Birch Decorative Dishes and Vide-Poche

XL birch plywood tray or platter by Saarinen & Schauman Wisa Made in Finland, second half of the 20th century Marked accordingly.

Vintage Finish Birch Deco Plate from Tailio Design, Finland, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional information: Materi...

Remissus vide-poche by Vilde Hagelund Current Production Dimensions: W 12 x D 12 x H 1.5 cm Materials: Birch wood. Remissus is inspired by the wat...

Swedish antique birch hand made wooden bowl. Made to be used as a dining dish / plate. Fine quality of handwork. this is are true piece from the early 19 century. Beautiful patina o...

Swedish antique birch hand made wooden bowl. Made to be used as a dining dish / plate. Fine quality of handwork. this is are true piece from the early 19 century. Beautiful patina o...

Dish designed by Tapio Wirkkala, Finland, 1950s. Laminated birch. Signed. Dimensions: W: 19.4 cm/ 7 2/3" L: 36.7 cm/ 14 1/2" Tapio Wirkkala (1915-1985) can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. Tapio Wirkkala studied sculpture at the Helsinki Central School of Industrial Design from 1933 until 1936, but he was also a self-studied artist in many areas, including glass design. His success as a glass artist began in 1946 when he designed one of his most famous works, the Kantarelli vase, for Iittala. Wirkkala gained worldwide success in 1951 at the Milan Triennial, where he received three Grand Prix awards: for the exhibition architecture, glass design and wooden sculptures. Tapio Wirkkala felt a deep relationship with nature and his absolute favourite spot was located in Finland's deepest forests. From the beautiful landscape, Tapio Wirkkala could find inspiration for his works, often characterised by organic shapes. Leaves, birds, ice and water are recurring themes in his design. Tapio Wirkkala was also a furniture designer and a sculptor. He started his career as a sculptor in the 1930s but abandoned the traditional sculpture in the post-war years – in the early 1950s, alongside with other works, he started to develop an entirely new relationship with sculpture and a new technique to be used. The result was a series of unique plywood sculptures which combined form and movement in the vibrant, densely lineated surface of plywood. Wirkkala’s sculptures represented exceptional abstractism and gave Finnish sculpture...