1850s Scholar's Objects

An exquisite late Qing dynasty display Stand of longyan wood, carved as a miniature "kang" table. The center panel features an amazing grain that delights the eye, while a soft glo...

A Large Pair of Chinese Export Turquoise Foo Dogs  China, 20th century  This impressive pair of Chinese export porcelain foo dogs, made in the 20th century, highlights exquisite cra...

Great pair of mid-century polychrome glazed ceramic foo dogs from China, circa 1950s. Great detail with each dog holding a coin medallion in its mouth and a beautiful color combinati...

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

Pair of charming polychrome ceramic Foo Dog / Lions in the Qing Style. Fantastic detail and a beautiful color combination of ochre, green, brown and blue. Foo dogs are symbolic, pro...

Large Pair of Chinese Export Sancai Glazed Foo Dogs China, 20th Century An exquisite, large-scale Sancai glazed pair of Foo Dogs, featuring elaborately decorated Foo Dogs with rema...

a female and a male foo lion/dog

Pair Of Chinese Glazed Ceramic Foo Dogs. This unusual pair of Chinese export glazed ceramic foo dogs are of cream and black color with illegible...

On offer is a Japanese ceramic tea bowl (chawan) used in the traditional chado ceremony. The bowl was potted in clog form with a ring foot shaved extremely low. Its size and harmonious proportion make it perfect to be held in both hands during chado. Classified as shino ware...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

Each seated on pedestals one stepping on a ball the other clutching a reptilian creature. Painted in the spinach and egg color.

Pair Of Chinese Turquoise Glazed Porcelain Foo Dogs. A large pair of Chinese turquoise glazed foo dogs dating from the first half of the 20th c...