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Ceramiche Mola Majolica Tray Ashtray Sardinian Girl, Cagliari Italy
$1,350
£1,024.35
€1,171.25
CA$1,885.58
A$2,096.51
CHF 1,094.68
MX$25,519.67
NOK 13,967.68
SEK 13,087.05
DKK 8,741.26
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About the Item
Rare majolica small tray or ashtray is shaped in form of bust of young woman wearing traditional Sardinian costume, leaning on her crossed hands with her eyes closed. White color of her shirt creates a perfect backdrop for her colorful headdress and beautifully detailed face.
Alessandro Mola was a renowned sculptor and ceramist of the first half of the 20th century; he founded Ceramiche Mola, that eventually passed to his son Fabio and his grandson Alessandro Jr. In 1930s Alessandro Mola collaborated with the Essevi and the painter, ceramist and designer Sandro Vacchetti; his pieces were in production at Essevi from 1934 to 1952. In 1930s-1940s Mola collaborated with Lenci factory. In this period, he produced small female sculptures in Sardinian costumes, creating ceramics that were inspired by Sardinian traditions, but had strong modernist accent, such as his famous Head of Desulo.
The tray is signed with "S. Mola Cagliari" on the bottom; lack of Italy or Made in Italy in signature suggests that the piece was intended for domestic markets. S. Mola in the signature indicates that the piece was hand painted by Stelio Mola.
Bibliography: Alessandro Mola. La Ceramica Artistica a Cagliari Tra Essevi, Lenci E Folklore Sardo 1934-1957 by Marco Marini, Maria Laura Ferru.
- Creator:
- Dimensions:Height: 2.25 in (5.72 cm)Width: 5 in (12.7 cm)Depth: 3.5 in (8.89 cm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1930s-1940s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421140931842
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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