
Category
2010s Conceptual Figurative Prints
Materials
Paper, Pencil, Carbon Pencil, Carbon Pigment
$390 Sale Price
29% Off
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Orchid, gorgeous signed/n silkscreen by renowned 1970s realist artist
By Lowell Nesbitt
Located in New York, NY
Lowell Nesbitt
Orchid, 1979
Silkscreen on wove paper
Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front
Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front
25 × 25 inches
Unframed
This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front.
About Lowell Nesbitt.
Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...
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Chuck Close
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