5.5x7.6 Ft Needlework Bedspread in Yellow. Wall Decor Fabric. Embroidered Throw

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

A Korean embroidered silk rank badge (Hyungbae in Korean) from late Joseon Dynasty circa the end of 19th century. The badge features a design of double leop...

A woman's coat made of black silk with wide sleeves from Chinese late Qing Dynasty (mid to late 19th century), mounted and presented on blue linen board and framed as a stunning piec...

An embroidered silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar), this multi-lobed t...

A silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar), this multi-lobed textile piece was a detachable collar worn around the shoulders as part of the traditional Chinese garment accessory. With its origin dated back to the Han Dynasty and being used until the end of Qing Dynasty, the form evolves with time, but much of the ornamentation and fundamental symbolism remains the same. This striking example features a two-tiered design with seven lobes on each circle, all of which are variations of the shape of auspicious "ruyi", which represents the head of Lingzhi mushroom, a symbol of longevity. The inner lobes feature elaborate embroidery floral design with long and short satin stitches. Notably, one panel has a double gourd design, the symbol of fortune. The outer lobes show a simpler but bolder vision with the outlines of the designs lineated with metallic threads buddled in chain stitches. Small jade beads were used to link the piece together and most of them still remain. The piece as a whole has a very pleasant lilac purple color, delicate with the jade beads. In Qing Dynasty, the silk collar with high quality was worn by noble or aristocratic women. The red color and the lotus boy symbol indicate that it was most likely part of the fashion accouterment worn during wedding ceremony. The collar is beautifully float mounted within a double conforming mat in a giltwood frame and wood backing. A stunningly presented period piece with story to tell. Reference: For a collection of Chinese embroidered collars...