Polished Textiles

This dramatic wall hanging is an impressive statement piece for almost any room.Custom sizes and others colors available by request. Each piece is completely made to order and is av...

This is a traditional Japanese noren (fabric shop curtain) dating to the Taisho period (1912–1926), crafted from cotton dyed with persimmon tannin (kakishibu). Over time, the dye has...

A Japanese formal Kimono made with a very fine black linen gauze augmented with applied modern circle pattern. The garment was hand-stitched and dated to circa 1930-50s. The black ga...

Franciscan Fabrics Linen Collectable 1970-1979 Time Period Manufactured Interiors Fabric. Franciscan Fabrics San Francisco hand block print upholstery fabric. Such a beautiful rich &...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

This dramatic wall hanging is an impressive statement piece for almost any room.Custom sizes and others colors available by request. Each piece is completely made to order and is ava...

Ripple is our love letter to indigo dye, detailed shapes ripple beautifully throughout the bold pattern, seen here in Silver. Pigment printed on 100% Belgian Linen. Designed in New Y...

Taking a cue from the undulating shapes of our indigo velvet pillows, Wave is a bold and artful design, seen here in Jade green. Pigment printed on 100% Belgian Linen. Designed in Ne...

Taking a cue from the undulating shapes of our indigo velvet pillows, Wave is a bold and artful design, seen here in Gold yellow. Pigment printed on 100% Belgian Linen. Designed in N...

Introducing our exquisite new suzani hand embroidered wall hanging, a captivating piece that combines ancient craftsmanship with modern artistry. This embroidered cloth is not just a...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...