Weng Contemporary (ArtXX AG) Sculptures

Balloon Swan (Magenta) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signe...

Ai Weiwei Vases in Black and White (Set of 2) 2024 Murano Glass 20.5 × 20.5 × 22 cm Signed and numbered on accompanying certificate and inscribed on the bottom Less than 20 compiled with matching numbers out of the total edition of 100. In excellent condition PLEASE NOTE: Edition numbers could vary from the one shown in the images. Ai Weiwei often explores the intersection between ancient tradition and contemporary global culture. His earlier works such as Dropping a Han Dynasty Urn...

Ai Weiwei Vases in Five Colours (Set of 5) 2024 Murano Glass 20.5 × 20.5 × 22 cm Signed and numbered on accompanying certificate and inscribed on the bottom Less than 40 compiled wit...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Lips Coupe Plate - Jeff Koons, 21st C...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2014 and is made of concrete painted white. “My ideas are all the same but look different.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. 2015 Concrete 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 1800 In mint condition, in the original wooden crate and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2015 and is made of gray concrete. “I do not know exactly why, but it seems to me that images do not belong to anybody but are instead there, at the disposal of all.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

Manolo Valdes Reina Mariana IV (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example re...

Manolo Valdes Reina Mariana I (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example ref...

Ai Weiwei Study of Perspective in Glass (Set of 6) 2020 Murano Glass Casting 12.5 × 10 × 9 cm (4.9 × 3.9 × 3.5 in) Hand-signed by artist, Signed and numbered on accompanying certific...

Balloon Monkey (Blue) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed...

This set of Jeff Koons' Balloon Animals includes Balloon Rabbit, Balloon Monkey and Balloon Swan, made of highly reflective porcelain. Incorporating the vocabulary of his iconic Cele...

Balloon Swan (Yellow) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed...

Balloon Animals, Collector's Set, Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art The six iconic Balloon Animals by Jeff Koons, offered in ...

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Balloon Dog (Magenta) - Jeff K...

Belonging to the famous Flower series, this sculpture is an abstract reinterpretation of still life tradition. Donald Sultan, Black Tulips and Vase, April 5 Black Tulips and Vase, A...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Play-D'oh Coupe Plate - Jeff Koons, 2...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Tulips Coupe Plate - Jeff Koons, 21st...

This high-impact neon sculpture creates a mellow atmosphere as a result of the expertise of a glass blower and a neon technician. Jan Henderikse, Nul Contemporary, 21st Century, Sc...

With the Celebration series, Koons offers a reimagined iconography of the gemstone found in nature, which takes billions of years to form, in a brand new colour. The Diamond becomes ...

PRODUCED BY THE ESTATE YVES KLEIN AND POMPON 100 years after François Pompon’s success at the Salon d’Automne, the artist’s iconic White Bear meets Yves Klein’s Blue, converging in ...

Manolo Valdes Reina Mariana II (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example re...

Manolo Valdes Reina Mariana III (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example r...

Adel Abdessemed No Smoking, 2012 Neon Sculpture Edition of 30 7.3 x 26.6 x 0.8 cm (2.9 x 10.5 x 0.3 in) Signed and numbered on certificate In mint conditions, as acquired from p...

Damien Hirst, The Hours Spin Skull 2009 Sculpture (Glosspaint on plastic) 19 × 12.5 × 19.5 cm (7.5 × 4.9 × 7.7 in) Titled, not signed In excellent condition. Please note: the color ...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Murano glass and metal, protected by acrylic case Edition of 50, plus 20 APs In mint Condition, accompanied by Certificate of Authenticity Acquired directly from the manufacturer Signed, numbered and dated PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack. "Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann RENATE BERTLMANN Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions. Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations. "My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export...

Jan Henderikse, Zero Contemporary, 21st Century, Sculpture, Limited Edition, Neon Neon Edition of 6 150 x 110 cm (59.1 x 43.3 in.) Signed and numbered,...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Gillick’s work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neo-liberal consensus. His work extends into structural rethinking of the exhibition as a form. He deploys multiple forms to expose the new ideological control systems that emerged at the beginning of the 1990s. "By making the abstract concrete, art no longer retains any abstract quality, it merely announces a constant striving for a state of abstraction and in turn produces more abstraction to pursue." -Liam Gillick Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This colorful Plexiglas...

With the Celebration series, Koons offers a reimagined iconography of the gemstone found in nature, which takes billions of years to form, in a brand new colour. The Diamond becomes ...

Chiharu Shiota "I HOPE..." 2021 stainless steel, heat-resistant satin glass, transparent Din A5 sheets Edition of 100 + 20 APs 120 x 120 cm 28 x printed artworks by the artist 65 x...

