Dancing Cosmic Ganesh Uttar Pradesh, 11th Century

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Dancing Cosmic Ganesh Uttar Pradesh, 11th Century

Antique 15th Century and Earlier Asian Antiquities

Materials

Silver

Rare Silver Ritual Bowl – Sukhothai Kingdom, 11th–13th Century

$1,770

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Korean Bronze Bottle Vase, Goryeo Dynasty, 11th/12th Century, Korea

Located in Austin, TX

An attractive Korean Goryeo Dynasty bronze bottle vase with traces of gilding, 11th - 12th century, Korea. The vase of typical form, with a short recessed foot supporting a pear s...

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Antique 15th Century and Earlier Korean Metalwork

Materials

Bronze

Korean Bronze Bottle Vase, Goryeo Dynasty, 11th/12th Century, Korea

$3,750

Cizhou carved bean-shaped pillow, Song-Jin Dynasty, 11th-12th century

Located in seoul, KR

Crafted from fine clay, the pillow's surface boasts a sophisticated carved design featuring a floral motif that is both symmetrical and organic. The interplay of the earthy tones and...

Category

Antique 15th Century and Earlier Hong Kong Chinoiserie Antiquities

Materials

Stoneware

Cizhou carved bean-shaped pillow, Song-Jin Dynasty, 11th-12th century

$2,535 Sale Price

35% Off

Celadon Vase, Five Dynasties or Northern Song dynasty, 10th-11th Century

Located in seoul, KR

The form of Longquan celadon vases from the Northern Song dynasty evolved from an early design with a long neck and tapering body to a later ovoid body with a shorter neck. Over time, the glaze developed a more olive tone, and the carved decorations became more pronounced and intricate. Examples of such vases include one without a cover dated to the Yuanfeng era (1078~1085) and documented in literature, and another similar vase without loop handles preserved by the Qingyuan County Cultural Relics Bureau. An earlier example featuring loop handles and a lotus-like cover is also mentioned in historical texts. The use of Longquan covered vases, especially as funerary jars for offerings like wine and grains, was highlighted by an inscription on a piece from the Sir Percival David Collection, London. This inscription wishes for the vessel to preserve fragrant wine for centuries, blessing the owner with prosperity, longevity, and a vast lineage, dated to the third year of the Yuanfeng period (1080). This practice was common in the regions of Southern Zhejiang and Northern Fujian. A similar celadon vase from the Linyushanren collection was auctioned at Christie’s Hong Kong, emphasizing the cultural and historical significance of these artifacts. Period : Five Dynasties or Northern Song Dynasty Type : Celadon, Zhejiang province Medium : Celadon Size : 31.5 cm(Height) x 11.5(Diameter) Provenance : Acquired in late 1990s from Hongkong Reference : 1) The British Museum image id - 01613270570 2) Christies New York 23–24 MAR 2023 - Important Chinese Ceramics and Works of Art - Lot 1012 (Price Range : USD 18,000 – USD 25,000 / Type : Related) 3) National Gallery of Victoria - Accession Number - AS5-1973 * Celadon from Five Dynasties (907~960) to the early Northern Song Dynasty (960~1127) The period from the Five Dynasties (907~960) to the early Northern Song Dynasty (960~1127) marked a significant transitional phase in the development of Chinese celadon ceramics...

Category

Antique 15th Century and Earlier Hong Kong Antiquities

Materials

Celadon

Celadon Vase, Five Dynasties or Northern Song dynasty, 10th-11th Century

$3,960 Sale Price

60% Off

Chinese Liao Dynasty Amber Glazed Stoneware Strap Handle Ewer, 11th Century

Located in Austin, TX

A lovely Chinese amber glazed pottery pouring vessel, Liao Dynasty (907 to 1125 AD). The vessel featuring a globular body with an elongated neck sligh...

Category

Antique 15th Century and Earlier Chinese Tang Ceramics

Materials

Stoneware

Chinese Liao Dynasty Amber Glazed Stoneware Strap Handle Ewer, 11th Century

$1,500

Chinese Painted Stucco Head of a Luohan, Song Dynasty, 11th Century, China

Located in Austin, TX

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

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