Paper Textiles

China has a long tradition of carpets and the original ones, probably used as merchandise, are dated at over 2000 years ago. The art of knotting carpets was however, introduced somewhere around the 15th century in China. The patterns on some of the older Chinese carpets...

A Japanese Edo Period two panel folding screen with white and brown hawks of ink and color on paper.

19th Century Chinese Silk Embroidery ( 1'6'' X 4' - 46 X 122 )

Serene Japanese late Taisho period early Showa period two-panel byobu screen featuring a colorful bamboo loquat landscape with a butterfly. Beautifully crafted in the Nihonga school ...

Late 19th / early 20th century Japanese Meiji period two-panel folding byobu screen featuring a winter landscape with a Chinese country villa and distant village. Kano School screen ...

Fascinating Japanese 19th century meiji period two panel folding byobu screen. The screen features flowering autumn plants and grasses: chrysanthemum, brush clover, Chinese bellflowe...

Size when unfolded: 3480 x 1180 x 15 mm Can be folded to 580 x 1180 x 105 mm.　7㎏ Estimated size after packaging (sandwiched between 5 mm plywood): 22 CM x 70 CM x 130 CM Weight 22 KG...

Serene Japanese Showa period two-panel folding byobu screen depicting a large spring blossoming prunus tree or plum tree. Beautifully painted with ink and natural color pigments on m...

Katsura, Ermitage et Jardins - Un Moment de Perfection (Katsura, Hermitage and Gardens, a Moment of Perfection), French Book by Office du Livre, Vilo Editions Paris, 1986. Book by Arata Isozaki and Osamu Sato; photographs by Yasuhiro Ishimoto; French translation and commentary by Pierre and Suzanne Rambach. A visit to Katsura, the imperial villa, is a circuit of an hour. One emerges amazed, astonished, and dazzled. What remains are the intense images captured by the eye, captured by the moment that flees without recourse. Amid its garden and the four tea pavilions that border the central pond, built in the 17th century by Prince Toshihito, on the banks of the river that flows through Kyoto, Katsura remains the image of refinement. Villa, also known as Katsura Rikyū, is an architectural gem located in Kyoto, built in the 17th century by Prince Toshihito. Designed as a place of relaxation for the imperial family, this villa embodies not only the elegance and serenity of Japanese architecture but also the perfect harmony between man and nature. Visionary architects Bruno Taut and Walter Gropius of the Bauhaus movement, as well as Frank Lloyd Wright, Alvar Aalto, and Le Corbusier, were influenced in their designs by the Katsura Imperial Villa, particularly by its minimalist approach, clean lines, and profound respect for the environment. This helped to disseminate and integrate the principles of Japanese architecture into the modern movement. The elegance of this princely "hermitage" and its tea pavilions creates an atmosphere of serenity and highlights the natural beauty of its surroundings. Its landscaped gardens, true contemplative gems, feature a meticulous arrangement of ponds, bridges, rocks, and vegetation, creating a subtle harmony. It is said that the brilliant gardeners of the Katsura Villa brought about a revolution: for the first time, they introduced, into the landscapes they created by imitating nature, elements that could only come from man: straight lines, regular geometric curves, or, conversely, skillfully rhythmic ones. In short, the Katsura Imperial Villa is a cultural and architectural treasure offering a fascinating insight into traditional Japanese aesthetics and philosophy. This is a beautiful coffee table art book. The authors: Arata Isozaki (磯崎 新, Isozaki Arata...

Gorgeous Japanese Showa period four panel byobu screen depicting a wooded valley landscape with a rustic dwelling near mount Fuji. The screen is decorated with fantastic, vivid blue ...

A pair of framed antique Chinese embroidery textile panels circa 19th century of Qing Dynasty. Each piece features two mirror-matchin...

A lovely Kutani porcelain model of a beautiful woman, bijin, or perhaps a geisha, Showa era, circa 1930's, Japan. A charming and delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, or perhaps a geisha, is portrayed dressed in full kimono and holding a closed folding fan in one hand. Her kimono of a rich and deep blue hue, with images of plump pomegranates in gilt. Her wide obi of a striking red color, and patterned with branches of pink blossoms. One foot, clad in a white tabi...