Three Glazed Figures of Musicians, Ming Period (1368-1644)

The three figurines in the back exhibit the typical form of attendants, wearing conical red hats and adopting poses where their right hands are either held in front of their chests o...

Two finely hollow-moulded terracotta statuettes from ancient China, dating to the Ming Dynasty. The figure is depicted standing, dressed in long, flowing robes, painted in vibrant blue or green and deep amber yellow. The hair is styled into an elaborate top-knot, painted in a muted brown. Areas left unpainted would have been 'cold-painted' after firing, contrasting with the vivid fired blue or green and amber pigments. The figure is shown with the left hand raised to the chest, as if holding something, possibly an offering or incense. Figurines like this were placed in tombs to guide the deceased on their journey to the afterlife. The Ming Dynasty was known for its exceptional artistic achievements, partly due to its economic prosperity. Since the Han Dynasty, it was customary to bury terracotta miniatures of everyday objects with the deceased. These items, known as mingqi, or "spirit utensils" and "vessels for ghosts," were believed to help and assist the deceased in the afterlife. Mingqi were crafted in the form of cooking utensils, miniature replicas of houses, temples, furniture, and other items. Anthropomorphic and zoomorphic terracotta figures were also popular, designed to assist, entertain, and recreate the living world for the deceased. Period: Ming Dynasty Medium: Green/blue-glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : 1) Ancient & Oriental - Terracotta Tomb Attendants (Type : Highly related) 2) La Maison De La Petite Sara S.r.l. - Archaeology section - A Black glazed Terracotta Statuette, Servant with Trumpet, Ming Dynasty (Price realised : 700 GBP / Type : Highly related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : 1) Indianapolis Museum of Art - Dinastia ming, figure maschili, 1368-1644 (Type : Closely related) 2) V&A Museum - Accession number FE.295:1, 2-2005 (Type : Closely related) 3) Sotheby's 01 May 2007 - The Collection Of Paul Otto Taubert & Jewellery And Decorative Arts - Lot 233 (Price range : 5,000 - 7,000 AUD / Type : Closely related) 4) Asian Art Museum, San Francisco - Object number B60P1631 - Standing Man Tomb Figure * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

This pair of straw-glazed pottery figures represents a male and female court attendant, both elegantly attired in period fashion. The female figure wears a flowing robe with draped f...

A pair of Chinese Ming Dynasty glazed earthenware figure of Attendant The condition of these 5 century old glazed pottery tomb figures is outstand...

This Chinese terracotta group of figures is made up of three figures of Chinese dignitaries in glazed green and ocher terracotta on hexagonal bases and removable heads. From the d...

A Pair of Chinese Enameled Sancai Glazed Pottery Attendant Figures Representing Dignitaries. Ming Dynasty Period. Circa 1600AD Dimensions; 23 x 5.5 x 5.25 inches (58.4 x 13.7 x 13.3 ...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...