Early 18th Century Metalwork

A massive Chinese blue cloisonné vase or urn depicting a colorful imperial phoenix with gilt bronze wires among birds and butterflies in an imperia...

Beautiful handcrafted antique tinned copper decorative octagonal betel box with with lid, handle and brass latch. The metal is delicately and int...

A Grand Meiji Japanese Cloisonné Enamel Tray – Lush Cherry Blossom Garden with Sparrows, Quail, and Japanese Fountain, Circa 1890 This monumental exhibition-size Meiji period Japane...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

Large Chinese enamel bronze cloisonne charger. Unusual and rare bronze Chinese Cloisonne charger. The brightly multicolored enamel decoration feature...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

Chinese black enamel cloisonné and brass ginger jar vase with chrysanthemum flowers, dogwood flowers and a butterfly and beautiful rich colors. Hand crafted on solid brass.

This slender metal container is a 19th-century white brass incense burner, used for storing and burning incense sticks. The small box has a rectangular form and a removable sliding t...

Large Chinese Cloisonne enamel bowl, Qing Dynasty Exceptional and finely decorated Chinese cloisonne punch bowl with gilt metal foot and rim. The bowl has slightly flaring sides ...

Filled with burning coals, this petite 19th-century brass brazier once warmed the hands of a well-to-do person on a cold winter's night in northern China. The brazier is crafted of white brass in a rectangular form, complete with a hinged handle and an intricately pierced lid with a chrysanthemum pattern. The exterior is etched with a pattern of golden coins...

A Japanese covered tripod enamel over metal tea pot. Circa: the first half of the 20th century. The tea pot is enameled with polychrome medallions with flowers, butterflies, and a Ph...

A charming Chinese green glazed pottery censer or incense burner, Qing Dynasty, late 19th century. Now suitable for use as a jardiniere or vase. The incense burner in glazed a deep green, in imitation of bronze models, and set on four tapered legs attached to a rectangular stand...