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Renate BertlmannDiscordo Ergo Sum Red Rose Sculpture with knife in Murano Glass by Bertlemann2019
2019
About the Item
A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength.
Knife-rose by Renate Bertlmann
Murano glass and metal, protected by acrylic case
Edition of 50, plus 20 APs
In mint Condition, accompanied by Certificate of Authenticity
Acquired directly from the manufacturer
Signed, numbered and dated
PLEASE NOTE: Edition numbers could vary from the one shown in the pictures.
A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack.
"Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann
RENATE BERTLMANN
Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions.
Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations.
"My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann
In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export. Another milestone followed in 1978 where she started to use her motto 'AMO ERGO SUM' [I love, therefore I am], which inspires the production of an eponymous titled letter-box filled with 77 letters containing secret messages from the artist to other people. In addition, she starts to organize her work into the three related themes of 'Pornography', 'Irony' and 'Utopia'. In 1994 she became a member of the Secession in Vienna.
In 2019, Bertlmann represented Austria´s Pavillion at the 58th Venice Biennale, as the first solo female artist. Her installation of 312 knife roses made out of Murano glass were installed in the backyard.
- Creator:Renate Bertlmann (1943, Austrian)
- Creation Year:2019
- Dimensions:Height: 19.69 in (50 cm)Width: 4.34 in (11 cm)Depth: 4.34 in (11 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zug, CH
- Reference Number:1stDibs: LU1562213497072
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