Pair Tang Dynasty Dancing Figures, China '618-907AD'

Tang Dynasty terracotta Pottery Tomb figure of the Lokapala Warrier Deity. Figure molded wearing heavy armor, standing in a dynamic pose with left arm raised in a threatening gesture...

A pair of Chinese Ming Dynasty glazed earthenware figure of Attendant The condition of these 5 century old glazed pottery tomb figures is outstand...

A wonderful Chinese red clay pottery tomb figure from the Tang Dynasty (618 to 907). Guarding a dignitary or decorated soldier; these figures stood guard for over a thousand years surviving to decorate your home collection of ancient artistic and cultural artifacts. Original Polychromed red and gray paint pigments still present. Chinese Buddhist guardian statues made of earthenware and pigments, from the Tang Dynasty (618–907 AD), dated to the late 7th to first half of the 9th century. The foreign facial features of this brilliantly sculpted guardian figure is evidence of the strong Western presence in Tang-dynasty China. Originating in the Lokapala deity of the Buddhist religion, which came to China from the West, this type of armored tomb guardian...

Tang Dynasty polychromed fat lady with child in arm. TL Tested Terracotta, pottery with traces of orange and green paint Sui to Tang Dynasty (581-618) Measures: Height: 20.2 inches (51cm) Width: 9.45 inches (24cm) Guaranteed Authentic with corresponding TL Thermoluminescence Test conducted by Artemis Testing Lab Included in the sale of this item. Condition: Excellent with loss to pinky and wear commensurate of age. This rare and outstanding ceramic court attendant was made during what many consider to be China’s Golden Age, the T’ang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The T’ang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best-known painters and artists. The T’ang Dynasty took control in 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early T’ang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The T’ang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well-established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry...

Antique terracotta figures Han style from my private collection: collected about 35 years ago and never exibited to the public. One is very ancient, the other one is more recent. The prices are different, but an expert can understand the value. A certificate Oxford test would be needed: I don't have it, so I'm accepting offers: I want to close my activities and I have a beautiful Chinese collection, see the other ones published under my name enrica pasino.

A pair of vintage solid stone court attendants. Of tall slender form, wearing long flowing robes flaring at the bottom with hands within wide, decorative cuffs. The realistically mod...

This striking pair of Chinese terracotta mortuary statues, created in the Tang Dynasty style, reflects the ancient tradition of placing figurines in tombs to accompany the deceased i...

A captivating pair of late 19th-century bronze statues depicting Chinese officials. The left figure portrays an imperial advisor, his full face adorned with almond-shaped eyes beneath arched brows and a pursed mouth, surmounted by an elaborate crown. His hands are clasped together, holding a Ruyi scepter, while he is attired in an open-neck robe. The right figure, an older advisor, shares similar facial features but is distinguished by a long beard and a flat crown, symbolizing his seniority. Clad in a closed robe befitting his age and rank, he holds a jade scepter...