Balloon Dogs Set of 3 (mixed edition numbers) - Jeff Koons, Contemporary, 21st Century, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition ...

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Balloon Rabbit (Violet) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed and numbered In mint condition, as acquired from the manufacturer In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity Inspired by a twisted rubber balloon rabbit, Balloon Rabbit (Violet), is a highly reflective red porcelain limited edition. Incorporating the vocabulary of his iconic Celebration sculptures, Balloon Rabbit, along with two other animals, Balloon Monkey and Balloon Swan, marked a spectacular new chapter in Jeff Koons’s oeuvre. “One of the things that I’m most proud of is making work that lets viewers not feel intimidated by art, but feel that they can emotionally participate in it through their senses and their intellect and be fully engaged”. — Jeff Koons The idea for a Balloon Rabbit sculpture came to Jeff Koons from his upbringing in south-central Pennsylvania. At special times of the year, people would decorate their front yard with reindeer at Christmas and inflatable rabbits at Easter. As his neighbors wished t give pleasure to other people with these decorations, the artist is proud to make art that is not intimidated for the viewers. JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub”, among others, is characterized by oddly eroticized, comic, and kitsch images. However, it is indeed Koons’s “Made in Heaven” series that is his most provocative and controversial work, in which he examines the place of sexuality in visual culture. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. He constantly tests the boundaries between art and commerce...

Donald Sultan, White Tulips and Vase, April 4, 2014 Contemporary, 21st Century, Limited Edition Painted aluminum on polished aluminum base Edition of 25 61 x 50,8 x 8,9 cm (24 x 20 x 3.5 in.) Incised with the artists initials, titled and dated; accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. White Tulips and Vase, April 4, 2014, belong to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. One of the mainstays of making art is that you don't think of the new ideas, you discover them. "One of the mainstays of the making art is that you don't think of the new ideas, you discover them." — Donald Sultan White Tulips and Vase, April 4, 2014, represents Sultan's still-life, where the shape of the object is reduced to the bare essentials. The image reveals one of the key features of Sultan’s work - the material juxtaposition- the contrast of a weighty background with ethereal shapes of the flowers. The sculpture is made from painted aluminum on a polished aluminum base. The ephemeral shape of the flowers is gracefully combined with the weighty aluminum manifesting the synthesis of the natural and the industrial typical to Sultan´s work. The sculpture is incised with title, date, and artist initials, it is as well stamped with the edition number, publisher, and artist copyright stamp on the base verso. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

A reimagined iconography of the gemstone found in nature that becomes a vehicle to reflect upon consumerism and mass production. Diamond (Red) - Jeff Koons, Contemporary, 21st Cen...

Donald Sultan, Red Poppies Contemporary, 21st Century, Sculpture, Poppies, Flower, Red Painted aluminum on polished aluminum base Edition of 25 62 x 61 x 7.6 cm (24.5 x 24.2 x 3 in) Signed, dated, numbered, and titled, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher In the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. "Red Poppies" is a sculpture of painted aluminum on a polished aluminum base, belonging to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. "Most of my ideas were to put imagery back into abstract painting. Some of the ones that look the most abstract are...

Otto Piene, Rastersonne Contemporary, 21st Century, Gold varnish, Limited Edition Gold varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons. Fire, earth, and metal: these elementary forces played a very important role in the oeuvre of Otto Piene. After many years of artistic productions in 2006, he discovered a new material for his artworks: ceramic. "With my artworks I want to transmit energy” — Otto Piene He created wonderful mural reliefs in ceramic. He dropped viscous varnish through different raster-barriers on a prepared clay platter. Not only the setting of the platinum drops creates the individual and unique look of each work but also their convex and interleaving forms. The slight convexity of the platinum varnish drops reflects the light and gives the artwork a discreet white shine. With the mélange of archaic and modern elements, Piene achieves an impressing artwork with this powerful material. OTTO PIENE Otto Piene is one of the most important German post-war artists.In 1957- Otto Piene and Heinz Mack founded the group ZERO. Otto Piene is one of the most important German post-war artists. Born in 1929 Otto Piene was brought up in Lübeck (Germany) and, after his studies at the Academy of Fine Arts in Munich and Düsseldorf, he completed his academic education with studies on philosophy at the University of Cologne. In 1957- Otto Piene and Heinz Mack founded the group ZERO; which Günther Uecker joined in 1961. Their aim was to create a recommencement of contemporary art, starting at the point ZERO with new artworks emphasizing predominantly on light. Piene primarily aimed in his artworks to visualize light, fire, and air; so he started to create Op-Art inspired raster paintings, followed by smoke and fire...

Otto Piene, Rastermond Platinum varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied ...