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Henri Matisse Vibrant Large Scale Lithograph
$1,400
£1,066.59
€1,229.82
CA$1,959.27
A$2,189.16
CHF 1,145.17
MX$26,846.11
NOK 14,633.14
SEK 13,876.09
DKK 9,178.78
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About the Item
Vibrant large scale Lithograph, after Henri Matisse, French, signed within the print "Matisse '52", this lithograph is probably circa 1970s. This work is entitled "L'Escargot"(The Snail) and is from Matisse's famous series of vibrant cut outs, one of the last works executed before he passed away. It has been framed in a clean lined white lacquer gallery frame under conservation grade glass.
- Creator:(after) Henri Matisse (Artist)
- Dimensions:Height: 29.5 in (74.93 cm)Width: 29.5 in (74.93 cm)Depth: 0.5 in (1.27 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:Wear consistent with age and use. Very good condition. The work is still very vibrant. Some overall minor wrinkling. Minor surface scratches and wear, mainly to outside edges of the frame.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU871817672601
(after) Henri Matisse
Henri Matisse was born on December 31, 1869, in Le Cateau-Cambrésis, France. At 22, he had given up studying law in Paris to pursue painting. He had briefly studied art at the Académie Julian and Ecole des Beaux-Arts with Gustave Moreau. At 32, Matisse exhibited at the Salon des Indépendants in Paris, where he met Maurice de Vlaminck, who with Matisse would eventually lead the Fauve art movement. Matisse's work was included in the 1913 Armory Show in New York, and throughout the 1910s and into the 1920s, his work began to find collectors around the world. Throughout the 1920s and 1930s, he divided his time between Paris and southern France, producing paintings, sculpture, lithographs, and etchings. Like many avant-garde artists in Paris, Matisse was receptive to a broad range of influences, particularly 'primitive' art, Near Eastern decorative art, African masks and sculpture, impressionist color, cubism, and the paintings of Paul Cezanne. The artist's images of the human face and figure -rendered in fluid lines and flat fields of color- typify these influences. Matisse argued for the prominence of instinct in art production, believing that an artist should not have complete control over color and form. He died on November 3, 1954, in Nice.
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