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Japanese Antique Fukusa Textile Art Meiji Period
About the Item
A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. It depicts two of the shichifukujin (seven gods of fortune in Japanese mythology) on a small boat. On the left is Ebisu, the patron of fishermen who symbolizes abundance in foods. On the right side is Hotei, the god of fortune, guardian of the children, patron of diviners and barmen, and also the god of popularity. The two gods seem to be engaging in a conversation with their boat docking on a small rock in the middle of ocean waves. The sun rises in the far distant haze with two cranes in flight. A Mon symbol in gold thread was embroidered on the lower left side indicates the family crest. Yuzen resistant dye was used by a master's hand to render the subtle effects of the waves and the gradual haze. Embroidery was used sparsely in a very refined manner to highlight the small area of the costumes. Tiny beads were used to depict the splashes of the water. It is truly a beautiful piece of textile art done with astounding techniques.
The piece has a red floral silk backing and still retains three of the four tassels with a crystal bead on corners, as well as decorative stitches along the edges.
Fukusa is a traditional Japanese textile art used as a panel for presenting gifts at important occasions. It tends to carry a family crest.
- Dimensions:Height: 27 in (68.58 cm)Width: 26 in (66.04 cm)Depth: 0.1 in (2.54 mm)
- Style:Japonisme (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Early 20th Century
- Condition:Wear consistent with age and use. Antique textile condition, one small dark mark, minor discoloration/stains, small holes on the silk backing, missing one tassel, folding lines from storage. Unframed, all as shown.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU945017943772
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Located in Atlanta, GA
A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery.
The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest).
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A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details.
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