China 549-577 AD Northern Qi Dynasty Ancient Caparisoned Horse in Earthenware

Offering vessel from the Chinese Song Dynasty (960/1279 AD ). A beautiful "offering spiritual vessel" from the Yunnan province region in the ancient China. This rare vessel was created in red bronze during the Song Dynasty period. between 960/1279 AD. This is one of the most unusual forms of red bronze jar. A large vessel, the sides are virtually perpendicular to the base. The stepped lid design is also among the more rare types. The predominant lid design among the Yunnan offering bronzes is the "wheel" pattern, with a few lids having the lotus design. This is also one of the few bronzes displaying clear riveting of a two-part vessel body, with the original twisted elements Has a combined measures including the lid of 12.5 by 8.75 inches (31.75 x 22,23 Cm). The Song Dynasty, was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Tizu of Song following his usurpation of the throne of the later Zhou, ending the Five-Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After decades of armed resistance defending southern China, it was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song...

Standing horse figure carved from natural Colombian emerald. This is a fabulous sculptural figure carved in one single piece of natural Colombian emerald, depicting a standing horse...

Pair of Earths Spirits "Zhenmushou" from the China Tang Dynasty 618-907 AD. A beautiful and rare pair of "Earths Spirits guardians" from the Yunnan province region in the ancient China. This was created in clay earthenware pottery during the Tang Dynasty period between 618 and 907 AD. Featuring the molded figures of two seated guardians with decorations with polychrome pigmentations. The figures are seated on their haunches with cloven hooves planted firmly on the base looking forward with their front legs in a straight position. Both with face and body alert expressions on a rectangular base. Earth spirits usually appear in pairs, one with a human head and the other with a lion head. Their supernatural powers, indicated by antlers, spiky flanges and flames, enable them to confront evil spirits and protect any precincts within their gaze. Have been believed to protect the living by keeping the spirits of the dead from inappropriately roaming the world outside the tomb. Zhenmushou or guardian deities, developed from a line of protective spirits found normally in pairs at the front of Tang dynasty tombs. They served both to protect the figure from untoward spirits, and the outside world from the roving spirit of the dead. Combining features from a number of animals to form the perfect mythic beast, these mythical creatures were perceived to be the ideal guardians of the dead The semi human faced figure has a measures of 11.25 by 4.5 by 5.75 inches (28.57 x 11.43 x 14.60 Cm). The mythological lion animal figure has a measures of 10 by 5 by 5.8 inches (24.5 x 12.7 x 14.73 Cm). Tang dynasty or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Tend Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a the golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Li family founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty...

A 19th century enthroned Mazu Quan Ying from the Qing Dynasty. This is a beautiful antique sculptural figure of an enthroned Mazu Quan Yin, cast in bronze in high relief in the late...

Magnificent standing horse in orange terracotta and traces of painting. With a finely decorated saddle and with the mane and tail hair braided. TL Test by Ralph Kotalla Lab NE: 09K12...

A scarce 600 year old (approx) Chinese pottery Ming Dynasty (1368-1644) large glazed earthenware míngqì tomb figure, modeled as horse sculpture with saddle, stirrups, and integral ba...

Large And Important Tang Dynasty (618-907AD) Pottery Horse TL Tested. China. Ca. 618-907 AD A beautiful pottery figure of a horse. The animal is shown in a...

The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...