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Portrait of a girl with a rose and a red coral necklace (c. 1631)
Located in Amsterdam, NL
David Finsonius (Veere 1597- Bergen op Zoom 1646/1648)
Portrait of a girl with a rose and a red coral necklace
With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631
Oil on panel, H. 104.5 x 79.5 cm
Provenance:
Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by
descent
The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This
signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632.
Not only are the paintings remarkably similar in overall size and format, in painting style, and in the
positioning of the girls in full length in their white lace dresses. They are also connected by the
iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging
from it. Although they are of course individuals, the faces are very similar in their depictions of
features such as eyes, nose, and lips. This points to the same technique applied by the same painter.
Finally, the handwriting is almost the same on the works by Finsonius known so far.
About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...
Category
17th Century Dutch School Portrait Paintings
Materials
Oil, Wood Panel
Portrait of a Chinese Man
Located in Amsterdam, NL
Lazlo Tatz (Hungary 1888 - Philippines 1951)
Portrait of a Chinese man
Oil on canvas, H. 50 x W. 44.5 cm
Tatz studied in Budapest and Paris, and in 1931 h...
Category
Early 20th Century Portrait Paintings
Materials
Canvas, Oil
Male and female portrait, both in silk kimono, possibly textile dealers
By Christoffel Lubieniecki
Located in Amsterdam, NL
CHRISTOFFEL LUBIENIECKI (1659-1729)
Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680)
Indistinctly signed “C.......” on a box under the man’s left hand
Oil on canvas, 79.5 x 67 cm each
Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki)
Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...
Category
1680s Old Masters Portrait Paintings
Materials
Canvas, Oil
A Chinese Company playing Droughts
Located in Amsterdam, NL
ERWIN BINDEWALD (1897-1950)
Two men playing draughts, a girl with the red book standing behind them
Signed and dated E. Bindewald d.j., 27
Oil on canvas, 140.5 x 90.5 cm
In black and gilt gesso frame.
Note:
Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China.
In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...
Category
1920s Art Deco Portrait Paintings
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Self-portrait in Indonesian Landscape
Located in Amsterdam, NL
Abraham Johannes Romswinckel (1810-1856)
Self-portrait in Indonesian landscape
Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...
Category
1820s Romantic Portrait Paintings
Materials
Canvas, Oil
Portrait of a Geisha
By Roland Strasser
Located in Amsterdam, NL
Roland Strasser (1895-1974)
"Japanese Geisha"
Signed lower right
Oil and gold leaf on canvas, measures: 76 x 46 cm
In fine white-wash wood frame.
...
Category
1930s Expressionist Portrait Paintings
Materials
Gold Leaf
'Zulu Dancers'
Located in Amsterdam, NL
‘Zulu Dancers’
Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns.
Oil on board, 99 x 87...
Category
20th Century Expressionist Nude Paintings
Materials
Oil, Board
$8,939 Sale Price
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