Chinese Qingbai Small Model of a Granary Set, Song Dynasty

This pair of Qingbai vases features a soft bluish-green glaze with elegant, fluted bodies and wide, flared rims. The vases are hand-crafted, with subtle differences that highlight th...

The dish has a scalloped rim, which gives it a flower-like appearance. The wavy edges are characteristic of the Song dynasty ceramics, often inspired by natural forms such as flowers...

The crane, a traditional symbol of longevity and auspiciousness, is prominently placed at the center, creating a harmonious and aesthetically balanced effect. The border of the dish ...

This Qingbai ewer features a rounded body with smooth curves, a short spout, and a looped handle, presenting a harmonious and balanced form. The lid is adorned with a flower-shaped f...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

A Chinese Qingbai Incised Flower Bowl, Song Dynasty, Ex Christie's Provenance: Private Melbourne Collection. Christie's Melbourne, 6/7/1999, lot 638. Dimension: Height: 6.2cm Diam...

A Chinese QINGBAI BOWL, Song Dynasty Height: 6.5 cm Diameter: 17.5 cm Provenance: Sotheby's, London, Oriental Ceramics and Works of Art, Lot 77, 06/02/1979

Valued for its rarity and lustrous appearance, jade (yù) has long been a symbol of excellence, longevity and purity of virtue. Worn as jewelry or as a protective charm, the stone was believed to imbue a person with a clear mind and pure spirit, and to guard against evil spirits and illness. To this day, if a jade bangle is broken during use, it's thought that the jade protected the wearer by absorbing incoming negative energy or harm. For many, jade bangles are also cherished family heirlooms, worn from a young age to represent the enduring bonds to their ancestors and loved ones. This jade bangles in this set of three date to the Qing dynasty (1644-1912) and display a lovely range of colors and forms. The group includes one bangle of pale celadon jade, one of black jade, and one of celadon jade. Each bracelet is slightly unique, the pale celadon and black jade examples carved with straight sides and the celadon example carved in relief with an archaistic dragon winding through clouds. Additional Dimensions: Celadon Dragon...