Vintage Chinese Porcelain Plate, Made in China, Early 20th Century

Chinese ceramic plate, China early 20th century. Floreal motifs on the edge and chinese scene in the centre of the plate Plate diameter 3...

Chinese ceramic plate, China 19th century, probably realized in the reign of Guangxu during the Qing Dynasty. Floral motifs on yellow, with ch...

Chinese ceramic plate, China late 19th century. Iron hook on the back Plate diameter 22 cm. Good conditions except for a minor loss on ...

This porcelain wall plate is a decorative object manufactured in Japan at the end of the 19th century. This refined wall plate is completely ma...

A very nicely decorated plate with a rare size 14-11-18-1-1 Condition Overall condition a (Good) lots of rimfrits as to be expected from this type of kraak porcelain. ...

Large antique quality Chinese canton charger, having quality hand painted panels with flowers, leaves, trees, people, birds and butterflies in wonderful...

20th century, Chinese porcelain plates

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...