1980s Laura Ashley White Embossed Print Wedding Dress

A beautiful and timeless original 1950s pure white tulle ribbon appliqué work dress from high-end British boutique label Diana Warren. Classic scoop neck, cap sleeves, a fitted bodice and pleating to the waist, the dress is adorned all over in scrolling ribbon appliqué work over a net overlay. The underskirt lining is a lightweight acetate with a net mid layer. The dress fastens at the back with a metal zip and is styled in the photos without a petticoat. The fullness of the skirt will allow a petticoat of several layers if desired to further accentuate the waist and hips. Truly excellent vintage condition - we have been unable to find a single hole in the lace and all the ribbon is intact. This would be a beautiful vintage bridal dress...

This 1980s Italian haute couture / alta moda design from Andre Laug appears to be the runway worn dress as it features some additional sewn-in tabs that indicate a collection and des...

This exquisite 1900 - 1910s white battenburg or princess tape lace dress jacket is of exceptional quality and craftsmanship and is increasingly scare in this condition. The entire pi...

Ceil Chapman was a female American fashion designer working and designing in NYC from the 1940s to the 1960s. She was revered as a creator of super glamorous cocktail and party dress...

In the 1990s, French Thierry Mugler (1948-2022) designed this haute-couture labeled and numbered corset-style topstitched zigzag-panel ecru 100%-cotton-denim cocktail dress, which is...

30s Pale yellow Mesh Gown and Slip. Side snap closure. We have sever original 1930s slips in varying colors so purchaser would not have to take the green slip...

This unusual mid-century lingerie-style black mini dress with a semi-transparent skirt that conjures a historic pinup-girl like Bettie Page is suitable as a mini dress as part of an evening ensemble. It was probably meant by its New York designer to be paired with slim cropped pants, which became popular in The States after worn by Hollywood-movie actresses Audrey Hepburn and Marilyn Monroe. The A-line short dress was most likely made by the former ready-to-wear fashion company following the revolutionary debut by French Christian Dior of his couture cinched-waist-voluminous-skirt "New Look" collection, whereafter German Sonja de Lennart introduced "Capris" in 1949, and American Hugh Hefner launched Playboy magazine in 1953. The complex hourglass-shaped garment features a double v-neck four-seamed ruched lined bodice in a crepe silky woven fabric. Its defined gathered bust extends from the chest seams at two angles to form short dolman sleeves only in the front, while there are arm seams in back. The gathered see-through black faux-lace organza flared skirt reveals a black velvet-textured scalloped floral pattern with a net underlayer. With beige lining, the self-trim band at the waist enables the folded scalloped-lace pattern to continue to stand out on the opaque black torso. The edges of the peplum and sleeves are further cut in a scallop shape to resemble more delicate eyelash-lace trim. The brand label of the obsolete line is the only interior tag that remains. Camouflaging the midsection, the flattering dress will best suit a U.S.-size 6. It can also be worn by larger sizes with a relatively slim waist and small or large bust as there is no restriction at the hips or wide armholes. At the waistline, a hook and looped cord fasten over the bypass zipper to better conceal it. Notably, the steel-tab-and-teeth zipper is an original U.S-made Murlen model, which was used in new clothes from the 1940s to 1960s and helps to date the mid-century dress.

A very pretty Colette Dinnigan cocktail and party dress. The dress is in a great colour combination of pink, bronze or turquoise in horizontal bands. The dress has boning at the fro...