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Rare annamese cream glazed ewer, Vietnam, 11-15th century

$2,500
£1,915.95
€2,202.04
CA$3,511.37
A$3,929.87
CHF 2,057.15
MX$47,740.85
NOK 26,120.56
SEK 24,649.21
DKK 16,431.13

About the Item

Famous annamese cream glazed ceramic ewer covered with a cream glaze. Traces of excavation are clearly visible in the glaze. Dates : Presumably Ly Dynasty (11-13th century) Region : Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Shipwreck * Vietnamese Pottery from the 10th to 15th Century From the 10th to the 15th century, Vietnamese pottery underwent significant developments, reflecting various technological advancements and cultural influences. This period marked an important era in which Vietnamese pottery developed its unique styles and techniques, impacting not only Southeast Asia but also a broader region. 10th to 12th Century: Early Developments - 10th Century: After gaining independence, Vietnam began to develop its own pottery styles, moving away from Chinese influences. This period primarily featured simple forms and functional designs. - Ly Dynasty: From the 11th century, during the Ly Dynasty, Vietnamese pottery became more sophisticated and varied. Although Chinese pottery techniques and styles continued to influence it, Vietnam started to integrate more of its unique elements and techniques. 13th Century: Leap and Innovation - During this time, Vietnamese pottery saw significant advancements, particularly towards the end of the Ly Dynasty, showcasing unique beauty and technical innovation. - Medieval Vietnamese Pottery: The major production area was the Red River Delta region, particularly in the north, famous for its scenic depictions on ceramics. Pottery produced here began to be exported to foreign markets, including China and Japan. 14th and 15th Century: Maturity and Expansion - Ho Dynasty and Later Le Dynasty: During these periods, Vietnamese pottery developed increasingly complex designs featuring a variety of colors and patterns. High-end products such as blue and white porcelain were produced. - Trade and Cultural Exchange: By this time, Vietnamese pottery was being exported beyond Southeast and East Asia, reaching even Europe. This indicated international recognition of the quality and artistry of Vietnamese ceramics.
  • Dimensions:
    Height: 7.88 in (20 cm)Diameter: 3.15 in (8 cm)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    11-15th century
  • Condition:
    Repaired: Repair on spout. Wear consistent with age and use.
  • Seller Location:
    seoul, KR
  • Reference Number:
    1stDibs: LU9577239587732

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The octagonal lobed ovoid body rising from a short spreading foot to a tall trumpet neck, set at the shoulder with a tall curved spout and to the other side with a tall strap handle, the dished cover surmounted with a ruyi-shaped finial, covered overall in a creamy-white glaze. Compared to other similar types of Northern Song Dynasty ceramics, this piece is extremely elegant in shape. It most closely resembles the Qingbai porcelain in the collection of The Museum of Oriental Ceramics in Osaka. Period : Northern Song dynasty(960~1127) Type : Creamy-white Ding yao glaze Ewer Provenance : Acquired in 1999, Hongkong Reference : THE MET Accession Number: 18.57.1 Sotheby's London 2018 - St George Street Sale Asian Art - Lot 208 * Song Dynasty Ding-Yao Ware Song Dynasty Ding Yao porcelain holds a significant place in Chinese ceramic art, specifically as a type of white porcelain produced during the Song Dynasty. Produced predominantly during the mid to late Song Dynasty, Ding Yao ceramics are renowned for their delicate and intricate features. Ding Yao ceramics were primarily crafted from clay rich in white minerals and fired at high temperatures to achieve a durable and lustrous surface. One distinctive characteristic of this serene white ceramic is the presence of silver or gold-colored splashes of glaze, often created using a mineral called galena. Galena, with its lustrous appearance, was suitable for creating fine patterns and intricate decorations. These ceramics frequently feature delicate carvings, floral motifs, or subtle decorations. While commonly used for utilitarian purposes such as tableware, Ding Yao porcelain also served as a medium for artistic expression, producing many artworks. The production of Ding Yao ceramics was relatively limited, and surviving pieces are considered rare and valuable art pieces...
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