Rare Figure of an Attendant Wearing Swirling Vest, Ming Dynasty(1368-1644)

The statuette shows traces of the original red, black, and white pigmentation. The figure’s body, head, and hands (which in this case are lost) were all made separately to give her an essence of movement and dynamism. Given its almost identical shape to the piece from the Artemis Gallery...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : 1) Indianapolis Museum of Art - Dinastia ming, figure maschili, 1368-1644 (Type : Closely related) 2) V&A Museum - Accession number FE.295:1, 2-2005 (Type : Closely related) 3) Sotheby's 01 May 2007 - The Collection Of Paul Otto Taubert & Jewellery And Decorative Arts - Lot 233 (Price range : 5,000 - 7,000 AUD / Type : Closely related) 4) Asian Art Museum, San Francisco - Object number B60P1631 - Standing Man Tomb Figure * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

This well-modeled ceramic figure depicts a Scythian warrior in full armor, likely serving as a standard bearer. The warrior stands upright on a thin rectangular base, with clenched f...

A tall and impressive figure of the Taoist deity Wenchang Wang, carved, gessoed, lacquered, gilt and polychromed wood, Late Qing Dynasty, circa 1900, Fujian, China. Wenchang, the T...

A tall Chinese green and amber glazed figure of an attendant, Ming Dynasty, 16th-17th century, China. The figure stands upon an integral plinth, dressed in long robes...

A Tang dynasty sancai (three color) glazed pottery model of a Taoist official, TL tested by Ralf Kotalla - worldwide oldest private laboratory specialized for genuine thermoluminesce...

Asian Chinese (Ming Dynasty-Circa 1500) blue & green porcelain Shou Lau seated figure with oversize head (symbolism of longevity & luck) on a base suppo...