Chinese Swatow Blue and White Ceramic Dish, Late Ming Dynasty

A Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects. Period: Late Ming-Early Qing Dynasty (17th century) Type: Blue and White Porcelain Provenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck) Reference : 1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12 (Price range : 3,000GBP-5,000GBP / Type : Closely related) 2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405 (Price realised : 5,625 USD / Type : Highly related) * Kraak Kraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware...

The bowl features a relatively deep green glaze and a smooth and lustrous finish. The exterior is intricately incised with a lotus petal design, symbolizing purity and spiritual enlightenment, while the interior remains plain to emphasize the glaze's elegance. Over centuries, a natural brown discoloration has appeared on the exterior, reflecting its historical authenticity and prolonged chemical reaction during burial. This is also considered a part of the aesthetic element of celadon. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Stoneware - Celadon glazed Type: Tripod censer Size : 18.5 cm(Diameter) , 7.5cm(Height) Provenance : Acquired in late 1990s from Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Extremely rare Chinese model of a countryside villa for the royal courtiers and ministries of the Ming Dynasty -1368-1644 AD- showing three guest houses and one main entry. The villa is surrounded by a cuadrangular wall painted with bucolic scenes of garden, mountains, and bamboo forests. The roof tiles are glazed in green enamel with yellow finials – as the ones in the forbidden city – typical from the Ming epoch. Truly a museum piece. The doors swivel and are painted in ochre. State of preservation: impeccable mint condition with original paintings, all of the original parts are complete, except for one house which is missing part of the plinth (broken during transport). Each part has been tested for authenticity, consisting of eight separate TL tests...

Impressive Funeral Ensamble of 10 Terracotta Glazed Figures in green and caramel colors depicting a votive procession with a palanquin, his four carriers, a horse, a stableman, two musicians, and an offering carrier. This ensemble is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...