1960s Minangkabau Gilt Metal Bridal Headdress, Sumatra, Indonesia

A fine pair of late 19th century Chinese Qing dynasty carved Peking glass bowls in a lovely amber hue. The matching Peking glass bowls carved with opposing scenes of birds amongst flowering branches on a rocky outcrop. The amber glass bowls...

A small and finely decorated Japanese Satsuma tripod incense burner (koro), signed Kyozan, Meiji period, circa 1900, Japan. The censer, koro, with a compressed body supported by t...

A fine Japanese Satsuma stoneware incense burner, koro, Meiji Period, late 19th century, Japan. The koro of square shape with curved sides,...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...

Man’s Ceremonial Headdress Naga people, Northeast India Probably 19th century Cane, yellow orchard fiber, dyed goat hair plume A handwritten...

Mid-Century Decorative Metal and Wood Signaling Stop Disk, 1960s, in Very Good conditions. Designed 1960 to 1969 Additional information: Material: Metal, Wood Color: Brown Styles: M...

Timor Island sculpted wooden traditional mask (circa 1970s) on contemporary metal stand. This is a traditional mask of a figure with male facial features and two holes as eyes and another for the mouth with a handle below the face. The island of Timor gave rise to a distinctive practice of creating traditional masks whose precise origins and significance remain uncertain. Portraying both male and female ancestors, they were held by men during dances and other ceremonies, including celebrations of victory in war. Carved sculptures and masks are specific to rural villages. Here the practice of animism, or nature-worship, is incorporated with the carving of ancestral statues and masks, which have a ritualistic function. Some occasions that call for these ceremonies may include asking for successful crop planting, for prosperity, for good weather...

Carved buffalo horn tattoo ink pot from Timor Island, Indonesia (circa 1940s-1950s) on a modern stand. The carving on this piece is very skillfully detailed at a level well surpassing most pieces from the region. A monkey grasps the ink pot as if it were climbing a tree trunk. On the forepart of the pot an ancestral or ritual mask...