Painted Textiles

Asian Decorative Art Phad Painting Rajasthan Royal Procession. Add a festive touch with this superbly hand painted Phad painting of a Rajput Royal Pr...

Large Vintage Pichhavai Painting of Krishna with Female Gopis Dancing. Colorful Pichhavai hand painted on cotton cloth, circa 1940, depicting a scene from the life of Krishna, in a garden setting. One of a kind Pichhavai painting of Krishna with female Gopis dancing, the composition is enclosed in a lush green forest and the colors of the dresses play off against the vegetative forms, adding a lively pattern to the whole composition green and black border with stylized floral motifs on a blue ground, border composed of meandering leafy vines and multicolored flowers. A Pichhavai painting depicting Krishna, represented in multiple places with female Gopis dancing and offering, great colors, the composition is enclosed in a lush green forest and the colors of the dresses in yellow and oranges play off against the vegetative forms, adding a lively pattern to the whole floral composition, with a colorful Gopis and worshipers. A beautiful antique early 20th century Pichhavai painting depicting Krishna represented in multiple places with Gopi dancing. This piece is all hand painted in pastel colors. It is believed that Krishna enchants the world, but Radha enchants even him. Therefore, she is the supreme goddess of all and together they are called as Radha-Krishna. Gouache on cloth. Rajasthan Jaipur, Indian, Himalayan and Southeast Asian Decorative Art. One of a kind hand-painted. Some damages on the corners. Not framed will be shipped rolled. Dimensions height: 47.25 in. width: 36.5 in. A Picchawai is a large-scale temple hanging made for temporary use in a Pushti Marg shrine. The Pushti Marg (Path of Grace) is a Hindu sect that focuses on the worship of Krishna. One of a kind large size painting on cloth depicting the story of Krishna from a young age. Hand Made painting on cloth.This is an exceptional example including quality of line and design. Not framed, will be shipped rolled. Hand painted in India Lord Krishna Beautiful Hand Painted Indian Traditional Religious pichwai with gopis .... "Maharaas" Maharas is one of the wonderful pastimes of Shri Krishna. It was conceived by the Gopis in Vrindavan in the month of Margashirsha. The gopis worshiped Goddess Katyayani continuously for one month on the sands of Yamuna in Vrindavan and chanted daily. Lord Krishna had to come because of his love and penance. Krishna created Maharas by holding different forms with each gopi there The A picchawai is a large-scale temple hanging made for temporary use in a Pushti Marg shrine. The Pushti Marg (Path of Grace) is a Hindu sect that focuses on the worship of Krishna. Pichhwai paintings...

Large vintage Mughal silk painting of a Maharaja Royal Procession, two royal couples on elephant, probably a wedding procession with servant walki...

A Kalamkari Temple Painting from South India depicting a Hindu story, circa 1900-1920. This hand-drawn, all-natural hand-dyed textile was a traditional artwork of the temple town of ...

Antique pair of Qing dynasty ancestor portraits depicting a male and a female. Hand painted on silk and framed under glass within a large te...

Antique Painting Depicting a Military Carriage Depicting a Western military leader in a Bicorn hat, possibly a general, or perhaps even Napoleon riding past in a horse-drawn carriag...

An early 20th century 'Kamasan' cotton textile painting from Bali, Indonesia. The hand-painted image has great detail and depicts Balinese Hindu mythology. Dimensions: Height 84c...

A Tibetan Thangka Depicting The Bhavacakra Early 20th century, Color on cloth. A thangka showing the bhavacakra with the ancient five cyclic realms of samsara in Buddhi...

Jim Thompson elephant print large 32 inches square linen decorative pillow cover in burnt orange color. Elegant burnt orange designer large ...

1930s Paisley Kalamkari textile from India. Hand blocked vegetable and iron oxide dyes on cotton. The fabric is printed using patterned wooden st...

Offered are a pair of post war Japanese Kabuki paddles circa 1960, featuring a male and female Kabuki character actors in full traditional Japanese r...

Antique Moorish Paisley Kalamkari textile from India. Hand blocked vegetable and iron oxide dyes on cotton. The cotton fabric is hand printed using patterned wooden stamps...

Vintage large Isfahan block printed cotton hand printed fabric bedspread or wall Hanging Textile or table cloth. Persian Paisley Kalamkari textile hand b...

A Chinese Qing dynasty period cinnabar lacquer leather pillow from an antique opium bed, with hand painted floral motifs. Created in China during the...

Tibetan Thangka, Kuan yin (Avalokitshvara), finely painted with colored inks on silk. It is all hand painted with Tibetan natural mineral color painting material which can last for a...

A Kalamkari Temple Painting from South India depicting a Hindu story, circa 1900-1920. This hand-drawn, all-natural hand-dyed textile was a traditional artwork of the temple town of ...

A large Pichhavai painting depicting Krishna, represented in multiple places with female Gopis dancing and offering, great colors, the composition is enclosed in a lush green forest ...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

A magnificent antique Japanese silk obi fragment from the Meiji period (1868–1912), showcasing exceptional hand embroidery and gold leaf overlay. This refined textile features a pai...

The unique batik zabuton covers are adorned with golden dragons and are believed to have been originally ordered for a temple. The cushion covers were made under the Tanaka Rishichi ...

Stunning Japanese Wedding Kimono, hand painted with exceptional details in rich warm colores Has a red silk interior, wooden rod is NOT included An inc...

Vintage fine quality silk kimono - hand sewn with gold embroidery - hand-painted silk textile - white silk crepe and off-white rayon lining - signed - original label attached to the ...

An absolutely gorgeous example of the traditional Antique Persian hand-blocked tapestry textile. Persian Kalamkar (Qalamkar or Ghalamkar) woodblock print textile is from the great ci...

Presenting a beautiful and iconic vintage Indian tapestry of Shah Jahan and Mumtaz Mahal. We are of the opinion that this is from the early 20th centur...

Velvet Throw Pillow by Gabraith & Paul. Galbraith & Paul taupe and jade green square velvet throw pillow. The pillow is hand block printed with a geometr...