A Rare Annamese Blue and white Ewer, Circa 15th century

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

The vase features a slender neck adorned with gracefully drawn, elongated leaves that blend seamlessly with its natural curves, adding a refined elegance. At the center, a meticulously rendered geometric pattern of repeating wave-like motifs creates a sense of depth and movement, framed by curved lines for balance. Simple plant motifs are scattered throughout, complementing the design with minimal strokes. The base is grounded by repeated geometric symbols, ensuring stability and cohesion. Overall, the vase masterfully combines simplicity and sophistication, resulting in a harmonious and elegant work of art. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

At the center of the vase, a bird is depicted with clean yet detailed lines, capturing the moment mid-flight with a sense of dynamic energy. The artist skillfully conveys the bird’s vitality with minimal strokes, creating the impression that it could soar into the sky at any moment. Though there are no explicit branches or leaves, the flowing curves of the background subtly connect the bird with the natural world. The simplicity of the lines creates a harmonious relationship between the bird and its environment, reflecting the artist’s ability to evoke nature without relying on intricate details. The neck of the vase is adorned with elegant plant motifs, where stems and leaves stretch upward, complementing the overall shape of the vase. These motifs, while simple, add sophistication and enhance the vase’s graceful form. At the base, repeating geometric patterns contribute to the sense of balance and stability. These patterns not only ground the piece but also serve as decorative elements, completing the vase’s aesthetic unity. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Seattle Art Museum - Gift of Mary and Cheney Cowles, 2000.125. 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 3) Asian art museum, San Francisco * Vietnamese trade ceramic...

Famous annamese cream glazed ceramic ewer covered with a cream glaze. Traces of excavation are clearly visible in the glaze. Dates : Presumably Ly Dynasty (11-13th century) Region ...

The bottom sign tells this vase was made in the era of Xuande emperor. The characteristic Arabic pattern is Influenced by the Silk Road trade in Ming p...

Rare & Beautiful Arita Japanese Porcelain Jug . Scene with figures and birds in a landscape. This 17th Century Japanese Export Porcelain Jug or Ewer, Arita Kilns c.1670-1690 is pain...

Very nice blue & White Kendi/Ghendi, 200mm high. With a floral landscape scene. Nicely carved also. Beautiful piece! The 'kendi', a drinking water vessel with a spout but no handle,...

A very nicely decorated Jug in blue and white palette. Qianlong period porcelain with flowers. Additional information: Material: Porcelain & Pottery Region of Origin: China Decorat...