Andrew Galvin Footed Tray, American Studio Art Glass

Vintage glass bowl in biomorphic shape was created by Rick and Janet Nickolson in 1992; it features a pair of abstract patterns in pink, cream, and white glass fused on thin, almost transparent green glass background. The green color deepens around the heavier base, creating a contrast with the light, ethereal body of the bowl. The bowl is signed and dated on the base near the bottom. Rick and Janet Nicholson of Nicholson Blown Glass Studio have worked together as a successful team since 1979. Rick first studied glass with Don Hartman and the University of Southern California and was a TA at Pilchuck Glass School for Dale Chihuly and Fritz Dreisbach in 1981; he continued to study with such notables as Therman Statom...

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...

Vintage art glass bowl features striking Art Deco style 5-lobed pulled feather decor in blue, purple, and Bordeau red glass, enclosed in clear glass. The center of the bowl has a convex element, adding an Op-Art element to the composition. The design of the bowl is reminiscent of the pulled feather pieces that Morel created while at Orient & Plume, but the choice of semi-transparent and clear glass instead of colored iridescent glass, used in his earlier works, shows a Post Modern influence and a more contemporary take on the American Art Nouveau glass tradition. The bowl is signed in etching by the artist on the bottom with "Zellique Studio JM 8-1988 FBVI98". Joseph Morel is an established American glass artist, based in California. He began his career in glass artist at California State University, Chico; after graduating in 1973, he worked at Orient & Flume Art Glass, an internationally renowned glass studio, where he was mentored by visiting European glass masters over the next seven years. Orient & Flume early work was directed toward recreating the silver-luster or iridescent glass of turn-of-the-century artists like Tiffany, Steuben, and Loetz, for example, Tiffany Cypriote glass and Steuben Aurenes. The company regularly drew in other artists with various skills in working glass, creating learning opportunities for their employees. In 1980, Morel opened Zellique Art Glass in Benicia, California, where he was able to utilize his skills a glass designer. As the American art glass movement grew, other glass studios opened in Bay Area in 1980s - 1990s; in early 2000s there were five glassblowing studios in Benicia: Zellique Art Glass, Lindsay Art Glass, Nourot Glass, Opal, and Smyers Glass...

Striking Organic Modern bowl in shades of purple was hand blown with fluid, folded edge. The jewel-like amethyst and lavender colored glass inclusions were placed in abstract, graphic pattern on soft lilac background, and enclosed in clear glass in sommerso technique. Minimal, almost monochromatic color palette balances complex shape of the piece, and the subtle flow of the pattern guides the eye along the folded glass surfaces. The bowl is signed and dated by the artist in etching on the bottom. We are offering similarly shaped Vitrix bowls in buttery yellow and amber palettes in separate listings. Thomas Kelly is an established glass artist working in Vitrix Hot Glass...

A beautiful rectangular transparent art glass tray with goldleaf applique in a basket weave pattern. A great piece to serve with or use as a vanity tray, jewelry tray, etc., (shown h...

Modern Yellow Art Glass Footed Bowl, with applied black spiral caning decoration to top and bottom rims, illegibly signed and numbered "m 07/ 14" to underside. 13.25" H x 10.75" Diam...

1840s antique American glass footed compote or bowl. Free form blown clear glass. All-over engraved acorn and oak leaf motif. No makers mark.

Beautiful vintage mid-20th century Italian murano Venetian hand blown art glass footed bowl. Fabulous delicate light bowl in jade color with red rim. Beautiful decorative piece for any table or shelf, very delicate decorative bowl with organic modern colors. Hand blown murano glass bowl with magnificent jade light...